2Cellos and some pretty beautiful soundtracks

Luka Sulic and Stjepan Hauser of 2CELLOS performed an incredible cover of the song “May It Be” from The Lord of the Rings: The Fellowship of the Ring with the London Symphony Orchestra. The mesmerizing track is from 2CELLOS‘ new album, Score, which is now available to purchase from Amazon (via).

The music is amazing. The video is . . . eh. When I closed my eyes, I enjoyed it much more.

I'm a soundtrack guy, especially powerful, world changing soundtracks. Now We Are Free is another one 2Cellos covers beautifully, even a clean cello is a poor replacement for the woman singing in the background.

 

For more on . . .

-N- Stuff  :  Music  :  Movies without Soundtracks  :  Lord of the Rings

 

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Cultural Intelligence

There is growing research and discussion about a new(er) intelligence: CQ

"Cultural intelligence (CQ) is the capability to relate and work effectively in culturally diverse situations. It goes beyond existing notions of cultural sensitivity and awareness to highlight a theoretically-based set of capabilities needed to successfully and respectfully accomplish your objectives in culturally diverse settings" (via). 

"Awareness is the first step, but it’s not enough. A culturally intelligent individual is not only aware but can also effectively work and relate with people and projects across different cultural contexts" (via).

Awareness is a first step, but being aware and doing nothing about it is almost worse. Because then it's blatant disrespect. What I like about these little blurbs though is that they doesn't say we have to agree on anything to be culturally aware. But we do need to be respectful and work hard at finding ways to relate - by embracing the cognitive friction. Which also means we need to be consciously looking beyond the single story

Stereotypes aren't untrue, they're simply incomplete. For all of us. Being culturally sensitive allows for stories that go beyond the superficial and offensive - that build walls. Rather, it allows for stories that builds bridges and opens doors.

 

You can take a CQ test here. It's okay. It's one of those tests where you know what you should say, so you say it, because nobody wants a bad score, but the questions are worth thinking about. Especially the last question.

I think this guy would score very, very . . . very low.

For more on . . .

-N- Stuff  :  Diversity  :  Stereotypes

 

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The Elephant's Garden is our Playground

I'm not sure which came first, the elephant or it's egg, but the video to this not-to-bad song is, like most of Felix Colgrave's work, confusing and entertaining and always unsatisfying - begging for more and more and more. And there is plenty more.

(listening to this while trying to get work done . . . brilliant!). 

 

"A creature is just an animal that’s wrong. Be wrong lots, and when you’re wrong in a way you like, try getting that wrong and repeat forever." - Colgrave

 

 

This guys imagination is a playground worth wasting time on.  

 

For more on . . .

-N- Stuff  :  Short Films  :  Art

 

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The Game is only a fun if you win. And there are a lot of losers.

Every now and then, a certain theme will creep into life in various ways. This past week, justice and the role humanity plays, has been one such theme.

It started out with the podcast, "A forgotten History of How the U.S. Government Segregated America," which left me fully frustrated and at a loss on what to do. On what role I can play. 

This one, "Null and Void," cheered me up a bit.

Should a juror be able to ignore the law? From a Quaker prayer meeting in the streets of London, to riots in the streets of LA, we trace the history of a quiet act of rebellion and struggle with how much power “we the people” should really have.

Not only does it offer some hope that the power still resides in the people - the conscious of America - it is an honest portrayal of the complexity of mankind. And I love that. 

The discussion near the end is one of the best things I've ever heard on a Podcast - an sincere discussion, with strong disagreements, yet fully civil and appropriate. 

Later in the week, I was shown this video from a young brilliant mind, Davis Campbell. His thoughts on the matter are worth reading.

The video is worth watching.

Like the " . . . U.S. Segregated America," podcast above, this video left me fully frustrated and at a loss on how to change the rules of the game.

This TED Talk helped a bit.

I don't have any answers to these seemingly impossible problems, except this. And it comes from the philosophy of J.R.R. Tolkien: All I have to decide is what to do with the time that is given me and to do what is good for all, not just myself.

 

For more on . . .

-N- Stuff  :  Humanity  :  History

 

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Music in Objects

Anytime someone can find the ordinary and make it extraordinary, I'm all in. The vast skills and abilities it takes to create these songs is astounding. But there's also a healthy dosage of patience, persistence, and . . . what's another "p" word . . . let's go with personal confidence involve here too, which creates a few minutes of pure entertainment.

You can learn more about Music in Objects, click here.

 

For more on . . .

-N- Stuff  :  Art from War Weapons  :  Escobar's Son Building Peace

 

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Mother's Day : A History of Dian(n)e

In elementary school, my best friend was Ronnie. He lived a few blocks down, was always game for building a fort or playing football or basketball, and was either, at all times, my best friend or my worst enemy.

Some of the greatest memories of my childhood come and go with the smile and laugh of Ronnie because for a few years we were inseparable. I remember he had a scar on his arm, a nasty, cool lookin thing that ran like a thick vain up his forearm. He got it from trying to catch a football and, instead, ran through a glass door.

When Judah was five, he fell through a glass floor and cut his arm pretty bad. He received seven stitches but should have had about twice as much, but because we didn't take him to a doctor and a local friend stitched him up, without Novocain, he only got seven. Now, he has a nasty, cool lookin scar that runs up his arm like a thick vain, and every time I see it, I think of Ronnie.

In my first year living in China, after years of being out of touch, I found out, via Facebook, that he had died a few years prior. Ever since, Ron, more than ever, has been constantly on my mind. Every time I think of him, when I get lost in memories of flashlight tag, peeing the bushes beneath the front window of his house, or wasting hours on Nintendo 64 with my good friend, I can't help but think of his mom, because she was always there.

I was recently chatting with a friend about the importance of parents and how each parent seems to have a specific role in the development of a child. They mentioned that they often hear me talking about and telling stories of my dad, about how he taught me to take care of another's property, how to work hard and be diligent in our given tasks, and how to be a man of character. Then they expressed how they often feel lost, how they don't know how to parent and work through various struggles, because they're mother never taught them because she was consistently absent.

Dads seem to bring the affirmation and approval side of life. When he slaps you on the back after cleaning the garage and says, "Nice job - this looks great," that means a whole lot. More than any allowance. 

But moms bring the, no matter what happens, you're accepted, side of life. Their love is unconditional, and it builds a wall of safety around the heart and mind of a child. They might fight for Dad's approval, but beneath it all, they know they're safe, because Mom is always there.

As my friend continued to share her heart, I thought of my childhood and the many mistakes I made, and that lead me once more to Dianne Larson. 

She was great mom, to Ronnie, and to me. And I've never forgotten her.

One memory that often clings to the front of my thoughts is of a time I was at Ronnie's house, killing time in his room, a few days after his birthday. Ronnie stepped out for something, leaving behind a twenty-dollar bill on his dresser, and I had to have it.

I remember working through, rather quickly, the rights and wrongs of the situation, and how I would explain it. I didn't really know, but I had to have it. So I took it, just in time, then told Ronnie I had to go home for something. About an hour later, Ronnie's mom called, "Hey Brian, did you see a twenty-dollar bill on Ronnie's dresser?"

"No."

"Really? Because it was there this morning."

"Uhh, nope, I don't think so."

"Okay. He must have lost it somewhere. Thanks Brian."

"You're welcome," and I hung up the phone, feeling terrible and wishing I wouldn't have taken it. I remember talking on the phone, in my parent's kitchen, wishing I could just tell her the truth, but I couldn't, because then she wouldn't let me come over anymore. So goes the mind of a ten year old.

I knew, deep down, that she knew I took that money - of course she knew - but what has stuck with me after all these years is how she knew, and what she did about it. 

She let Ron invite me over the next day. And the day after that. She didn't stop letting me into her house, feeding me Ravioli dinners (which I loved!) and letting me go camping with the family, or ride around looking at Christmas lights. Her love for me was unconditional. And she was, and is, a great mom.

Judah has his own Momma Diane, and the way Judah and her son play and fight and laugh remind me so much of Ronnie and me. And his Diane reminds me so much of mine. When Judah shares random stories about what Mrs. Diane did or said or where she brought them to eat or to what crazy activity she found for them, I smile with endless gratitude because I know how much Momma Diane's can mean, and how much they are loved in return. Even if we don't say it.

Dianne Daum Larson, happy Mother's Day! I love my memories with your son, and I truly thank you for loving me like one. 

Diane Sonam, happy Mother's Day! The memories you have built with my son, the love you have shown him and the care you have given him is a blessing I cannot express. I just know how much it means to him, and how much it's shaping him.

To both Dian(n)es, thank you. Thank you, thank you, thank you. 

To all mothers, happy Mother's Day! Your role is more crucial than any of us know. 

 

For more on . . .

-N- Stuff  :  Parenting  :  Other Holiday Thoughts

 

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Lord of the Rings : A Philosophy Lesson

This scene has been in my mind lately, because I resonate with it.

But it's the next line, the, "I need a holiday. A very long holiday. And I don't expect I shall return" that I struggle with. In the scene that follows, he puts on the Ring and walks off and gives up.

Later, when Frodo considers a sort of giving up, he's rebuked.

"I wish none of this had happened."

So who all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that was given to us."

When we're stretched and tired and exhausted, we have a decision: give up, or keep walking, fighting, and trying.

It may seem impossible, or we might be lost and alone, but "there are other forces in this world, besides the forces of evil. . ." Forces that want to help, encourage, and support. 

Forces that want to improve and build, not destroy.

"And that is an encouraging thought."

This "thesis statement," that all we have to decide is what to do with the time given us, coupled with the encouragement that there are other forces besides evil, is then supported throughout the story.

With Aragorn:

After he realizes he can no longer help Frodo, Aragorn makes the decision to rescue Sam and Pippen from the orcs. Because the fight is not yet over, and it's the right thing to do.

 

With Haldir:

History and past wrong doings don't influence Haldir's decision, because what was is not for him to decide. All he has is the time given to him, and the decision to make. To honor an aligence. 

 

With Theoden:

 

Gondor calls for aid, the same Gondor that has abandoned and seemingly ignored Rohan when they were in need. The same Gondor that incited Teoden to earlier spit, "Where was Gondor when the westfold fell? Where was Gondor when our enemies closed in around us? Where was Go-." 

But when Gondor calls for aid, when the beacons are lit, Theoden and Rohan answers the call.

 

With Sam:

This is why Sam is the hero of this journey - because his hope, his resolve, and his courage is what carries Frodo to the end. Even when Frodo abandons him, when he gives up and feels thin, like butter spread over to much bread, Sam carries him. With all that he has, and with whatever he has left, he decides to use it all, to give it all, because he is the other force besides evil.

And that is an encouraging thought.

 

For more on . . .

-N- Stuff  :  On Living  :  Humanity  :  Movie Clips

 

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Books Recommended by TED 2017 Speakers

ParrotRead has compiled a list of books recommended on Twitter by the speakers at the recently concluded TED 2017 conference in Vancouver. Some highlights:
Success Through Stillness: Meditation Made Simple by Def Jam cofounder Russell Simmons. “Simmons shares the most fundamental key to success — meditation — and guides readers to use stillness as a powerful tool to access their potential.” Recommended by Serena Williams, who also recommended Eat Yourself Sexy.
A Place of Greater Safety by Hilary Mantel. Recommended by Atul Gawande.
The Machine Stops by E.M. Forster. Classic sci-fi about humans living underground with all their needs being met by machines. Recommended by Elon Musk, who kinda wants to do that for realsies?
The Immortal Life of Henrietta Lacks by Rebecca Skloot. Lacks’ cells were taken without her knowledge and used to develop medical breakthroughs worth billions of dollars. Now an HBO movie starring Oprah Winfrey. Recommended by Lisa Genova.
SuperBetter: The Power of Living Gamefully by Jane McGonigal. “She explains how we can cultivate new powers of recovery and resilience in everyday life simply by adopting a more ‘gameful’ mind-set.” Recommended by Tim Ferriss (via).

 

For more on . . .

-N- Stuff  :  TED Talks  :  Book Recommendations

 

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A Heineken commercial that inspires more than a drink

My friend, Amanda Bedford, posted this the other day, and ever since, I can't stop thinking about it.

I think what I love most about this is the brutal honesty of showing the videos. It's one thing to work together, in a simulation, and to discover, over time, someone's differences and, perhaps, modified views. But when the video is shown, of their unadulterated and perhaps even puffed up ultra views, there is nothing to hide behind. They are bare, and they are open. 

And still, they are chosen. I love that.

What this video also points to is this: one person cannot change the situation. When the bald guy walks off and the transgender mother sits down, for a moment, we see just how awful it can be. But then, just as quickly, how a stiff "solemn" man can also be instantly funny, and turn an awkward situation into a communal one. 

God I love this. Because, if only.

 

Related links . . .

Solution: #EatTogether  :  Diversity makes us Smarter  :  Let's just talk - Maya Angelou  :  Walking to Listen

 

For more on . . .

-N- Stuff  :  Humanity  :  On Living  :  Commercials

 

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The Great Wall Lovers reunite 22 years later . . . for one minute.

In 1988, after 12 years of love and collaboration, the notorious performance artists Marina Abramović and Ulay decided to take a spiritual journey that would culminate in the ending of their relationship. The project was called “The Lovers: the Great Wall Walk.”  

Starting from the two opposite ends, each of them walked half the length of the Great Wall of China. After three months, they met in the middle, and ended their relationship.

(via).

The performance was recorded by Murray Grigor for the BBC (16mm film, transferred to video), which resulted in the documentary The Great Wall: Lovers at the Brink.

Twenty two years later, they reunited for one minute.

In 2010, as part of her MoMA retrospective, Abramović sat in a chair under bright spotlights opposite an empty chair, where members of the public could sit as long as they wanted, gazing into her eyes. A seemingly endless number of people lined up for the opportunity to sit with her, many sitting multiple times on different days, several for as long as ten hours, some even after waiting all night. 

Unannounced, Ulay showed up.

One of Marina's "most daring and notorious performances (named Rhythm 0) was to test the limits of the relationship between a performer and his/hers audience. Abramović placed on a table 72 objects that people were allowed to use in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, olive oil, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions." At the end, she stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation (via).

In 2015, Marina Abramović, the world’s best-known performance artist, was sued by her former collaborator and romantic partner, the German artist Ulay, in a dispute over works they created jointly (via).

This frustrates the hell out of me, because it taints and smears the idea of Love. Two people, equally passionate about life and expression and beauty of humanity, and neither can get beyond their own skin and fully love another more than themselves. 

What's the point of it all? Of the walks and exhibits if, at the root of it all, is self? 

It seems empty, and fully unfulfilling. As is most things that begin and end with thy self. 

 

For more on . . .

-N- Stuff  :  Humanity  :  On Living

 

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The Language of Love : When English words just aren't enough

Sometimes ‘I Love You’ just doesn’t cut it. Here’s a collection of untranslatable words, gathered from around the world, that may help voice your heart’s desire when the English language can’t.

Often, when trying to express some deep emotion, words aren't enough. When we find ourselves in these situations, when our incomprehensible longing or deep despair become too much to bottle up, we sigh, scream, and often cry. Because any word used is insufficient.

For the English language, "love" is one of those words.

The Language of Love is a collection of clever illustrations that define specific romantic words and idiomatic expressions from around the world, each of which are expressed in such a unique way that they have no direct English translation" (via).

2-gigil.png
Disney called this "Twitter-pated" which I actually like  better.

Disney called this "Twitter-pated" which I actually like  better.

I think we call this "petting," which is FULLY incomplete . . . and a bit wrong sounding.

I think we call this "petting," which is FULLY incomplete . . . and a bit wrong sounding.

For an expat, this is perfect.

For an expat, this is perfect.

(sigh). Or as my students would say I say, "Hm."

 

For more on . . .

-N- Stuff  

 

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Two great clips that celebrate May 4th

Music can make a movie. Sometimes great soundtracks can live on without the script or the people, but the people can never live on without the music. When it's taken away, when the power and fullness of the music is absent, the movie becomes ridiculously awkward, and boring. The ambiance lost. Like this:

Chewbacca's screams are hilarious though, and I love the coughing in the background. I wonder if the filming was similar to this. If so, respect!

 

The script is important though. If the dialogue is weak, or the monologues empty and fake, the movie will fall, and fall hard.

Except if it is so terrible, it becomes pure genius. 

Star Wars, translated into Chinese, then poorly translated back into English is toes the line. "Most likely, the broken English is the result of being machine translated from the Chinese script. Curiously, the subtitles were translated from a Chinese translation when the original English script could have been used" (via). Not quite genius, but still, fully entertaining (CAUTION: F-word is used).

"Send these troopseses only." Brilliant.

"Put the Gold of the D of two together very dangerous." Shakespearian. 

You can see more Backstroke of the West Highlights here.

 

Happy Star Wars day!!! May the wish power are together with you!

 

For more on . . .

-N- Stuff  : Movie Clips  

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Syrian Artist Creates Sculptures From Remnants of War

Abu Ali al-Bitar, a 45-year-old house painter who collected dozens of rocket debris and spent ammunition casings, flattens bread dough using a leftover rocket in the rebel-held town of Douma, on the eastern outskirts of the Syrian capital Damascus, on April 20, 2017. Eastern Ghouta, a besieged opposition stronghold east of Damascus, has been battered by regime air strikes and shelling since Syria's conflict erupted in 2011. Since then, children have grown accustomed to warnings not to play outside -- but the grown-ups are finding creative ways to make sure kids can still have fun (via).

In spite of pain, like a clawing and kicking against the dark, art and beauty and the human spirit survive. Perhaps even thrives, because we're made for it. Not to kill and break and destroy, but to create and cultivate. To rise above, and for holding flowers.

 

For more on . . .

-N- Stuff  : On Living  :  Real People  :  Humanity

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Tom Thum might be the best thing you'll see and hear all day.

"Coming out of the small Brisbane, Australia, hip-hop scene, Tom Thum has become a world presence with his unhuman beatboxing sound. In 2005, he and Joel Turner won the team battle in the World Beatbox Championships, and Thum came second at the Scribble Jam Beatbox Battles, America’s most prestigious hip-hop competition, in 2006. He's a cast member in the hip-hop/circus performance troupe Tom Tom Crew, appearing on Broadway and London's West End.

Thum is also committed to teaching hip-hop, and travels throughout Australia sharing the positive message that music preaches" (via).

 

For more on . . .

-N- Stuff  : TED Talks  :  Music

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"All the Ladies Like Whiskers" : how an 11 year old helped Lincoln become president

"Having recently seen a picture of Abraham Lincoln and the man who would become his vice-president, Hannibal Hamlin, eleven-year-old Grace Bedell decided in the autumn of 1860 to write to the Republican candidate and future U.S. president with a a single suggestion that would surely win him the affections of the voting public. To her amazement, she met him in person a few months later, as he traveled victoriously to Washington, DC by train - and he had taken her advice."

The letter reads:

For those hard of seeing, here's some help:

Hon A B Lincoln
Dear Sir
My father has just home from the fair and brought home your picture and Mr. Hamlin's. I am a little girl only 11 years old, but want you should be President of the United States very much so I hope you won't think me very bold to write to such  great man as you are. Have you any little girls about as large as I am if so give them my love and tell her to write to me if you cannot answer this letter. I have got 4 brothers and part of them will vote for you any way and if you let your whiskers grow I will try and get the rest of them to vote for you you would look a great deal better for your face is to thin. All the ladies like whiskers and they would tease their husband to vote for you and then you would be President. My father is going to vote for you and if I was a man I would vote for you to but I will try and get every one to vote for you that I can I think that rail fence around your picture makes it look very pretty I have got a little baby sister she is nine weeks old and is just as cunning as can be. When you direct your letter direct to Grace Bedell Westfield Chautauqua County New York.
I must not write any more answer this letter right off Good bye.
Grace Bedell

 

Grace met President Lincoln soon after. "He climbed down and sat down with me on the edge of the station platform," Grace later recalled. 'Gracie,' he said, 'look at my whiskers. I have been growing them for you.' Then he kissed me. I never saw him again." (via).

"With great power comes great responsibility." I wonder if one of the many responsibilities of those in power is kindness, and not taking oneself to seriously.

 

 

For more on . . .

-N- Stuff  :  History  :  President : humble, meager, pathetic

 

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Gorillaz : Damn fine artists

I first fell in love with Gorillaz, like millions of others did, when I heard the "Cling Eastwood" my junior year of high school. A few weeks later I saw the video and I remember sitting on my friends living room floor, completely absorbed.

They have a new song and video out, "Saturnz Barz" and just like the first time I heard 'em, over ten years ago, I'm all in, mainly because I love the community of artists they've been. The collaboration is instructive and inspiring of what Art should be.  

And they make some damn fine work. 

Gorillaz were created in 1998 by musician Damon Albarn and artist Jamie Hewlett. The band consists of four animated members: 2-D (lead vocals, keyboards), Murdoc Niccals (bass guitar and vocals), Noodle (guitar, keyboards) and Russel Hobbs (drums and percussion). These members are fictional and are not personas of any "real life" musicians involved in the project. Their fictional universe is explored through the band's website and music videos, as well as a number of other media, such as short cartoons. In reality, Albarn is the only permanent musical contributor, and the music is often a collaboration between various musicians (via).

Clint Eastwood

I ain't happy, I'm feeling glad
I got sunshine in a bag
I'm useless but not for long
The future is coming on
I ain't happy, I'm feeling glad
I got sunshine in a bag
I'm useless but not for long
The future is coming on
It's coming on
It's coming on
It's coming on

Yeah, ha-ha
Finally, someone let me out of my cage
Now time for me is nothing 'cause I'm counting no age
Now I couldn't be there
Now you shouldn't be scared
I'm good at repairs
And I'm under each snare
Intangible
Bet you didn't think so I command you to
Panoramic view
Look, I'll make it all manageable
Pick and choose
Sit and lose
All you different crews
Chicks and dudes
Who you think is really kickin' tunes?
Picture you gettin' down in a picture tube
Like you lit the fuse
You think it's fictional?
Mystical? Maybe
Spiritual
Hero who appears in you to clear your view when you're too crazy
Lifeless
To those the definition for what life is
Priceless
To you because I put you on the hype shit
You like it?
Gun smokin' righteous with one toke
You're psychic among those
Possess you with one go

I ain't happy, I'm feeling glad
I got sunshine in a bag
I'm useless but not for long
The future is coming on
I ain't happy, I'm feeling glad
I got sunshine in a bag
I'm useless but not for long
The future (that's right) is coming on
It's coming on
It's coming on
It's coming on
It's coming on

The essence, the basics
Without, did you make it?
Allow me to make this
Child-like in nature
Rhythm
You have it or you don't, that's a fallacy
I'm in them
Every sprouting tree
Every child of peace
Every cloud and sea
You see with your eyes
I see destruction and demise (that's right)
Corruption in disguise
From this fuckin' enterprise
Now I'm sucked into your lies
Through Russel, not his muscles but percussion he provides
For me as a guide
Y'all can see me now 'cause you don't see with your eye
You perceive with your mind
That's the inner
So I'ma stick around with Russ' and be a mentor
Bust a few rhymes so motherfuckers remember where the thought is
I brought all this
So you can survive when law is lawless (right here)
Feelings, sensations that you thought was dead
No squealing, remember that it's all in your head

I ain't happy, I'm feeling glad
I got sunshine in a bag
I'm useless but not for long
The future is coming on
I ain't happy, I'm feeling glad
I got sunshine in a bag
I'm useless but not for long
My future is coming on
It's coming on
It's coming on
It's coming on
It's coming on
My future is coming on
It's coming on
It's coming on
It's coming on
It's coming on
My future is coming on
It's coming on
It's coming on
It's coming on
It's coming on
My future is coming on
It's coming on
It's coming on
My future is coming on
It's coming on
It's coming on
My future is coming on
It's coming on
It's coming on
My future

Saturnz Barz

Haha, woii yoii!
Done know how di ting go, a the Unruly boss
Don'?
Hahaha
Press the button to begin

Cho
All my life
Mi ever have mi gun so mi haffi move sharp like mi knife
All my life
Mi pray say when mi get wealthy a ma a mi wife
All my life
The system force mi
Fi be a killer just like Rodney Price
All my life
No, all my life

Wah happen to you Cobe, some bwoy doh know mi
To how me ruff dem cah believe a grandma grow mi
Know few Popcaan song doh, and feel dem know mi
Four mile mi used to walk guh school, dem know man story?
Ha! Now mi gain up all those glory
The world is mine, the whole a it mi taking slowly
Happy days mi call it now mi bun sad story
Anyway mi deh inna the world mi dawgs dem round mi
Hahaha mi laugh and collect those trophy
Because mi deserve everything weh music gives mi
Bwoy, unruly nuh light like Frisbee
The dream, family live that wid me
Oh, oh, oh, oh
All my life mi dream fi own house, land, cars, and bikes

All my life
I'm in the stakin' bar
I got debts, I'm a debaser
All my life
Saturnz about to make love
And I'm just a heartbreaker
All my life
And I won't get a take in
'Cause I'm out when I'm stakin'
And the rings I am breaking
Are making you a personal day

With the holograms beside me
I'll dance alone tonight
In a mirrored world, are you beside me
All my life?
Distortion

All my life
I'm in the stakin' bar
I got debts, I'm a debaser
All my life
Saturnz about to make love
And I'm just a heartbreaker
All my life
And I won't get a take in
'Cause I'm out when I'm stakin'
And the rings I am breaking
Are making you a personal day

 

These guys will make your palms sweat.

It's not the mountain we conquer, but ourselves.

- Sir Edmond Hillary

"ALEX HONNOLD is a professional adventure rock climber whose audacious free-solo ascents of America’s biggest cliffs have made him one of the most recognized and followed climbers in the world. A gifted but hard-working athlete, Alex “No Big Deal” Honnold is known as much for his humble, self-effacing attitude as he is for the dizzyingly tall cliffs he has climbed without a rope to protect him if he falls. Honnold has been profiled by 60 Minutes and the New York Times, featured on the cover of National Geographic, appeared in international television commercials and starred in numerous adventure films including the Emmy-nominated “Alone on the Wall.” (via)

He also has a new book out, Alone on the Wall which "recounts the seven most astonishing achievements of Honnold's extraordinary life and career, brimming with lessons on living fearlessly, taking risks, and maintaining focus even in the face of extreme danger" (via).

"Chris Sharma’s preternatural climbing ability and visionary first ascents have earned him an enduring reputation as one of the world’s best rock climbers. This American professional athlete, ambassador and entrepreneur from Santa Cruz, California, has been on a global odyssey, now two decades in the making, in search of the planet’s most difficult and beautiful rock climbs. Sharma has dedicated years of his life to discovering and climbing singular, aesthetic and seemingly impossible routes—always with his humble, meditative approach and powerful, dynamic style of movement. Today he continues to climb at the world standard, pushing the limits of what’s possible and always reimagining the direction of his remarkably storied climbing career (via)."

 

For more on . . .

-N- Stuff  :  Real People  

 

What is Literature for?

Kottke wrote this, and I like it better than what I was thinking:

"The School of Life on four uses of literature. I especially liked this bit:

We’re weirder than we’re allowed to admit. We often can’t say what’s really on our minds, but in books, we find descriptions of who we genuinely are and what events are actually like described with an honesty quite different from what ordinary conversation allows for. In the best books, it’s as if the writer knows us better than we know ourselves. They find the words to describe the fragile and weird special experiences of our inner lives: the light on a summer morning, the anxiety we felt at a gathering, the sensations of a first kiss, the envy when a friend told us of their new business, the longing we experienced on the train looking at the profile of another passenger we never dare to speak to. Writers open our hearts and minds and give us maps to our own selves, so that we can travel in them more reliably and with less of a feeling of paranoia and persecution. As the writer Emerson remarked, “In the works of great writers, we find our own neglected thoughts.”

I would argue these points also apply, in one degree or another, to not just literature but to any artful endeavor: film, TV, comics, theater, painting, etc" (via).

 

But I'll add this, "Literature is a tool that will help us live and die with a little bit more goodness, wisdom, and sanity."

 

For more on . . .

-N- Stuff  :  On Stories  :  Books

Fanfare for the Common Man - Aaron Copland

I've always loved this song. I love it's repetition, its building and its falling - like it's an essay. Everytime I hear it, I'm moved. 

"Fanfare for the Common Man" was certainly Copland's best known concert opener. He wrote it in response to a solicitation from Eugene Goosens for a musical tribute honoring those engaged in World War II. Goosens, conductor of the Cincinnati Symphony Orchestra, originally had in mind a fanfare "... for Soldiers, or for Airmen or Sailors" and planned to open his 1942 concert season with it.
Aaron Copland later wrote, "The challenge was to compose a traditional fanfare, direct and powerful, yet with a contemporary sound." To the ultimate delight of audiences Copland managed to weave musical complexity with popular style. He worked slowly and deliberately, however, and the piece was not ready until a full month after the proposed premier.
Aaron Copland on an American street, Ossining, New York (?), Victor Kraft, photographer (n.d.).  Used by permission of Mrs. Victor KraftMusic Division
To Goosens' surprise Copland titled the piece "Fanfare for the Common Man" (although his sketches show he also experimented with other titles such as "Fanfare for a Solemn Ceremony" and "Fanfare for Four Freedoms"). Fortunately Goosens loved the work, despite his puzzlement over the title, and decided with Copland to preview it on March 12, 1943. As income taxes were to be paid on March 15 that year, they both felt it was an opportune moment to honor the common man. Copland later wrote, "Since that occasion, 'Fanfare' has been played by many and varied ensembles, ranging from the U.S. Air Force Band to the popular Emerson, Lake, and Palmer group ... I confess that I prefer 'Fanfare' in the original version, and I later used it in the final movement of my Third Symphony."
Aaron Copland, said the composer and conductor Leonard Bernstein, was the one to "lead American music out of the wilderness." Copland's musical opus, for which he received the 1964 Medal of Freedom, also included such masterworks as "Piano Variations" (1930), "El Salon Mexico" (1936), "Billy the Kid" (1938), "Fanfare for the Common Man" (1942), "Rodeo" (1942), "Appalachian Spring" (1944), and "Inscape" (1967). (via)