"To feel alive again" : The Boho's Lament

A tribute to Phillip and his storytelling that celebrates the New York City he once knew - via

A tribute to Phillip and his storytelling that celebrates the New York City he once knew - via

"I want to sing the song of my life to the world with a guitar and a park bench.

I wanna get crazy, get high, get excited, get happy, get creative, get arrested.

I just want to feel alive again.

I've been to New York a few times. The last time I was there, I bought an "I (heart) NY" t-shirt. I regret it.

Because it was just a facade. 

Because I didn't actually feel a thing.

 

For more on . . .

-N- Stuff  :  Documentaries  :  Photos of NY from the early 1920's   :  The people Joseph Rodriguez saw through the windshield.

 

 

 

Francois Clemmons : becoming Mr. Rogers' Neighbor

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Officer Clemmons was one of the first reccuring black characters in a children's tv program, but initially, actor Francois Clemmons was reluctant to take the role because he had grown up in the late 60's white America, and for him, cops were not people to be trusted, or imitated. But when Fred Rogers started talking about the "children needing helpers and the positive influence {he} could have on young children," Francois decided to take the role.

He then went on to play officer Clemmons for the next thirty years.

Here is the full episode. The scene with Fred and Officer Clemmons starts at 5:54 and runs till 10:15. It's worth the watch.

What I love about this scene is that Fred Rogers, with such acute purpose, is breaking down the social and racial barriers that so many white Americans of his time worked so hard to keep, that the African American people were nothing like white America and should therefore be forever segregated.

So Fred Rogers asks Officer Clemmons to sing, giving him skill and beauty and craft, something that didn't fit into the single story of who and what black America was.

Then he invites him to sit by the pool with him - a taboo for many white Americans. And when they've finished, Fred Rogers washes Officer Clemmons' feet, showing humility and honor to a black man in a way that aggressively (yet gently) contradicted the images and popular opinions of the day - white's serving blacks, are you kidding!?

Lastly, he softly asks, "Did you ever take a bath in a little pool like this, when you were a boy?"

"I sure did," Officer Clemmons responds. And this is perhaps my favorite part because suddenly, Officer Clemmons, a black man who was fully and completely different, is suddenly relatable, he's suddenly a child who cooled off in a plastic pool on hot summer days, just like the white kids. Suddenly, all the kids and parents all across American, no matter their color, their religion, or their age had something in common with Officer Clemmons. Suddenly, and subtley, Officer Clemmons is more than a simple stereotype, he's human. 

"To say that he didn't know what he was doing, or that he accidentely stumbled into integration or talking about racism or sexism, that's not Mr. Rogers." 

There are many ways to say, "I love you" Office Clemmons sang, but for Fred Rogers they all boiled down to one: seeing and treating people with dignity, not matter how they looked or talked or lived. He just loved them. 

And he encouraged us to do the same.

 

For more on . . .

-N- Stuff  :  Mr. Rogers and the Power of Persuasion  :  The History of Mr. Rogers Sweaters

Featured Photographer : Hajjat Hamidi

Thanks to my wife, I recently came across this Iranian photographer, Hojjat Hamidi, and I think it's time you do too.

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Ever wonder what people are thinking? I do. And I could sit and stare and wonder at this photograph for hours.

 

Shepherd and his lamb

Shepherd and his lamb

The Horse Story

The Horse Story

When my wife saw this she said, "Who takes photos like this?" and I wasn't sure how to answer because I couldn't pull myself out of this moment. Just gorgeous. 

To see more of Hojjat Hamidi photos, follow him on Instagram. He has over 26.6k followers, so I don't think you'll be disappointed. 

 

For more on . . .

-N- Stuff  :  Photography  :  Inspiring art

The Other Half : February

Ideas, articles, videos, and others things I've found interesting but never posted. 

 

Films:

You Are My Friend - a film based on the life of Jim Neighbors (Mr. Roger's Neighborhood) is currently in the works with Tom Hanks taking the lead roll.  Production will begin this fall. And I'm more giddy about it.

Edith and Eddie Nominated for an Academy Award®, Edith+Eddie is a devastating film about the country’s oldest interracial newlyweds. Edith and Eddie are deeply in love, but that’s not where the story ends.

Field of Vision: Concussion protocol - a extremely well crafted, short visual documentary on the viciousness of the NFL, and the dangers that hide behind every highlight hit. "It’s not a headache. It’s not 'getting your bell rung.' You don’t have a bell. It’s a traumatic brain injury. Every single concussion is a new traumatic brain injury. In addition to the torn ACLs and MCLs, in addition to all of the horrible broken bones, the NFL diagnosed at least 281 traumatic brain injuries this season" (via).

 

-N- Stuff:

Enjoyed listening to this conversation with Jay-Z about race, music, the benefit of Trump as president, and the power of conversation. He isn't perfect - by any stretch of the imagination - but I appreciated the conversation, and the conversations it should inspire.

The 2018 Underwater Photos of the Year are out! Which is a little strange, because it's mid February, but I digress. "The standard of this year's entry was even better than last year... and that should in no way belittle last year's because they blew us away then!" Peter Rowlands, Chair of the jury 2018.

 

Outdoor LIving:

Dabney and Alan decided they wanted to live in a Fire lookout so they built one in the mountains of Oregon. And it's pretty friggen amazing. 

 

On Pancakes:

These are not the images of the moon you're looking for. Because they're pancakes. 

 

BE SURE TO SCROLL DOWN AND SUBSCRIBE - THANKS FOR READING!

Jesus of Siberia is a sort of Handmaid's Tale come to life.

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My friend described it as terrifying, and I wouldn't disagree. 

Last year, around this time, I read Silence by Shusaku Endo and found it to be one of the most challenging and favorites of the year. I don't think I will say the same for The Handmaid's Tale, but for many reasons, they strike me as fairly similar, but also radically different.

If Silence is a challenging of the nuts and bolts of truth, The Handmaid's Tale questions the structure altogether, painting a pretty intense and disturbing picture in the process.

Specifically, the role and power and abuse of religion.

Like the kind of power Jesus has, in Siberia.

For me, it's almost easy to watch this and point out the weirdos, the brainwashed, and the "holy shit you can't be serious!" individuals. But then I found myself wondering, if Jesus of Nazareth were alive today, or if Vice News were around then, wouldn't the locals and surrounding communities see Him in much the same way?

Maybe. Probably. 

Because the followers of Jesus of Siberia speak much the same as those who follow Jesus of Nazareth. So what makes them sound so crazy?

(Narrator) Rocco Castoro: "Is there anything, perhaps, you disagree with here, with the teaching?"

(Follower) Tamriko Dgebuadze: "No, no, no, no."

Because, "Disagreeing with Vissarion's teachings is rare." And somewhat terrifying. 

The girls at the local school learn from "The Teacher" how to, live in peace with each other, how to behave with a man, and learn that "man is a creator", "master", because man "must build a house and comprehend masculine professions." 

And there's no other option. Because a woman taking on "leadership positions" are taking man's responsibilities, which will only lead to disharmony. If she rejects these rules, she puts her health at risk and the "harmony will punish her with a woman'd disease."

This is what makes The Handmaid's Tale so terrifying. Because it isn't that far off, it isn't that impossible. It could be right around the corner. 

 

A few favorite quotes:

But remember that forgiveness too is power. To beg for it is a power, and to withhold or bestow it is a power, perhaps the greatest (pg 133).

When guilt and shame weigh heavy upon the shoulders, we will do most anything to rid ourselves of it, or die trying. 

 

Maybe none of this is about control. Maybe it isn't really about who can own whom, who can do what to whom and get away with it, even as far as death. Maybe it isn't about who can sit and who has to kneel or stand or lie down, legs spread open. Maybe it's about who can do what to whom and be forgiven for it (pg 133).

Like molesting woman, like speaking the unthinkable towards men and woman of another color and country, like infidelity, dishonesty, and bigotry. Yet, given a muligan and allowed to continue, without ever having to make amends or take responsibility. 

Now that's power, The Handmaid's Tale sort of power. A God-like power. 

A terrifying sort of power.

 

Better never means better for everyone. It always means worse, for some (pg 211).

More to come on this later. But for now . . . WoW. I'll be soaking on this for a long while.

 

People will do anything rather than admit that their lives have no meaning. No use, that is. No plot (pg 215).

Even follow bogus religions, ideas, philosophies, or lies. Because it lets us sleep at night and wake in the morning. Because it gives us hope. Even if it is false, and empty.

 

The Handmaid's Tale is now a Hulu special. If I can stomach to watch it, it will only be to serve as a reminder and a caution. Because truly, this scares the shit out of me.

Because truly, it could be right around the corner.

TED-Ed also thinks you should read it, with a slightly better, more bells and whistles type of argument.

 

For more on . . .

-N- Stuff  :  Reading Log 2017  :  Reading Log 2018

Here I am, by The Boxer Rebellion

Fell in love with this song today, Here I am, by The Boxer Rebellion.

 I'll follow, blindly, however unlikely, that I'd find you, I'd find you. I just knew.

Here I am.

I lost you once I don't wanna lose you again.

This song is haunting and deeply moving. Yet, somehow, it is also romantic, in a raw and dangerously open sort of way.

The melody, the violin and piano, the pacing and the buildup. The pleading, "Here I am," and "I don't want to lose you again."

It's terrible and sad. Yet, so beautiful.

And I just love it.

 

For more on . . .

-N- Stuff  :  Music  :  Music Videos

A Gun's Life : Why we should expect more shootings

Today, I woke up, read, drank some coffee, slipped on the ice outside our house, then drove to work. As usual. 

When I got to my classroom I prepped for the day, made copies of some PDP notes for the novels my students are reading, then checked my emails. As usual.

When students began to walk the halls and fill their seats, I found it difficult to carry on the day, as usual.

So before each class, we talked about the shootings, the problems and solutions, and why it seems to happen so damn often (Since 2013, there have been nearly 300 school shootings in America — an average of about one a week - via).

We had more questions than we did solutions.

During lunch, I came across this video:

There are more gun shops in the US than Starbucks, McDonalds, and supermarkets put together.

That statistic was startling to me, terrifying actually, because if you want to know what a person, community, or country loves, look at where they spend their money and you will find the gods they serve.

We’re sacrificing America’s children to “our great god Gun”:

The gun is not a mere tool, a bit of technology, a political issue, a point of debate. It is an object of reverence. Devotion to it precludes interruption with the sacrifices it entails. Like most gods, it does what it will, and cannot be questioned. Its acolytes think it is capable only of good things. It guarantees life and safety and freedom. It even guarantees law. Law grows from it. Then how can law question it?

I'm not convinced that guns are the problem and that if we are to only get rid of them, all problems will be erased. However, I am convinced that if in fact getting rid of guns would prevent 100% of the shootings in schools, America at large would still cling to their rights, their freedoms, and their guns. And that shootings would continue.

But not so, in Japan.

A Land Without Guns: How Japan Has Virtually Eliminated Shooting Deaths:

The only guns that Japanese citizens can legally buy and use are shotguns and air rifles, and it’s not easy to do. The process is detailed in David Kopel’s landmark study on Japanese gun control, published in the 1993 Asia Pacific Law Review, still cited as current. (Kopel, no left-wing loony, is a member of the National Rifle Association and once wrote in National Review that looser gun control laws could have stopped Adolf Hitler.)

To get a gun in Japan, first, you have to attend an all-day class and pass a written test, which are held only once per month. You also must take and pass a shooting range class. Then, head over to a hospital for a mental test and drug test (Japan is unusual in that potential gun owners must affirmatively prove their mental fitness), which you’ll file with the police. Finally, pass a rigorous background check for any criminal record or association with criminal or extremist groups, and you will be the proud new owner of your shotgun or air rifle. Just don’t forget to provide police with documentation on the specific location of the gun in your home, as well as the ammo, both of which must be locked and stored separately. And remember to have the police inspect the gun once per year and to re-take the class and exam every three years.

Seems like a small price to pay to save our children, our classmates, our teachers, neighbors, friends, parents, and . . . fellow man.

I hear the argument, that we shouldn't blame those who aren't the problem - the responsible gun owners, and that creating more laws is only hurting the law abider, not the law breaker. I get it. But I also don't. 

More than a few of my friends are recovering alcoholics. I, however, am not. But, no matter how much I enjoy a cold drink on a summer evening with the taste and smell of the grill wafting through the air, when they are present, I don't drink. Even though I don't have the struggle, even though I can drink responsibly, I forgo my right to have and drink in my house because I want what's best for the other person. Not just myself. 

This, more than the actual guns, seems to be the bigger more predominant issue - individual rights over the community wellbeing. Japan and other Eastern countries not only have stricter rules and regulations, they also don't have a problem with them being implemented, because they are more of a group society, whereas Western countries care more about the individual. 

Dan Hodges said it this way, "In retrospect Sandy Hook marked the end of the US gun control debate. Once America decided killing children was bearable, it was over."

That sounds harsh, and I can think of more than a few gun loving friends and family that this doesn't quite relate to, but that doesn't steal much away from the stark truth of the sentiment that the discussion has come to a close. And if we're unwilling to even discuss the possibility of change, nothing ever will. 

In the meantime, expect more shootings. 

(for more excerpts on the United States of Guns, visit Kottke.org).

 

For more on . . .

-N- Stuff  :  Taking of a Buddy :  Hatred in America

Giant Snow Art : Simon Beck

"It started as a bit of fun. But gradually, it's taken over my life."

For the past decade, Simon Beck has been decorating the Alps with his stunning mathematical drawings, created by running in snowshoes across freshly laid snow. Each image takes him up to 11 hours to make and covers an area about 100m x 100m, requiring him to travel up to 25 miles as he marks out the pattern (via).
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Recently, he's diversified into beach art. 

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Watching artists being artists is always inspiring and encouraging to the heart and soul. It reminds me that the purpose of art is to express the beat and conscious of humanity and, if possible, to make or turn that beat into something beautiful, something that makes us stand and wonder of life, of possibilities, and of the greatest things about ourselves we have yet to reveal. Things that could quite easily take over our lives.

Like images in our minds, stomped out on a mountainside, for the world to see.

 

For more on . . .

-N- Stuff   :  Inspiring Art  :  Great Big Stories

Red Gerard wins gold, in slow motion

Inspired by Curtis Jackson, here is Red Gerard's gold medal run, in slow motion, and to the tune of Aaron Copland's Fanfare for the Common Man.

There's something about watching a seventeen year old young man accomplishing such a massive feat under intense pressure that makes me question many things in life. 

Yet, there is something to this as well that is truly inspiring. 

You can watch Red Gerard's run in real time here.

 

For more on . . .

-N- Stuff  :  Inspiring Art  :  Rock Climbing to Sigur Ros Chinese Dancers to Modest Mouse

The Sound of Black Ice

This small lake outside Stockholm, Sweden, emits otherworldly sounds as Mårten Ajne skates over its precariously thin, black ice. “Wild ice skating,” or “Nordic skating,” is both an art and a science. A skater seeks out the thinnest, most pristine black ice possible—both for its smoothness, and for its high-pitched, laser-like sounds (via).

So cool. Yet, so terrifying. The scene around the 2:08 mark, where the ice is cracking beneath his skates is really a remarkable sight. 

 

For more on . . .

-N- Stuff  :  Inspiring Art  :  The Art of Flying

on Why we Create : by Salomon Ligthelm

In our home, the discussion of why we create, why we pursue the arts, and if the intentional, and often unintentional, consequences are worth it. 

This video didn’t answer all our questions, but it helped. And inspired. 

Thank you John Blanchard for sending it our way! 

“It’s not about you, it’s not about all your talents because all those things create this sort of pseudo reality where you find all your validation in what you do. And if you surrender yourself to it then those things don’t become as important and you find your creativity again.

Creativity  is for others. It’s not to serve yourself. It’s for others” 

 

You can watch more of Salomon Ligthelm's work here.

 

For more on . . .

-N- Stuff  :  Inspiration  :  On Creativity  Short Films

On Discipline : Beyond Consequences

The students knew “G” was going to lose it eventually because they knew him, and because he’d been brewing ever since the first week of school. But I didn’t. I was new to the district and didn’t know “G” from Adam. So when he yelled, “Man, Fuck this shit!” and slammed his book shut, I was a more than a bit stunned. When I told him to sit back down, he refused, saying, “This is bullshit!” and walked out the door.

We were in the throws of reading “The Crucible” and just about to read one of my favorite scenes, so instead of following “G” out the door, I smiled and I asked them to continue on. “G” could wait.

A few minutes later, the bell rang and I went to the principal’s office and asked for “G” to not be suspended or get detention. Instead, I asked that he be allowed to spend the next week eating lunch with me.

“Why?” she asked.

“Because of my father,” I responded.

Growing up, I often heard stories of how biblical shepherds handled sheep that constantly strayed – they would break the sheep’s legs.

Then, because the sheep could no longer walk, the shepherd would carry it on his shoulders until it healed. During this time, a bond of trust would form between the shepherd and the sheep. Once healed, the sheep would no longer leave the shepherd.

So, when my mother told me not to borrow her bike and I did anyway, she tried to break my legs.  

My bike was fine, but hers was better, and the road to my friend’s house was long. So long in fact that it took thirty minutes for her to catch up in the car. It took her less than three minutes to bolt from the car, stuff her bike into the undersized trunk, yell, “WALK HOME!” and whip the car around and through the oncoming traffic.

By the time I made it back to the house, the cool of the evening was beginning to settle in and I had some pretty fantastic excuses worked out.

I walked through the front door, parched, and ready to wash myself of blame and trouble. She too was ready, “Go to your room,” she said, “Wait for your dad to come home.” When she didn’t glance up from her floured tabletop and rolled out dough, I knew I was in trouble.

The hours between then and my dad’s pickup bouncing over the curb were forever. The hour it took for my father to slowly open the door and sit on my bed was even longer. The talk, however, was less than a minute: “No TV, no friends, no phone, for two weeks.”

“TWO WEEKS!” I yelled.

“Yes, two weeks,” my dad said, even though it was summer, beautiful summer, when kids should be out with their friends, riding bikes, fishing in small ponds, building forts, and getting into simple mischief.

But that wasn’t the worst of it. Not only was I confined to the acre and a half of my parents’ property, I was to memorize Bible verses, read books on the Lord’s second coming, and “think about what I’d done.”

Taking the bike was the “straw that broke the camel’s back,” because it was just one of a hundred times I was disrespectful, disobedient, and selfish, and I needed to learn my lesson. I needed to have my legs broken.

As a child, my mother didn’t yell and scream when I misbehaved, but she did place the responsibility for punishing a disobedient and defiant young boy upon his father. She had a hand in creating the consequence, but he was the one who enforced it, who sat with me in my anger and tears. He was the one who talked me through it, who listened to my weak negations, and who patiently, with tears in his own eyes, refused to budge or relent but affirmed that I would indeed be grounded for two weeks.

He was also the one who took me fishing.

About a week into my grounding, I was sitting in the backyard, reading, when my father came home from work and asked if I wanted to go to the river for the next week. I still had to read and memorize, but I could do it from the camper, after running bank lines and trotlines and swimming in the great currents of the northern Mississippi River. “Of course!” I yelled.

“Great,” he said, “then pack up your stuff. We’ll head out early tomorrow morning.”

I slammed my book shut and ran inside the house; my dad grabbed the tackle box and lifted me to his shoulders, just like a good shepherd should.

The next morning, we left early.

The five-hour drive to the campground was spent hearing the same old stories of when my dad was a kid on the river. How he and his friend caught a huge snapping turtle with only a net, how he spent a summer shingling the roof of his parent’s cabin, and about the time he and his friend built a bonfire so massive that it caught the attention of a barge passing by. He told me about the propane tank.

It was he and his friend’s first night away from the cabin and they were a bit scared of the dark, even though neither one would admitted it, so they threw log after log upon the roaring flames. When they found the tank buried beneath a pile of driftwood, they threw that on too. Then quickly forgot all about it.

Minutes later, it exploded, sending sparks and wood and teenage boys flying in all directions. No one was hurt and Dad chuckled as he told it, just like he’d done the dozen or so times before, which made me laugh and smile too because I loved that story.

Then, we were there. As we crested the bluff, my dad stopped, “Oh no.”

“What?” I asked.

“It’s flooded.”

The river must have just recently receded back to its normal levels because the road was covered with a layer of deep, sloppy, river mud. “Well,” my dad said, slowly pulling forward, “if it doesn’t rain the rest of the time we’re here, we should be okay.

With each nightly downpour, our fear that we’d never make it out grew, and with each passing day, my dad prepared to get us out of the mess and safely home by shoveling as much mud off the road as possible then haul and spread gravel from a nearby gravel pit over the road, all without a shovel. 

And never once did I doubt that he could, that he would, and that we wouldn’t make it home safe.

But then, a prison work crew showed up to fix all the picnic tables. When they paused for a quick lunch break, my dad asked one of them if he wanted some of our fish. The man looked at my dad and said, “You better as’ the boss firs’.”

“I did,” my dad replied, holding up the plate of freshly grilled catfish, “he said it’s okay.” The man looked around, at his other inmates, the river, then back to the plate, “Well,” he said, “You got any salt?”

Over the next thirty minutes or so, the dozen or so inmates finished off all the fish we’d caught the previous four days. I watched from the camper, hidden behind my book, but reading nothing. One man, with his mouth full, shook his head, “Shit. Dis is better ‘en my chicken,” and I knew he was telling the truth because my dad grew up on the Mississippi river, fishing, working, and learning from his parents, and he knew how to grill catfish.

Before leaving, the crew grated the road for us, laid down new gravel, and lined the old picnic tabletops under our camper and van. When it rained hard on our last night by the river, my dad slept soundly. In the morning, instead of clearing the road or heading home, we went fishing and my dad told stories of when he was a young and imperfect son.

My dad didn’t have to break my legs for me to learn how to trust him. Nor did he have to yell and scream and rain down punishments for me to respect him. He just needed time with me, to take an interest in me, and to show me that he just because my behavior was inappropriate it didn’t mean I wasn’t wanted, or loved.

Instead of creating consequences, he created memories. And in the following years, whenever I would get into trouble or found myself stuck, it was my father I went to, who I met for coffee or called on the phone while wandering the dark streets, searching for answers. Because he was the one who took me fishing.

So when “G” said, “Fuck this shit!” in front of the entire class, when he jumped up from his chair and started walking out of the room yelling, “this is bullshit!” I didn’t walk him to the office or write him up or chase him down the hall, yelling and screaming and threatening detention, suspension, or failure of the class. Instead, I let him go and thought about fishing with my father. When the bell rang, I went to principal because, like me, “G” didn’t need to have his legs broken. Nor did he need me to carry him. He just needed someone who’d be willing to sit with him, in the muck and the mire, and hear his story.

“I want “G” to spend the next week with me, during lunch,” I said, “Is that possible?” She was a bit skeptical.

“Please. Don’t write him up, just let me spend time with him.” And because I’m fortunate to have supportive bosses, she said okay.

The next day, with a ham and cheese sandwich and a few freshly cut vegetables scattered on my desk, I waited for “G” to show, but he never did. When I saw him in the hallway, I asked him about it, told him he wasn’t in trouble, but that I just wanted to talk and hang out with him for a bit. He said he’d come tomorrow.

When he showed up, I asked him how he’s doing. “Not good,” he said. Then, he told me about his family.

“My dad came in my room and asked where Mom is” he says, lounging in the cold desk, arms crossed, “and I didn’t know if I should tell him or not. Next thing you know, we’re sitting in the car for three hours. I call my mom and she says she’s at the movies but there aren’t any cars in the parking lot because there isn’t any movie showing. My dad starts crying and my little brother starts crying and I’m thinking, ‘What’s going to happen?’ Mom didn’t get home till 3am.”

“I’m sorry,” I say, knowing where this was going. He looks up.

“Hearing your parents argue is the worst. Having your ten-year old brother cry in your arms isn’t what anyone wants.”

He fights back tears. Because he’s tough.

“Mom’s crying, Dad leaves, and nobody knows where he went. Three days pass and no sign of my dad nowhere. Until the Fourth of July.”

The bell rings and “G” gets ready to go to class. “Thanks,” I say, “Thanks for sharing.” He nods gently and heads to class.

The next day, and for the four days after, he comes back.

He tells me how his parents almost got back together, but then, on a trip to the beach, they got into another big fight and he, his little brother, and his mom had to walk home in the rain. He talks about how she eventually moved out and how difficult it was because she still lived in town, with another woman.  

He tells me that was when he finally broke down and cried because the next morning, when he woke up, he found his dad passed out on the couch, “No one should have to experience this,” he says.

“G” used to be a “good kid,” a star athlete, and a decent student. Now, he doesn’t understand why he is so angry all the time, why he can’t control his temper.

“I used to be that kid thinking life would be so easy. But that just makes it harder.”

We sit in silence for a minute.

“I just want to beak down and cry,” he says “but it’s too late to be crying over something that I can’t fix. Life isn’t easy, and it never gonna be.”

“I’m sorry,” I say again, thinking of my dad and the river and wondering if and how I could lift “G” to my shoulders, because so much of his life seems bent on breaking his legs.

The bell rings, and I still don’t know what to do.

Later that day, another teacher writes “G” up and doesn’t want him in their class because he’s disrespectful and curses and needs to be taught a lesson.

He asks if he could spend his detention with me.

A week later, when he needs help with credit recovery for science class, he comes in during lunch and we work through the material together – neither of us having a clue what is being asked but finding, and sometimes guessing, the answers together.

Later in the quarter, he writes a poem about how the Fourth of July used to be the best time of year, until Mom and Dad argue, a little brother cries, and a family falls apart, and I find myself trying to fight back tears, to be tough like “G”.

Then he writes a powerful short story about his parent’s, his mother, and the day he found out she was leaving her family – her “G” - for a woman she met at work. He writes an essay on the power of music and another on anger and how it fuels his life but ruins his days, and I smile.

“G” hasn’t stopped cursing in class, but he is trying, he is showing up almost every day, and he is working on what he can – even if it might be “bullshit”, and that makes me smile. Because that means he’s healing.

I know I’m not “G”’s father or his shepherd, but I am his teacher. And when we had lunch together, when he told me about his life and the things that matter most, I listened. When he asked me if I could relate, I told him about my failures as a son, a father, a teacher, and a husband. I told him he wasn’t alone, in his failure or his pain.

I wasn’t able to take “G” fishing or carry him on my shoulders, but I do think I was still able to help him heal, if only a little,  because whenever I walk home from work and a car honks and honks and honks, I know it’s “G”, driving with his girl, just wanting to say hi.

And sometimes, it’s the best part of the day.

 

For more on . . .

-N- Stuff  :  On Education  :  On Parenting

Instatravel and the search for Identity with Community

It's easy to watch this video and mock or scoff at all the wanna-be's. "Be original!" we might say, because nobody likes a poser and everyone wants to be uniquely different. Just not too different because we also don't want to be alone, misunderstood, or an outcast. We want community and relationships and to be included.

And that is exactly what is happening in the Instraval video. People are finding connection and community by embracing and participating in a movement, an idea, or a trend because it makes them feel part of something bigger than themselves, in their own unique way. Just like everybody else.

Even when we branch out, when find something that seems to be completely our own, we're not. Others are cheering, encouraging, and even dancing with us, which makes the experience all the more perfect. Because we're not alone.

"Being original," Adam Grant writes, "doesn't mean being first. It just means being different and better" (via). It means learning and absorbing from those around us while using our individuality and identity to progress an idea or truth beyond its current state. 

It also means whenever we find success, when the spotlight happens to shine down upon us, we acknowledge the community that so faithfully surrounded, protected, and provided for us.

Even if it was a simple paving of the roads. 

Be original. More importantly though, be thankful.

 

For more on . . .

-N- Stuff  :  Inspiration  :  On Creativity  

Ghosts of Football Past : A history of violence, racism, cheating, and innovation.

In preparation for Super Bowl LII:

It's the end of the 19th century -- the Civil War is over, and the frontier is dead. And young college men are anxious. What great struggle will test their character? Then along comes a new craze: football. A brutally violent game where young men can show a stadium full of fans just what they're made of. Harvard, Yale, Princeton, Penn -- the sons of the most powerful men in the country are literally knocking themselves out to win these gladiatorial battles. And then the most American team of all, with the most to prove, gets in the game and owns it. The Carlisle Indian School, formed in 1879 to assimilate the children and grandchildren of the men who fought the final Plains Wars against the fathers and grandfathers of the Ivy Leaguers, starts challenging the best teams in the country. On the football field, Carlisle had a chance for a fair fight with high stakes -- a chance to earn respect, a chance to be winners, and a chance to go forward in a changing world that was destroying theirs (via).

 

For more on . . .

-N- Stuff  :  History  On Sports

The Ghost of Bobby Dunbar, by This American Life

The best stories are the one's that are about something so much more than the actual story.

This is one of those stories, and it's one of my favorites. Ever.

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In 1912 a four-year-old boy named Bobby Dunbar went missing in a swamp in Louisiana. Eight months later, he was found in the hands of a wandering handyman in Mississippi. In 2004, Bobby Dunbar's granddaughter discovered a secret beneath the legend of her grandfather's kidnapping, a secret whose revelation would divide her own family, bring redemption to another, and become the answer to a third family's century-old prayer (via).

You can listen to it here and read the transcript here.

For more on . . .

-N- Stuff  :  Podcasts

My grandfather, and the tools he left behind

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Press play before reading.

"Was your grandpa good at making things?" Judah asks.

"Extremely," I say, stopping to look at a picture of my grandpa, dad, and me. It used to be in my grandparent's little dining nook. Now, it sits on my workbench, amid screws and tape measures and other tools my grandfather gave me. 

Tools I've just recently gotten back because they've been in storage for the past five years. 

"What's wrong?" Judah asks.

"Nothing" I say, "I'm okay."

"But you're crying," he says.

"I just miss 'em is all," and Judah wraps his arms around my neck.

“Thanks,” I say, patting his back, “I’m okay.” Then, we get to work, measuring and cutting and creating. Sometimes we laugh, sometimes we talk, but most of the time we just work, side by side in the sawdust and under the dangling yellow lights. Working with my grandfather's tools.

Then, somewhere in the night, the song Tupelo Honey by Van Morrison comes on and I stop to text my dad because it's his favorite song, and whenever I hear it, no matter where I am, I think of him and me working and singing and laughing. A lot. Because if there's one thing my dad and my grandfather have in common its that they love to work hard and laugh even harder.

I look at the photo again and can almost feel my grandfather's arms around my shoulder and I think of my dad. I can't even imagine how he must feel, how much he must miss his dad, and how hard it must have been when his father's tools were stolen from his garage in the middle of the night. 

But then Judah asks if I could cut some wood for him, if I could hold this piece while he screws his plane together, and if I could tell him a few stories of Grandpa, since he doesn't really remember him anymore. 

"Sure," I say, and I tell him of how fishing with Grandpa on Lake Michigan was my favorite, especially when we didn't catch any fish, because he could tell the greatest stories and we'd just be there together, sometimes in silence but always together. I tell him about the time we went on a trip to Canada and Grandpa could't keep any minos in his hand because they kept escaping through the hole where his finger was cut off. I tell of how he drove down from Michigan just to watch me play a Friday Night game and how much it meant to me, because he'd never seen me play before. Then, I tell him about my grandfather's laugh, how he would squint one eye and sort of cackle out the greatest of all laughs. The kind that, even if the joke isn't funny, you laugh anyway.

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Judah listens, asks a few clarifying questions, then reaches over and grabs my grandfather's tape measure. And he does so without thinking, because he doesn't know my grandfather used that same tape measure to build decks for people in his community, that my grandfather made furniture for each of his grandkids, even when he was months away from never picking up another tool again. That my grandfather was a master craftsman. 

But I do. I also know that he was a man of intense and extreme character, that he loved and supported his kids beyond measure, and that, when he died, his kids, grandkids, and great-grandkids flew and drove from all over the country to be there - no matter the cost.

Because he was our grandpa. 

And our grandpa was great at making things. The tools just happened to be there.

 

For more on . . .

-N- Stuff  :  Open Thoughts  :  On Parenting

 

John Williams conducting the opening fanfare for The Last Jedi

Here's John Williams, conducting one of the most iconic musical pieces in movie making history - the opening fanfare for Star Wars: The Last Jedi. 

Yet, when it's all over, no one seems to notice.

Williams flips the pages and several people cough. One guy scratches his neck and nose, unaware of what just happened. That with just a few cords, goosebumps raised on the arms of children everywhere, that nostalgic memories were instantly recalled and created, and that millions of people, all over the world, were suddenly transported to a galaxy far, far away.

And that's pretty awesome. 

 

For more on . . .

-N- Stuff  :  Fanfare for the Common Man  :  Music  :  Star Wars

 

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Ludovico Einaudi : Elegy for the Arctic

On the Arctic Ocean, with a grand piano floating on a platform and against the backdrop of the Wahlenbergbreen glacier (in Svalbard, Norway), Einaudi plays an original piece composed in the hope of protecting the Arctic (via).

I just love the scene, near the minute-thirty mark, when the glacier seems to respond by casting itself into the ocean, like it's trying to reach him. Like it's trying to reach us.

Is anybody listening?

 

For more on . . .

-N- Stuff  :  Inspiring Art  :  Classical Music