Remembering Nelson Mandela

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He believed more in the power of the Springbok than he did in the guns.

And so helped change the world.

Nelson Mandela was born 100 years ago today. To honor his life and impact upon our world, Business Insider Australia published 24 Timeless Quotes to help guide and ensure life is well lived.

Quotes such as:

  • “A nation should not be judged by how it treats its highest citizens, but its lowest ones.”
     
  • “People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.”
     
  • “What counts in life is not the mere fact that we have lived. It is what difference we have made to the lives of others that will determine the significance of the life we lead.”
     
  • “I like friends who have independent minds because they tend to make you see problems from all angles.”

May we all live in such a way.

 

For more on . . .

-N- Stuff  :  Nelson Mandela  :  One Team - One Country : When a President embraced a controversial sport

2018 National Geographic Travel Photographer of the Year

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National Geographic recently announced the winners of the Travel Photographer of the Year contest for 2018. You can see the winners here and the people’s choice awards here.

I don't know why, but that alligator one really intrigues me. Maybe it's because I just spent the last ten days in a cabin on a lake and watched my kids play, almost daily, some form of king of the mountain (on rafts). I bet that's what those gators are doing too. And if I were the current king, I'd be leery of the big momma coming to claim her throne . . . sheesh.

For more on . . .

-N- Stuff  :  Photography  :  best of . . .

Co Exist, by Michael Marczewski

I just friggen love this video, especially the mirror scene at the 41 second mark, because they're something about artists being inspired by other artists that encourages the hell out of me. 

No competition. No jealousy or envy. No stomping on others in order to get ahead, just simple collaboration, inspiration, and creation.

I love that.

"Stock footage clips are placed within computer generated worlds in this series of animations. The two coexisting elements playfully interact. Oh... and there is also a cave full of boobs.

This compilation film features some of my favourite animations from my collaborative Instagram series. See more here: instagram.com/michaelmarczewski" (via). 

 

For more on . . .

-N- Stuff  :  Art  :  Music

The clouds are singing, and we need to chase them.

"Mark, a 60 year old fledgling storm chaser recently diagnosed with lung cancer, sets out across the Midwest with his friend's nephew in search of a tornado before the two month season comes to an end.

The film was in competition at Tribeca Film Festival 2018" (via). 

My demons are smoking, depression, alcohol, cancer. There's a few. That's the way it is. Sometimes you get away in life and you don't have anything. Some people have a lot. That's just the way it is. 

There's something deeply intriguing about this video, about the parallel of a man dying, a man who loves and chases the destructive beauty of storms, tornados, and life. And then, when he catches it, he hugs a friend and smokes a victory cigar.

At times, our fear and pain may seem unbearable. Our instinct may be to run, to retreat to avoid the fear and the pain. We need a vision, that begins within us. A vision feeds the soul.

That's the way I like to live.

Me too. 

 

For more on . . .

-N- Stuff  : A Peace with the Storm :  Storm Chasers in the Wild

The Mayor of Ghost Town (Population: 1)

We're a long way from being civilized. We ain't no different than man was, five thousand years ago except we have technology that he didn't. But our characteristics, the way we think, the natural human ways, they're no different than man was five thousand years ago. We haven't changed a damn bit. 

 

For more on . . .

-N- Stuff  :  Short Films  :  Inspiring Art

 

View of Life in a One-Room Home

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"For eighteen years, {Masaki Yamamoto's} family of seven coexisted in a one-room apartment in Kobe. His father drove trucks, and his mother worked as a cashier in a supermarket. They and their five children all slept in the same space, a room the size of six tatami mats, limbs overlapping amid a pile of ever-multiplying junk. When you looked up, you couldn’t avoid meeting the eyes of someone else, Yamamoto, the second-oldest of his siblings, said, adding, 'The one place you could be alone was the bathtub.' 'Guts,' his new photography book, is a celebration of his family’s everyday existence in these close quarters (via).

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"The power of Yamamoto’s photos lies in this subversion of the viewer’s expectations. Yamamoto is clear-sighted and un-nostalgic about his family’s precarious economic circumstances. When he was eight years old, the family was evicted from their previous apartment in Kobe. They all lived out of a car for a month, and Yamamoto and his siblings spent time in a children’s home before being reunited with their parents. In one photo, Yamamoto shows his mother playing rock, paper, scissors with her husband, to decide whether their money should go to his pachinko games. The camera focusses on the bills clenched tightly in her fist" (via).

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Photographs by Masaki Yamamoto

Photographs by Masaki Yamamoto

Kinda puts a lot of my life - my needs, wants, expectations, disappointments and fears - into perspective. 

 

You can read and see more here, at The New Yorker.

 

For more on . . .

Photography  :  -N- Stuff  :  Ebrahim Noroozi: Iranian Coal Miners  :  Hong Kong in the 1950s  :  Standing, for a moment, with refugees  :  jtinseoul : Loud yet Clear

Americanah, by Chimamanda Ngozi Adichie

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I once recommended the book, The God of Small Things by Arundhati Roy because it was such a powerful story and I wanted someone to help me process through it. I was told the book was too harsh, to graphic, and not a "good Christian book." I remember being so frustrated because I loved it and felt it an extremely important book. And I just couldn't figure out why.

In later years it became clear that the reason I love that book was because it showed an element of life, a side of life, I had never known, experienced, or seen portrayed. It was raw and authentic, it was real, and it captivated me. 

Americanah, by Chimamanda Ngozi Adichie is much the same. This is my second novel by Adichie and, like her other work, Half of a Yellow Sun, I couldn't put it down. Not only are Adichie's character extremely relatable (even when they aren't), they are beautiful and flawed. They hope and dream, they're destructive, and they portray a reality that many white authors fail to capture. And I just simply love it.

One of the main components of the novel is hair. It's a powerful symbol in the book - just as it is for life as well - that embodies and highlights the differences of race. Throughout the novel, whenever the distinction of hair is raised, I thought of this documentary by Chris Rock.

When Chris Rocks daughter, Lola, came up to him crying and asked, Daddy, how come I don't have good hair? the bewildered comic committed himself to search the ends of the earth and the depths of black culture to find out who had put that question into his little girl's head!

I haven't recommended this book to anyone in my family, but I have shared and gifted it to many of my friends, telling them all that, "It is one of my favorite books of the year!" Because it is.

 

 

For more on . . .

Reading Log 2017  :  Reading Log 2018

Kidding, starring Jim Carrey

In his first series regular role in over two decades, Jim Carrey stars as Jeff, aka Mr. Pickles, an icon of children’s television, a beacon of kindness and wisdom to America’s impressionable young minds, who also anchors a multimillion-dollar branding empire. But when Jeff’s family begins to implode, he finds no fairy tale or fable or puppet will guide him through the crisis, which advances faster than his means to cope. The result: a kind man in a cruel world faces a slow leak of sanity as hilarious as it is heartbreaking (via).

 Kidding reunites Jim Carrey with Michel Gondry who also directed Eternal Sunshine of the Spotless Mind - one of my longtime favorites - and is set to premiere on September 9, 2018 on Showtime.

It is also airing, probably somewhat purposefully, a few months after the movie, WON'T YOU BE MY NEIGHBOR? is released. And I can't wait to watch them both.

 

For more on . . .

-N- Stuff  :  Movies :  Jim Carrey

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Blue Eyes Never Turned Brown, by Jenny Mashak

"This is my dad as he appears in my mind - in the woods, ready to cut firewood, pipe in hand."

"This is my dad as he appears in my mind - in the woods, ready to cut firewood, pipe in hand."

(Guest post by Jenny Mashak)

A few years ago, a friend lost his father, somewhat unexpectedly. The father was elderly, his health had been in decline for awhile but he had been more or less fine one day and then the next, he was not. He was gone within three days, barely enough time for my friend's brothers to travel and say goodbye to their father. We attended the funeral and my friend spoke about his dad. He told stories and related memories of his father, and talked about how much his father influenced his own parenting. It was a very typical funeral, I imagine, but it stuck with me because it was a friend who had lost his parent and because my own father had had a major health issue very recently.

In July of 2013, my dad nearly died from an aortic dissection. By all accounts, he is one of the luckiest people alive right now. The typical lifespan for someone who suffers what he did is twelve seconds. He was incredibly lucky in that the aneurysm did not fully rupture but started leaking into the layers of his aorta. It was painful and required a life flight and emergency surgery, but he lived. The doctors who performed the surgery told us initially the best case scenario they could foresee was paralysis from the waist down. Not only did my dad live, he walks and lives normally. About two years ago, he also had a bout of lung cancer. His tumor was discovered in the course of looking for other issues and so was caught long before he had any symptoms. He received a partial lung resection from a world class surgeon and did not have to undergo radiation or chemotherapy. While speaking with his surgeon, his aortic dissection came up and the surgeon was amazed at my dad's story. Weeks before, the surgeon had performed a double lung transplant but he said my dad's survival was miraculous. 

I have a lot of memories surrounding Dad’s triple A, from the white-knuckle, completely silent drive to Rapid City, to the sudden realization, after two days of staring at them, that there were posters on the walls of the ICU waiting room. Most of it has faded to the point that I no longer get panic attacks watching medical shows on tv. But what has stuck with me is how completely unprepared I was for the thought that my father might die. From the moment I finally heard the phone ringing at 3am, to the moment the phone rang in the waiting room to tell us Dad had made it through surgery, I did not believe he could actually die, even though the various doctors and surgeons tried to make it clear that his death was not only possible but probable. During the long night after his surgery, we took turns keeping vigil, monitoring the beeping from the twelve machines and thirty two different tubes keeping him alive. We all spoke of what we would need to do to accommodate possible disabilities, preparing ourselves for my dad not being able to care for himself. We did nothing to prepare ourselves for the possibility that he would die. 

In the immediacy of his medical emergency, there were things to be done, things to be researched, things to take care of. But none of us ever brought up the things that needed to be said. And in the years since, I don't think any of us have really taken the steps we need to deal with our emotions for and about each other. 

When Dad got his cancer diagnosis, he initially misunderstood his diagnosis and spent an entire day convinced he had mere weeks to live. He was preparing himself to do the paperwork necessary to take care of my mom and then off himself. In a strange way, it gave my sister, who has always had a somewhat fraught relationship with our father, an opening to talk about the things he needed to talk about and give her an insight into what kind of man he is. She spent several hours with him, listening to him and actually hearing him, for the first time perhaps. A lot of the things she had believed about our dad weren't necessarily wrong or false, but skewed and colored by her own life. 

Here's the thing about my dad: he doesn't talk about himself much. He has a big personality and lots of opinions but he loves to argue enough that you can never really know which opinion is his truest. He is also often overshadowed by the personalities of his wife and three daughters. The four of us are border collies, constantly in motion, herding everything and everyone towards a destination. My dad is a Great Pyrenees, blending in, looking like he's sleeping but aware of everything around him, ready to roar into action if something threatens his charges.

A few months ago, my sister, who is a counselor, was messing around with the Meyers-Briggs personality evaluation. She asked me to take the evaluation- my type has been pretty consistent for over 20 years. Hers was predictable as well and for kicks, she asked our parents to take it. We were able to predict my mother's type pretty well but neither of us had the slightest idea of what my dad would be. He still hasn't taken it, or at least, hasn't told us that he's taken it. I think the fact that I can't predict if my father would be an introvert or extrovert probably indicates that he tends toward introverted, but it also says something that I don't know for sure. 

All of this comes together in my head in a morbid way- what would I say about my dad at his funeral? There are things I know about my dad, like how old he is, or that he tells everyone he is 5'10" when he is most definitely not. There are things I think about my dad, like that he is incredibly stubborn and I get my tendency towards clutter from him. There are also things I remember about my dad, like how he used to climb trees when we played hide-and-seek with him so he was impossible for us to find. Or how he told us his blue eyes would turn brown if we forgot to kiss him goodnight. And then there are things that were filtered through my mother, like how he could barely handle when each of us started dating. He never said a word to any of us about what he was thinking or feeling but according to my mother, he hated it and would have kept us penned up at home until we were 30. 

For Father's Day, my sister purchased tickets to take my father to a Beach Boys concert. She invited me to go with so it would be just the three of us. The only other memory I have of just the three of us was in our old green Córdoba, on the way to pick my mom and new baby sister up from the hospital. I was two, my older sister was five and my dad was 29. That was 37 years ago. 

The concert was fun and we had a great time. I had always known my dad liked The Beach Boys but listening to them and watching the videos they play as accompaniment to the music seemed to awaken memories and feelings Dad hadn't thought about in years. He told us about his first car, a 1936 Ford he'd picked up somewhere when he was twelve. It didn't have a title and he drove it around the farm where he worked. Now he wishes he hadn't been so rough on it and had kept it. At intermission and any breaks in the music, Dad talked about listening to The Beach Boys as a kid and in high school- he liked that they sang about cars, even if the hot rods they sang about weren't as popular in rural Wisconsin as they were on the West Coast. He told us stories of driving around with his brothers and friends, usually doing something legally dubious, but they were just kids having fun.

I haven't yet found the words to articulate the emotions that night brought out in me. Part of it was watching The Beach Boys, live and the memorialized versions in the photos and videos playing on the large screen behind them as they sang. They are clearly old men now, with a career starting in 1961. It was somewhat heartbreaking to see the photos and videos from 57 years ago, peopled with the old men on stage and their friends who didn't make it to old age. The larger part of it was seeing and listening to my dad, and thinking about all of what he's been through in the past six or seven years, realizing that at one point, he was one of those vital young men who has now aged into an old man.

On the drive home, Dad said that he could check seeing The Beach Boys off of his bucket list. Until he said that, I had no idea that seeing The Beach Boys with my father was on my bucket list but it turns out it was and I am grateful that I was able to check it off.

As I grow older, and my dad older still, I realize there is so much I don’t know about him. I don’t know that we can learn to communicate at this stage of either of our lives, through the membranes of long history and our own reticent personalities and emotional repression, but I do know that I want to at least push the barriers a little. Because one day, I will stand at his funeral. I will shake hands with people who knew him, hug those who loved him and hear unfamiliar stories about him. I will also have a chance to share my stories about my dad and I want to have more than just enough to say. Because he deserves it. Because he’s my dad. And because his eyes never turned brown.

 

If you have a story or link or something you'd like to share, let me know! 

For more on . . .

-N- Stuff  :  Fatherhood  :  On Parenting

 

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Cleveland's Balloonfest Disaster of '86

"Balloonfest in 1986 was a fundraiser for United Way and a chance to put Cleveland on the map, busting a record for simultaneous release of balloons set the previous year by Anaheim, Calif., on the 30th anniversary of Disneyland" (via). Instead, it turned into a disaster for the city of Cleveland, otherwise known as "The Mistake on the Lake."

"In the hours and days and weeks that followed,"  John Kroll writes, "the United Way executives who had engineered the feat were reminded of the basic law of gravity: What goes up must come down."

Down, in this case, on Burke Lakefront Airport, shutting down a runway there. Down on a pasture in Medina County, spooking a horse, whose owner would sue and later settle with the charity. Down on Lake Erie, blanketing the water just as a Coast Guard helicopter arrived to search for two missing boaters -- who would later be found, drowned; the wife of one of them also sued, and also settled. Down weeks later on the shores of the lake -- the northern shores, where Ontario residents found their beaches littered with thousands of deflated balloons (via).

I will say, that the initial picture, of the balloons wrapping around the dull city skyline, is pretty fantastic. It's also fairly indicative of humanity: the neglect of longterm ramifications for the pursuit of instant recognition and possible redemption.

 

For more on . . .

-N- Stuff  :  Short Films  :  Inspiring Art

Routine, Agh!

Every summer, for about a week or so, my routine is in flux. I still get up early to read, but my writing, eating, exercising and thoughts are like a juggler who has lost his rhythm, like he's been startled and just threw all the bowling pins up at one time. A catches a few, but most of them end up smashing and bouncing on the floor. 

Routines are funny. They can feed creativity, allow our brains to relax and conserve energy for when we need them most, and they can create schedules that ensure everything we need and want to get done, gets done. 

But they can also destroy. Marriages that fall into routine lose their fire and drive and, eventually, each other. Teachers who live for routine get a tone of shit done but can often become stagnate and shallow in their efficiency. Drivers tend to checkout and neglect to look around, stop appropriately, or follow the speed limit, especially when they're within a mile from home.

The more we live in habit, the less we think. 

"Premeditating a reward." I love that because, for things like marriage, teaching, and life, the reward may be something as simple as losing weight, but, and more importantly, it could also be something much bigger, much greater, like renewing and growing and strengthening love and passion and commitment to loved ones, discovering new ideas and passions or sometimes even friends. 

Simply changing the routine of where we eat or when we eat will bring new faces into our lives, which in turn creates new discussions and invites new ideas, which will inevitably change our lives. Because our brains can't shut down when we're exercising new habits, they have to be fully and completely engaged. Which is why we don't do them, because they're hard and uncomfortable and exhausting. Because they require work.

My daily routine of reading in the morning (with two cups of coffee), walking to work (listening to half a podcast), prepping for the day, teaching, writing during lunch, then exercising after school is broken, and it's killing me. But it's also growing me.

Because I'm home, working on a project outside my normal routine, I've interacted with my neighbor more (which I've wanted to do since we moved in), met a few people at the hardware store because I don't know where everything is and can't move swiftly and seamlessly through the aisles, and been able to work and talk with a friend about growing up and parenting that we have never talked about because they never had any reason to come up. All because of broken routine and a change of habit. 

Routines and habits create efficiency, but they can also produce complacency, which might be the worst kind of marriaging, teaching, parenting, and living. 

The last surviving paratroopers from D-Day reflects on Freedom

There is no real freedom in a sense. We're all obligated to something or somebody. 

Often, I take for granted the lives that so many have lived. 

Often, I take for granted my freedom which they provide.

An American citizen should basically be a responsible person, to his family first, to his community, and then to his country.

 

Also, check out . . .

Oldest Living Veteran - 109 Years Old

"Former enemies, now friends" : WWII Vets reunite with Japanese soldiers

President Bush : in search of atonement

Thanks for reading!

What to Teach, when We're Wrong

I’ve mentioned before how discipline has the potential to draw in our struggling and most difficult students, but what about when we struggle? What about those moments when we lose our cool and don’t act with perfect love and patience? What happens then?

Our first response might be to defend ourselves, blame our students or just “chalk it up to a bad day,” because it’s easy and natural to want to mask our failures and imperfections with excuses and defensiveness because nobody likes to be perceived as weak or incapable. But when we do, when we choose to lift up and defend ourselves over another, we sacrifice the opportunity of teaching one of the greatest lessons life has to offer. Mainly, what it means to fail, to ask for forgiveness, and then to rest in the beauty of reconciliation. We miss out on teaching our students (and reminding ourselves) of what it means to be human.

 

After showing the provocative music video, “This Is America” by Childish Gambino to the class, we spent some time dissecting its many symbols and themes and discussing the perspectives and ideas of Mr. Gambino. We talked about race and guns and the art of expression. We talked about the Jim Crow era and related it to the recent Starbucks and Yale incidents. We wrestled with the concept of reality and the power of perspective. Then we watched my favorite scene from Men In Black.

Shortly after Will Smith’s character is confronted with the reality that aliens do in fact live on this planet, the movie cuts to him and Special Agent K (Tommy Lee Jones) sitting on a bench, over looking the Hudson River and the iconic Twin Towers.

“1500 years ago,” Special Agent K says, concluding their conversation, “we knew the earth was the center of the universe, 500 years ago we knew the earth was flat, and fifteen minutes ago you knew humans were the only species on this planet. Imagine what you’ll know tomorrow.” We then talked about what we know and how we know it and how that relates to stereotypes and prejudices and the fallibility of reality.

            It was shaping up to be a fantastic lesson.

 “So,” I said, sitting on the table in front of the class, “With this in mind, is Childish Gambino wrong?” I asked.

            “No,” they responded.

            “Is he right?”

            “No,” they said again.

            “Then what is he?”

            “Both.”

            “Exactly.” And I privately gave myself a pat on the back, “You’re killing it B-Mill!”

Then all hell broke loose.

As a teacher who has gained the respect of most of my students, I’m pretty used to kids tracking with my lesson plans and accepting most of what I have to say – even if they don’t necessarily agree with it completely. However, every now and then, one student takes it upon him or herself to challenge me. And today, it was the confident kid in the far back corner, the one who doesn’t say much but always has an opinion.

“That’s bull,” he said, and the whole class turned.

“What?” I said, more shocked then anything.

“That’s bull,” he said again, “America isn’t like that.” He then went on to explain why he thought Gambino was unfair and his interpretation of America false, because “Racism isn’t that big a deal anymore.”  

“What are you talking about?” I yelled, “How can you say racism isn’t a big deal, it’s a HUGE deal!!!”

When he didn’t believe me, I went after him, because he was wrong and he needed to know it. He needed to take a lesson from Special Agent J and realize what he thinks he knows isn’t reality. When he argued again, I got louder and challenged his sources, his lack of experience, “You’re only a freshman,” I said, “How much of the world have you seen?” and then I picked apart his argument word by every friggen word until, eventually, I won. Or rather, until he sat back in his chair, arms crossed, and stopped talking. Then the bell rang.

On his way out I tried to make amends. “Hey,” I said, waiving him over.”

He came, reluctantly.

“I appreciated you speaking up today,” I said, “Please keep doing it.” I stuck my fist out for our usual fist bump because he wouldn’t look at me and I wanted to make sure everything was okay. It wasn’t.

“Brother,” I said as we walked towards the door, “you gotta be willing to see things from a different perspective. You’re reality isn’t complete.” He still wouldn’t look at me and I could tell he just wanted to go, but I kept at it. I kept talking and not listening. I kept arguing, even though he wasn’t saying anything.

Finally, he turned, “I respectfully disagree,” then picked up his pace and headed to his next class. The door clicked shut behind him and I knew I had failed, that my words no longer had merit, and that I had lost him. All because I knew I was right.

That night, with my kids finally tucked into bed and my wife working on the couch next to me, a sort of sickness swirled in my stomach. I tried to write, to lesson plan, to grade papers, to watch YouTube videos, but I couldn’t. I couldn’t stop thinking about the day’s class and the example I had set.

I thought of how the entire year’s worth of building trust and arguing for the power of stories and the need for kindness had all come crashing down in less than ten minutes. I thought of all the times I prided myself as an open-minded guy who loves and embraces everyone. I thought of my “Dialogue not Monologue” speeches, of how we spent a week discussing Chimamanda Adichie’s perspective on single stories and stereotypes – “the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story” and how those words had become the anthem to our year, in everything we read or watched or discussed. And my stomach churned because, suddenly, all that was just words and ideas that didn’t really mean a thing. Because I had failed to make any of it come to life, to make it tangible and alive, in the classroom, where they could see it and hear it and experience it.

Because I cared more about what content then I did about the person.

 “Agh,” I moaned, shooting up from the couch and not really knowing where I was going or what I was doing.

My wife jumped, “What?” she asked, a bit startled, “What’s wrong?”

I told her about my student and how I responded. She listened, asked a few questions, then said, “Why don’t you just apologize?”

Because I’m the teacher was my first thought and because I’m not wrong was the second. But then, after a moment, it hit me, because you are the teacher, you are wrong.

I was wrong because I didn’t put into practice what I had so desperately wanted my students to learn: be willing to hear and see things from another’s perspective. And I was wrong because I had treated my student with less respect than he deserved, all because I disagreed with him, because I knew I was right. I was wrong because I chose to be right rather than to do what was right. My good friend, Erik Beard taught me that.

Erik and I have been friends for almost 20 years, and for the first ten or so, we were close. We traveled the country together, played music from Shel Silverstein books, battled in sports, and made thousands of campfires together. We even argued. But, like many of the discussions in my English classroom, we argued about things that were at a distance and outside of ourselves. They weren’t immensely personal, more philosophical. Until suddenly, they weren’t.

I don’t remember exactly what Erik said, I just know it was personal and, for whatever reason, offensive. I remember too that I didn’t say anything at first, I just fumed. For days. Until I couldn’t take it anymore. Then, I called him up “Brother,” I said, “We need to talk.”

“Sure,” he said, “When?”

We decided to meet the next morning at our usual diner. I got there early with my journal that was packed full of thoughts and arguments and as I waited, I read them over and over. When he finally walked in, I was ready.

How we started the awkward conversation isn’t clear, but judging from how I’ve handled similar situations in the past I can only assume we dove right in. I probably didn’t even let him order a coffee. What I do remember though is me laying into him and explaining, with acute detail, why he was wrong in what he said, how he said it, and when he said it.

At first, he argued a bit, defending his intentions and clarifying his position, but I wouldn’t hear it because I had my journal, my thoughts, and a clear defense. Eventually he just sat there, listening and occasionally clarifying.

When I was finished, he calmly said, “I’m sorry.” Then, “I hear you. I don’t fully agree with you, but I hear you.”

That was it. No argument, no defense, and no excuse. Just, “I’m sorry.” And it completely disarmed me.

I remember the short pause of silence, the waitress filling our coffee cups, and me closing my journal. I also remember that that was when we started to have a discussion, when we looked at each other and acknowledged, “We’re on the same side” and began working through the pain and frustration of what happened. That’s also when I learned I could trust Erik with anything, that he was safe, and that he wasn’t really concerned about being right, but rather, doing what was right. He chose me over what he knew. And over the years, that has made all the difference.

So the next day, after the students filed in and took their seats, I walked to the front of the class, sat on the table that sits below the whiteboard, and asked, “What was the point of the video from yesterday?

“To spark an argument,” someone whispered.

“To listen to and see things from another’s perspective,” another student said more confidently.

“Exactly,” I said, pointing at the latter, “That was what I had hoped for, but because of how I responded to my man,” and I pointed to the student, “I ended up sparking an argument and doing exactly what I was asking you guys not to do.” I looked around the class as my heart began to race. Everyone was looking straight at me. “And because I challenged him in front of you all,” I continued, “I need to also say, in front of you all,” and I waved my hand over the entire class, “that Student,” and I looked straight at him “I’m sorry. I took advantage of my position as a teacher and I was unfair to you as a person.”

He stared back at me. The class went silent.

“I disrespected you,” I said, “and I wasn’t kind or respectful to your perspectives. I apologize. Will you forgive me?”

“Yes,” he said, “Me too. I got angry too.”

“Are we good?” I asked.

“Yeah,” he said, “We’re good.” Then class continued, and to be honest, I don’t really remember what we covered that day. And to be even more honest, I don’t really care because I don’t think it really mattered. There were greater things going on.

When class was over, I met the student by the door, “Thank you,” I said.

“Thank you,” he said, lifting his fist for a pound.

 

I think what’s most frustrating about being a teacher is that not every student will agree with what I have to say, with the lessons I’m trying to teach, or how I perceive the world to be and the changes that need to happen in order to make it better.

            Some kids leave my class still insensitive, still ignorant of the plight and difficulty of the many lives that surround there own, and still completely absorbed in satisfying their own self-interests, and that frustrates the hell out of me. If I can’t get kids to think, if I can’t get them to be better people and contributors to society, what am I doing? Why am I wasting my time?

            It’s easy to get discouraged when, at the end of the day, the week, and sometimes even the year, it seems like not enough change actually happened.

But then I remember Mr. Furman.

During my senior year, while scraping by with a 1.75ish GPA, my English teacher, Mr. Furman, read my short story journal entry to the class and said, “Brian, you are a good writer.” It didn’t matter much then, but almost five years later, while in California and sitting on a blanket in a sea of freshly cut grass with my new fiancé by my side, his words suddenly floated to the surface and challenged everything I’d known about my direction in life. That next semester, I transferred into the English Ed. Program.

My students may never remember the essay questions surrounding the life and death of Lenny from Of Mice and Men. They probably won’t recall the songs we annotated or the videos we unpacked, and I can almost guarantee that none of them will miss filling out the infamous PDP notes

But they might remember the days we wrestled through failure, forgiveness, and all that other human being stuff.

They might remember, even if it’s many years from now, how they had a teacher who wasn’t afraid to be wrong, to admit their fault, and who consistently chose them – the students – over himself.

They might remember a classroom of freedom and safety and authenticity, where they could wrestle with ideas and failure and grow and learn without fear of ridicule, and when they do, hopefully, they will pull their heals out from the ground, care less about speaking than they do about listening, and do what is right.

But even if many of them don’t, even if I never hear from them or see how much they’ve changed and grown, I choose to believe that at least a small percentage of them will and are because, as a teacher, I choose to believe in hope, in the example of Mr. Furman, and the reality that education isn’t simply about what they score on the test today, but rather, what they will know tomorrow.

You know, the good stuff. The life stuff. The human being stuff. The reason we chose to be teachers stuff.

 

For more on . . .

-N- Stuff  :  Education  :  If school was like rock climbing  :  Metric Fixation : how standardized data impedes classroom innovation

Revisionist History : Season 3

Malcolm Gladwell's fantastic podcast is back for season 3!  The first episode, Divide and Conquer: The Complete, Unabridged History of the World's Most Dangerous Semicolon

New States may be admitted by the Congress into this Union; but no new State shall be formed or erected within the Jurisdiction of any other State; nor any State be formed by the Junction of two or more States, or Parts of States, without the Consent of the Legislatures of the States concerned as well as of the Congress.

You can also listen to a special live taping of Malcolm and WorkLife’s Adam Grant (who wrote one of my favorite books of 2017) discussing "how to avoid doing highly undesirable tasks, what makes an idea interesting, and why Malcolm thinks we shouldn't root for the underdog." It's a great listen. I laughed aloud, thought a ton, and got supper geeked about this coming season.  

Gladwell is a genius. 

Happy listening!!!

 

For more on . . .

-N- Stuff  :  Podcasts  :  Malcolm Gladwell

Also, if you haven't signed up for the monthly news letter, please scroll on down and do so! 

Anyone signing up this month will get a handwritten "Thank You!" card. 

Happiest Person in the World?

Image by Lance Oppenheim

Image by Lance Oppenheim

For nearly two decades, Mario had been living out of his suitcase, traveling extensively for his corporate job as the director of international finance at a multinational corporation. He spent more time in and out of hotel rooms scattered across Latin America than he did at his home in Miami. After working nonstop for nearly 21 years, Mario — burned out — decided it was time to pursue a lifelong goal: to travel around the world, without leaving home. In 1997, he quit his job, packed an even bigger suitcase and quietly disappeared from the lives of his friends and family to pursue a new life on the open water (via).

Lance Oppenheim had heard of Mario Salcedo, or “Super Mario” for years, so he decide to make a video about him, to explore "the transformation of nontraditional places and spaces into homes." What he found was not what he expected. 

"The Mario we followed," Oppenheim writes, "was not living the fantastical dream life of a 'cruising king,' as I’d seen him described. The Mario we found lives a life full of paradoxes: while he proclaims his independence from others, he surrounds himself with throngs of anonymous tourists, shaking hands and selling his lifestyle" (emphasis mine).

Even in the short film, you see it, a constant need and desire to tell everyone, "I'm the happiest man on earth." Like he's trying to convince himself that he is happy, and that he's proud of what he's become.

Even in this short six-minute snap shot, it all seems like a facade, a mask, or at best, a distraction. With over 7,300 nights at sea, Mario's home is a revolving door of new faces, occasional friends who stay for a short while, and simple stories. There is no depth, no purpose, and very little thought to anything outside of himself, his life, and what makes him happy. Which also seems completely shallow.

Oppenheim concludes his article with, "as I floated dreamily across a sea of professional smiles with Mario, I realized that his facade had taken on a reality of its own, that his ongoing voyages to nowhere — and everywhere — provided an overwhelming sense of freedom perhaps not found on land. It is in that freedom that Mario has finally found his home."

But I don't buy it. I don't think Oppenheim does either. I think he's just being polite. 

Consider the scene at the 3:45 mark, where Mario attempts to convince us that he is "the happiest person in the world. Being alone." Oppenheim chose that scene, of Mario sitting at the long table, sipping his wine, with nothing but the quiet. It's a powerful scene of dichotomy because he isn't alone - ever - because he lives on a cruise ship that is constantly filled with people. And yet, he is completely alone.

Even in death.

"I have already planned my death," Mario says, "If I really get sick, I may decide to do one final scuba dive and just go down four-hundred feet, instead of having to live my last years on land, in a land hospital. To me, that would be pure hell."

There may not be a more appropriate yet depressing ending for Mario. Alone, in the dark, with nothing but memories of heading nowhere, arriving nowhere, with no one by his side and nothing to show for life but false luxury, simple stories, and shallow reminders. 

Everyone can easily fantasize of having a fews days and even weeks where very little is expected of them, no cleaning is required, and at any give time they can escape into isolated silence. But for twenty-plus years? How many sunsets can you watch alone before wanting to wrap your arms around a loved one? How many meals can you eat before wanting to hear of someone's day or the sweet giggles of simple conversation? How many faces can you greet or hands can you shake before wanting someone to know you by name, understand your joys and struggles, or challenge you thoughts and dreams? 

How many days can you wake up and think and live only for yourself?

Because to me, discovering much too late that life is more than fancy cruises and daily room service, would be pure hell. While I kick and pull and scream towards the depths of the deep and cold ocean floor.

 

For more on . . .

-N- Stuff  :  On Living  :  Big ME : little me  :  The best that ever was . . . a waste

 

Also, if you haven't signed up for the monthly news letter, please scroll on down and do so! 

Anyone signing up this month will get a handwritten "Thank You!" card. 

Metric Fixation : how standardized data impedes classroom innovation

From Jacques Tati’s Playtime (1967). Image courtesy Les Films de Mon Oncle – Specta Films CEPEC

From Jacques Tati’s Playtime (1967). Image courtesy Les Films de Mon Oncle – Specta Films CEPEC

I really appreciated this article, "Against metrics: how measuring performance by numbers backfires", by Jerry Z Muller, a professor of history at the Catholic University of America in Washington, D C..

"The key components of metric fixation," Muller writes, "are the belief that it is possible - and desirable - to replace professional judgement (acquired through personal experience and talent) with numerical indicators of comparative performances based upon standardized data (metrics)."

Ever since venturing into the world of education, this dichotomy has been my passion, and my nemesis - how do I reconcile data driven assessment with the non-measurable goals? At what point do grades and GPA's begin to drive education in the wrong direction?

Muller seems to be asking similar questions.

He goes on to say that "the most dramatic negative effect of metric fixation is its propensity to incentivize gaming" - an if/then reward system - that encourages professionals to "maximize the metrics in ways that are at odds with the larger purpose of the organization." Like grades over curiosity, resume virtues instead of eulogy virtues, and content over humanity.

Daniel Pink, the NYT and WSJ Bestselling Author of Drive, says, "When the profit motive becomes unmoored from the purpose motive, bad things happen," ethically sometimes but also in lame service and crappy products (via). In education, we call that teaching to the test which is also a lame service that ends with a crappy product. 

I think my favorite part of the article, though, was when Muller writes,

The source of trouble is that when people are judged by performance metrics (high stakes testing) they are incentivized to do what the metrics measure, and what the metrics measure will be some established goal. But that impedes innovation , which means doing something no yet established, indeed that hasn't even been tried out. Innovation involves experimentation. And experimentation includes the possibility, perhaps probability, of failure. 

How many classrooms have you been in that celebrate and embrace failure? That allow for innovation rather than memorization? 

I'll end with Muller's final words, "The more that work becomes a matter of filling in the boxes by which performance is to be measured and rewarded, the more it will repel those who think outside the box." 

You can see Daniel Pink's TED talk here or read his bestseller here (to date, it is one of my Mount Rushmore books for education). Or, you can watch a brief animated version of his thoughts below. It sums up most of his ideas, in a skiing across the water sort of way. 

 

For more on . . .

-N- Stuff  :  On Education  :  If school was like rock climbing  :  Prince EA's, "I just sued the school system!!!"

Also, if you haven't signed up for the monthly news letter, please scroll on down and do so! 

Anyone signing up this month will get a handwritten "Thank You!" card. 

Heretics : What if there is no hell?

Illustration: Adam Maida; Photograph: AP Photo/M. Spencer Green

Illustration: Adam Maida; Photograph: AP Photo/M. Spencer Green

For the past week or so Reverend Carlton Pearson has been on my mind. I first heard his story on the podcast Heretics by This American Life, and ever since, several people have reached out asking if I'd listened to it and what I think of it. Clearly, it has his a nerve. 

In the 1990's, Reverend Carlton Pearson was a rising star in the evangelical movement, but in the early 2000's, after he cast aside the idea of hell, "everything he'd worked for over his entire life" suddenly crumbled (via). Except his faith. 

Which is why he became a heretic.

There's also a movie, produced by James D. Stern under his Endgame Entertainment banner, along with Ira Glass and This American Life banner, distributed by Netflix.

"One of the moments I’m happiest with in our new film," Ira Glass writes, "is the scene where Jason Segel’s character Henry basically breaks up with his friend. Because his friend has come to believe some things Jason does not" (via). 

Everything Henry say comes down, basically to: “This is breaking my heart because I think maybe you’re going to hell and I love you and it feels like there’s nothing I can do or say to stop you.” 

It’s moments like that which made me want to make this film. Years ago, I became aware that there was a huge gap between the way evangelicals are portrayed on TV and in films and in the news, and the evangelicals I know in my personal life. Who are not like the smiling, intolerant hardasses I see in the media, but complicated, sensitive, funny people who take seriously Jesus’s admonition to love one another (via).

And I was reminded of Originals and the idea of "horizontal hostility."

According to Adam Grant, horizontal hostility is the "minor differences in people who are otherwise alike that form the basis of feelings of strangeness and hostility between them" (pg 117). Like vegans and vegetarians. Compared to much of the world, these two groups are very similar, which is the problem. Because they are so alike, they can often find horizontal hostility because the other isn’t doing it right and therefore, “making us look bad.”

I would venture to say that the existence of hell is no "minor difference," but, shouldn't it be? At least in terms of the greater commission, to love one another? 

If there was no hell, if everyone was heading to heaven because God's love was indeed big and great enough, should that change anything? They we live and speak and think? Shouldn't we be rejoicing that people everywhere get to experience eternity with a loving God? 

If not, why not? 

And if the idea of hell is why we serve and minister and "love our neighbors," aren't we missing the whole point of the gospel? 

But also, and perhaps to the deepest point, why is someone not aloud to question and struggle? To look at what we've been doing for hundreds of years and say, "I don't know. We may be wrong - because we're human."

 Why are those who question considered heretics and kicked out of the church?

When did being curious and wondering outside of tradition become the unpardonable sin? 

What I find most interesting with all this is, in the end, Reverend Carlton Pearson is ministering and loving the outcasts, the "sinners" and those whom Jesus would have been drawn to. Not the righteous pharisees. 

Which, in the end, is why I tend to side with Reverend Carlton Pearson. Not because I'm convinced he's right, but because I'm convinced in his process, in questioning and wrestling and the willingness to be wrong. Even if it means losing everything. 

Except his faith.

 

For more on . . .

-N- Stuff  :  On playing Devil's Advocate  :  Bacon and God's Wrath :  On Empathy

How Millennials Became the Selfie Generation

"The idea that there is this perfect golden you is simply not true."

I really appreciated this short documentary on selfies and the self esteem generation that preceded it.  

Sort of a common theme for people to be setting overly high expectations for themselves and then failing to meet them. And when they fail to meet them over and over again they enter into despair, which can manifest in all kinds of self destructive behaviors. 

This quote resonated with me quite a bit. Not because I'm a selfie kind of guy or anything like that, but because I am definitely an overly high expectations kind of guy. In relationships, personal goals and standards, and family. Most definitely family. Then, when these expectations aren't met, over and over again, the destructive behaviors manifest themselves in a variety of ways, but mostly through isolation. Emotionally, physically, or relationally, it doesn't matter. I just withdrawal and brew. Because it's all about me. And often, you're not allowed in.

What's most interesting though - especially when it comes to my wife - is that I rarely find the solution or peace from within, as we are so often asked to do. Instead, it's when people push in, when my wife pursues and doesn't let me off the hook or when a friend says, "I'm coming over" and we talk and talk until finally the facade is down and the bullshit called for what it is. Then, and only then, do I find peace, when I finally get outside myself, when the world doesn't revolve around me, and when the picture includes so much more than my limited understanding of life. 

This short documentary is based on the book Selfie: How We Became So Self-Obsessed and What It's Doing To Us by Will Storr. Here's a brief intro:

We live in the age of the individual. Every day, we’re bombarded with depictions of the beautiful, successful, slim, socially conscious, and extroverted individual that our culture has decided is the perfect self, and we berate ourselves when we don’t measure up. This model of the perfect self and the impossibly high standards it sets can be extremely dangerous. People are suffering under the torture of this impossible fantasy, and unprecedented social pressure is leading to increases in depression and suicide (via).

I've already added it to my Amazon cart.

 

Thanks for reading!

For more on . . .

-N- Stuff  :  Humanity

 

How a Disney animator deals with losing his wife : A doodle diary

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Former Disney illustrator Gary Andrews started to "doodle diary" on his 54th birthday. He was happily married and a father-of-two and wanted to remember the joy and beauty of family. Within 3 years he was a widower. Joy, his wife, had passed away from sepsis.

Struggling with ways to cope Gary "opened up his notebook and let his emotions pour out onto the pages" (via).

I was crying so hard it was difficult to focus on the page. I was drawing through tears. Joy had been my soulmate for 19 years. She was beautiful, kind, generous and funny. We did everything together. When I lost her, I felt half of me had gone (via).

Gary has published his work in hopes of raising "awareness for an illness that is often regarded as an afterthought for many doctors. Its symptoms, including fever, sickness, blotchy skin and dizziness, are often mistaken for other illnesses and not recognized until too late. If captured early on, it can be treated with simple antibiotics" (via).

After spending a weekend celebrating my 35th birthday and considering the many (hopeful) boxes I have to fill in, this story and these drawings had me all sorts of choked up. 

May we treasure the time that we've been given.

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This one is my favorite because, as I've heard it said before, "Laughter is the manifestation of hope." I can imagine how often Gary felt heavy and depressed and just so alone - especially when his girls crawled into his lap and cried for Mom. But then, moments like these, and perhaps, seeing a bit of his wife's humor and hope shine through his little girls, his spirit was lifted. 

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Brilliant.

 

You can go here for more of Gary's story and to see a few extra sketches. 

Thanks for reading!

 

For more on . . .

-N- Stuff  :  Life Stories Humanity

On the eve of turning 35 . . . What's next?

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There's a scene in one of my favorite movies, Liberal Arts, where a retiring professor is lamenting with an old student (Josh Radnor) about transition and getting old. At one point he tells Josh, "Ask me how old I am." When he does, the professor (played by Richard Jenkins), responds with, "None of your god damned business," and they both smirk. "Now," the professor continues, "ask me how old I feel." 

"How old do you feel," Radnor asks.

"Nineteen. And I've never not felt like I'm nineteen."

I don't think 35 is all that old, but it does seem to be a sort of wrapping up and moving on. For the past thirty-four years, I've been able to get away with many mistakes and shortcomings because I was either young and dumb, a newly-wed man, a young father, or new to my profession. I was allowed to make immature mistakes. But thirty-five, with four kids, and a recently hired principal? That man is no longer young, no longer new, and no longer has an excuse. He's also half way done with life and should know better by now. He is now fully and completely an adult. 

That is, if he doesn't keep putting it off.

In his TED talk, Inside the Mind of a Master Procrastinator, Tim Urban brilliantly and comically describes the mind of anyone struggling with, or fully embracing, a life of procrastination. And for most of his talk, he's cute and funny, because his content is light and simple, and because what he has to say is relatively harmless. It's just the funny quirks of life. 

Then, in his concluding thoughts, Urban reaches beyond the college essays and weekly schedules and simple deadlines that direct so much of our daily lives - the contained kind of procrastinations - and talks about the second kind, the deeper kind. The kind that don't have deadlines, the kind that matter most. These are the ones that, at the end of our lives, we're most proud of, most excited about, and the ones people talk about when we've past on.

They're the entrepreneur kind, the outside the career kind, the working on relationships or growing as a person kind. And because they have no weekly or monthly deadlines there's never a sense of urgency to get them done. We can always put them off until tomorrow, until life is a bit less busy, or until this current contained deadline is finished (which they never are because there is always another one right behind). So they are continually placed on the shelf, waiting for future days, and hardly ever getting the attention they deserve. 

So in order to create a sense of urgency, in order for these goals and ideas and ambitions to be brought down and polished off, Urban shows this graph. And it really got to me.

Waitbutwhy.com

Waitbutwhy.com

At first, it looks like a LOT of squares with plenty of time to do many things like traveling, writing that great American novel, and getting to know my kids and wife and extended family. 

But then I saw this one, and I got a bit more anxious. 

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This morning, while waiting in the hallway between classes, several teachers passed by on their way to wherever they were going. "Morning," I would say, or, "How are you?" and their responses were fairly common. "Happy Friday" and "TGIF!" I would nod my head in agreement because, even though I love being a teacher, I too love the weekends. And when Monday comes along, I look forward to the next one. 

Then the next one.

Then the next.

And the next.

Until I saw them all, neatly piled in rows and lines, advertising the entirety of my (possible) life, and it terrified me a bit. So I printed off a sheet and started filling in the boxes. 

The first grouping was nothing all that extraordinary, just my days growing up in Indiana, making friends, playing sports, graduating high school, and generally wasting a whole lot of time. A lot of time. And a lot of boxes. So instead of going line by line, box by box, I started making little patterns, dividing up the space into little chunks, and finding a sort of rhythm in the process, which made the time go by faster and with a little more flair - with a little more excitement.

Days in Indiana

Days in Indiana

Then, suddenly, I found the whole process a bit discomforting. I was filling in boxes, weeks of my life, with such simplicity and absentmindedness that I even forgot what I was doing: shading in the days and months and years of life that I will never get back.

I started considering how fast I filled in those boxes, how quickly they turned into years, and how many I might have left.

When I was finished, I added in a few key dates: the day I finally graduated from University, when Josey and I married on a small mountain top in Montana, the day I turned thirty. 

I placed my kids on the chart (not when they were born, but how many squares they have lived).

Then I found the day (roughly) Judah will graduate high school and the square my grandfather last filled before he died. Suddenly, the time allotted seemed a little bit smaller.

IndianaOut of house, before marriageMarriage but before ChinaChinaStill married, post China

Indiana
Out of house, before marriage
Marriage but before China
China
Still married, post China

I may feel like I'm nineteen, and hopefully always will, but my squares are quickly filling. Sometimes with great fanfare, other times not, but always they are. And on the eve of my 35th birthday, I'm feeling that reality more then I ever have before. 

If I live to be as old as Grandpa was, I'm already halfway there. The empty boxes until my first-born son leaves are fading. And with each passing year, I get further and further away from the immortal age of nineteen.

I don't think working through all this means I'm in a midlife crises. In fact, I think this could and should be a good place to be (at least I hope it is) because this might be exactly what prevents the crises, some years from now, when the panic of a deadline is realized and there isn't enough time to cram in the good and important stuff, leaving a large and empty space of regret. 

I know I'm not the first, the only, or the last person to turn 35, to wrestle with mortality, or to look back on life and gasp at how quickly it has past. Nor am I the first to look at the future and hope and dream of what could be yet cringe at all of the things that actually could be.

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"Everyone," Urban says at the end of his talk, "is procrastinating on something in life . . . and because there's not that many boxes up there . . . we need to start working on it today."

Here are few things I've been procrastinating on:

1. Pursuing my family
2. Writing an actual book, not just blogs
3. Teaching my son how to cook
4. Taking my wife on a vacation . . . without kids
5. Saving for colleges
6. Writing more letters
7. Getting back into shape
8. Forgiving family
9. Giving
10. Shaving.

And I don't want to procrastinate another day, I will tackle two right off the bat: writing more letters and giving.

If you've read this far, write a short favorite memory (either here or on Facebook) of you and me and on the evening of Sunday, April 30th, Judah will pull a name from a hat.

That lucky person will get a FREE BOOK and handwritten note!!!

As always, thanks for reading.

Enjoy the weekend!