Double King Explained!

I've posted some of Felix Colgrave's works before and probably will again. He's pretty fricken cool. 

However, I'm posting this more for my AP students who spent an entire class trying to dissect and interpret, but who, like myself, struggled to truly make sense of it. 

This guys interpretation my not be perfect, but it still helps quite a bit. 

Check out more of Felix Colgrave's works, click here. And if you have any further insights or opinions on this or any of his works, please, share your thoughts!

 

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-N- Stuff  :  Short Films  :  Art

 

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Privileged America, your table is ready

This morning, after listening to the podcast "State vs Johnson," by Malcolm Gladwell I was uncomfortable. No, that's not right. I was angry - pissed even - because I just hate stories like these. It's about a colored man accused of raping a white woman during the Jim Crow era. He didn't do it, but that didn't matter. She said he did.

The podcast ended about seven minutes before the walk was over so I had time to try and digest it a bit. It was a bit like trying to swallow a much too large piece of apple. After forcing it down with a giant chin-to-chest gulp, it scraped all the way down, leaving my chest soar and bruised for the rest of the day. Suddenly, simple eating becomes a painful chore. 

Around noon, I grabbed a beer and tried to sort out my thoughts. I drank coffee instead.

A few nights earlier, I wasted too much time watching Louis C.K. videos because a good friend of mine, Eric Trauger, always talks about him, and for good reason: Louis C.K. is brilliant - in a hysterically difficult to watch sort of way - because, well, he nails us. Right on the head. And it's super uncomfortable.

Especially if you're privileged white. 

In "State vs Johnson," Gladwell points out the parallel between Johnson's case and that described in To Kill a Mockingbird. The only difference being, Johnson didn't have Atticus Finch. He had a drunk who didn't understand the constitution, or the rights of all men.

(As a side note, I absolutely, with all that I know and am, disagree with Gladwell's assessment of Atticus' motive of persuasion).

Soon after the podcast ended, one thought that came to mind was on the idea of rights. After the trial, where Johnson was unsurprisingly found guilty, a new lawyer, Vernon Jordan, stepped in to try and rectify the verdict on the basis of violated Amendment rights - the fourteenth specifically- which says that no state shall "deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws (via)." 

Johnson, a born citizen of the United States, had certain unalienable rights. But because of the color of his skin and because of the egregious actions he was assumed to have done, his rights were tossed aside, like crumbs on a picnic table. 

Suddenly, inherent rights, seam so fickle, so fragile, only as strong as the men and women who ensure them. 

The twin brother to rights is deserve, and in our American culture, we use them interchangeably. He or she deserves or has the right to do this or that, we feel the freedom to buy or do as we please because we deserve it, and please, feel the freedom to speak up and speak out because it is our First Amendment right, any high schooler knows that.

These ideas of complete independence and freedom are rooted in the declarations of our constitution, that all men are created equal and with the right to life, liberty, and the pursuit of happiness. As Americans, we understand these truths, and we hold them to be self-evident.

But, what if they're not? What if we don't actually deserve anything? What if we, really, have absolutely no right to demand any rights at all?

What if, like Atticus Finch, all we really have is the weight of responsibility. 

None of us chose anything about our birth, we just showed up, involuntarily. Louis C.K. hits on this when he says, "If it were an option, I would re-up (on being white) every year." 

That's a pretty important "if" because it emphasis the point that none of us had a choice in anything about how we came into this world. Not who are parents are, their nationality, or ethnicity they are or decided to have sex with. We didn't decide any of it. We had not a single bit of input. Even after we were born, our opinions didn't count. If our parents lived on a farm, we lived on a farm. If they moved to the city, we went along - kicking and screaming or otherwise. From the beginning, we had no say, none, on some of the most deciding factors of life. 

We didn't even have a say if we wanted to be born at all.

However, overtime, we begin to expect, demand even, what we are so confident think we deserve. 

Yet, these men and women, without rights and without privilege, shaped the course of America.

We know America is what we make of it. That, "the Tuskegee Airman, and the Navajo Code Talkers, and the Japanese Americans who fought for this country even as their own liberty (a right or privilege) had been denied" taught and lived out for us a great lesson on what it means to be American, and what it means to be human.

"We are all called to do something. We are all called, to play a role," not simply sit about, demanding our rights and privileges, but to live a life of deep responsibility, like Sojourner Truth, Fannie Lou Hamer, and Atticus Finch

Many of those men and women who walked that bridge, including that southern baptist preacher who had a dream, didn't look to the Constitution for strength to stand up and do something, they looked to their responsibility, their role within the time, and they made something of it. They were men and women of integrity, not entitlement. And they, along with many others both past and present, are what have helped make America great. Not their rights. 

But we're not finished. In fact, if we look around, I think it's clear to say we are far from it.

May we, especially those of us born into undeserved privilege, live in a similar way and with like conviction and embrace the roles we are called to play - to make our homes, our communities, our country and our world great, not simply ourselves. To live, not with selfish and ambition, but with a sense of urgent responsibility, to use our gifts and talents and rights for the benefit of others, not merely ourselves. And to love. Good God may we learn to love and think of each others as more important than ourselves. 

Then, and only then, will We be great. 

 

For more on . . .

-N- Stuff  :  Humanity  :  History  :  The Misunderstood Black Panther Party

 

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Music : Illusion and Mastery

I wasn't going to watch this one even though it kept popping up on various websites and even though I love soundtracks. I don't know why, I just didn't want to watch it.

Then, it popped up again. So I watched it.

I'm glad I did. I think you will be too.

 

Afterward, I was lead to this one of John Bonham, the drummer for Led Zeppelin. 

 For almost 20 years now, I've maintained a steady level of less-than-mediocre drumming skills - which is pretty impressive, if I do say so myself - so have always been drawn to really, really good drummers.

Even though I can't read music, the pictures really helped and I can now say with confidence, this guy is brilliant. 

 

For more on . . .

-N- Stuff  :  Movies Without Soundtracks  :  The Story Behind Soundtracks

 

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Danny Macaskill : The Ridge

Sometimes, people amaze me.

Born December 23, 1985, Danny MacAskill is a Scottish trials cyclist, from Dunvegan on the Isle of Skye. He works professionally as a street trials pro rider for Inspired Bicycles Ltd and is one helluva crazy dude. 

You can read more about Danny on his website and watch his new video, Wee Day Out where he explores the rural landscape around Edinburgh. The film "sets out to capture the simple fun of a ride in the country with moments of incredible riding and a touch of humor. Danny pulls off never-seen-before tricks, most of which would normally be assumed impossible on a mountain bike, like leaping onto a single train track, turning a hay bale into a giant unicycle, riding over a cottage, and disappearing into a 6ft puddle."

 

For more on . . .

-N- Stuff  :   Other Guys who will make your palms sweat  :  Great Wall Adventures

 

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President Bush : in search of atonement

George W. Bush is painting portraits of soldiers, and they're pretty amazing.

"In his book, 'Portraits of Courage: A Commander in Chief’s Tribute to America’s Warriors'" Peter Schjeldahl writes, "President Bush has painted ninety-eight portraits of "physically and/or mentally wounded Armed Forces veterans of the Afghanistan and Iraq wars" (via).

The quality of the art is astonishingly high for someone who—because he “felt antsy” in retirement, he writes, after “I had been an art-agnostic all my life”—took up painting from a standing stop, four years ago, at the age of sixty-six. Bush’s eye and hand have improved drastically since hacked images of a couple of clumsy, apparently nude self-portraits in a bathroom surfaced, in 2013. (He made those, he said, to shock his painting tutor—the first of three plainly crackerjack ones whom he acknowledges in the book.)
Bush now commands a style, generic but efficient, of thick, summary brushwork that aims to capture expression as well as physiognomy. There’s a remoteness in the use of photographs. The subjects aren’t present to the artist. They’re elsewhere. But they look honestly observed and persuasively alive.

I love this acknowledgement because it highlights the closeness, the intimate connection, President Bush has with these men and women - even if they're not physically present. He isn't painting their portraits as a publicity stunt or to merely "be liked" by a country that criticized him so often. He's doing it because his heart and mind are wrestling through the immense responsibility of being a President, of sending people he didn't know into war, while he stays behind.

A responsibility and weight we'll will never understand. 

President Bush sent these men and women into harm’s way, and they came back harmed—often minus limbs from I.E.D. and mine explosions—and, in all cases, traumatized to some degree. Ex-President Bush met them in the course of running a charity, the George W. Bush Institute’s Military Service Initiative, which he set up to honor and aid veterans.
Bush’s portraits are accompanied in the book by upbeat tales of recovery . . . the book’s tone isn’t self-congratulatory. It’s self-comforting, rather, in its exercise of Bush’s never-doubted sincerity and humility—virtues that were maddeningly futile when he governed, and that now shine brighter, in contrast with Trump, than may be merited.
Having obliviously made murderous errors, Bush now obliviously atones for them. What do you do with someone like that? (via)

I love that concluding question, and I love that a New Yorker journalist asked it because a journalist of such caliber is supposed to answer questions, relieve doubt and confusion, and articulate a way we should and want to think. 

But he doesn't. Which makes it a perfect ending. Because it leaves it up to us - we are responsible for figuring it out - for concluding his thoughts. 

What do you do with someone like that?

Well, we Forgive,  empathize, and allow him to live outside of our constructed single story. We allow him to be a human who lived out his humanity on the grandest of stages, for everyone to see. And we allow him, and learn from, his attempts to seek amends. Because that's what heroes do.

And, if Michelle Obama can take to the former president, despite their vast differences, I think we all can.

I just love this photo and all that it represents. 

 

For more on . . .

-N- Stuff  :   Humanity  :  History of the "President"  :  A Mapping of US Presidents

 

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Nat Geo's Travel Photos of the Year

"The results of the 2017 National Geographic Travel Photographer of the Year Contest are now in, with grand-prize winner Sergio Tapiro Velasco set to receive a 10-day trip for two to the Galápagos Archipelago with National Geographic Expeditions, for his incredible shot of lightning striking the erupting Colima Volcano in Mexico (below). National Geographic was kind enough to allow {ALAN TAYLOR} to share the winners and honorable mentions with us here, from three categories: Nature, Cities, and People. The photos and captions were written by the photographers, and lightly edited for style" (via)

The Power of Nature - Grand Prize and 1st Prize Nature Category. Powerful eruption of Colima Volcano in Mexico on December 13th, 2015. That night, the weather was dry and cold, friction of ash particles generated a big lightning rod of about 600 met…

The Power of Nature - Grand Prize and 1st Prize Nature Category. Powerful eruption of Colima Volcano in Mexico on December 13th, 2015. That night, the weather was dry and cold, friction of ash particles generated a big lightning rod of about 600 meters that connected ash and volcano, illuminating the dark scene. In last part of 2015, this volcano showed a lot of eruptive activity with ash explosions that raised 2-3 km above the crater. Most of the night explosions produced incandescent rock falls and lightning not bigger than 100 meters in average

Al Ain - Honorable mention, Cities. New city on the desert.

Al Ain - Honorable mention, Cities. New city on the desert.

The Man’s Stare - Honorable mention, People. The photo was taken on July 23rd 2016 at Tongi Railway Station in Gazipur, Bangladesh. I was there taking photos and waiting for a moment. A train from Dhaka toward another district stopped at the platfor…

The Man’s Stare - Honorable mention, People. The photo was taken on July 23rd 2016 at Tongi Railway Station in Gazipur, Bangladesh. I was there taking photos and waiting for a moment. A train from Dhaka toward another district stopped at the platform for 5 minutes for lifting passengers. It was raining a lot. Suddenly I found a pair of curious eyes looking at me through the window and on his left an umbrella has been put to protect from the rain. I got the moment.

Interesting Moment - 2nd Place, People. Museum visitors curiously watching Rembrandt's painting "Syndics of the Drapers' Guild" where it gave the illusion that the people on the paintings too are curiously watching the visitors.

Interesting Moment - 2nd Place, People. Museum visitors curiously watching Rembrandt's painting "Syndics of the Drapers' Guild" where it gave the illusion that the people on the paintings too are curiously watching the visitors.

 

My favorite is "The Man's Stare." What a captured moment. 

 

For more on . . .

-N- Stuff  :   Amazing Photos :  Nat Geo 2016 Year in Photos  :  Portrait Photography of Martin Schoeller

 

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Advice from Lord Birthday

Lord Birthday was created in the summer of 2015, on a train from Vancouver to Portland, but Chad, the man behind Lord Birthday, didn't want anyone to know it was him. Nobody. Not his colleagues at Oregon State University, not his parents, not his friends. 

Only his wife could know that Chad - super clean, extremely shy, sink-in-the-corner Chad - had another side to his otherwise boring personality.

It wasn't until this episode, True You, produced by Invisibilia, that Chad told the world who he truly was. 

And he was terrified. Because for him, Chad getting "too involved" with Lord Birthday would, sorta, kill Lord Birthday. Because, suddenly, Lord Birthday would be censored - there would be a double take. "What will my parents think?"

Chad/Lord Birthday has a book deal in the makings and can be followed on instagram and GoComics (if you just keep pressing the "random" button under each picture, you'll be entertained for hours). 

So far, Lord Birthday isn't dead.

 

For more on . . .

-N- Stuff  :   Chalk Art  :  Art

 

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Shrinking of humanity

jumping Silhouette

 

Five boys, middle school aged boys, just walked into the Starbucks I've been sitting at for the past hour. They rode their bikes here, dropping them outside the door, asked for free water, then huddled together and pulled out their phones. All of them. 

"Should I post this to my story?" one asks, passing around his phone. One friend says no; the rest yes. He posts, and they all laugh.

They chat, giggle, and, generally, act like a small pack of middle school boys: loud, and fully self absorbed. Just like I did when I was their age. 

However, they are also fully different from what I remember because, my friends and I never had phones or social media. In high school, we had pagers. In middle school, Juno. We were pretty sheltered.

Yet, how quickly we've all adapted. And how quickly we've all bought into the lie.

The lie that everyone around us is as happy as they claim and post, and the lie that we need the likes and hearts and approval from others to feel good about our selves, and our (often) fake lives.

A couple has just walked in - they look to be maybe in their late teens, perhaps early twenties. She opened the door first, placing her sunglasses on her head full of curly brown hair. He soon followed, his face absorbed in his phone. She held the door for him and they both disappeared behind the wall to order their drinks. 

When I watch, when I really look around at the people in line at the grocery store, at those shopping, those eating or even driving, I notice that most, and close to all, have their screens out and on. Hardly any of them are sitting there, talking, without their little device of distraction.

Including me.

I met a friend for brunch this morning and the family of three sitting across from us sat in silence. The husband watched the TV in the corner while the mom and son scanned their phones. In almost 45 minutes, they said hardly a word to each other. Even after the food arrived.

The couple has just left. She carried both drinks; he carried his phone, about a foot from his face. (I swear, I'm not making this up).

Several years ago, I remember reading a few stories of a man and a woman being stabbed in city streets, only to find that no one would stop and help them. But they would take pictures. 

This video, suddenly, doesn't seem too far off. Even if it is a bit disturbing. 

Middle school boys, boyfriends, or families out for lunch, on their cellphones, doesn't mean they will overlook a stabbing - that's a pretty far jump. 

But it does start somewhere. Or rather, it isn't controlled somewhere. 

And the easiest, most appropriate place to start, is probably the home. 

Our humanity is shrinking.

We no longer have natural "stopping cues" - the ending of a book or news paper or TV show that moves us on to something different, or even, that it's okay and appropriate to put down our phones and see the world, the people, that surrounds us.

So we need to create them on our own. 

Alter offers dinner as a possible stopping cue, which I fully accept and agree with, but also struggle with a bit because phones have never been allowed at the table. Ever. So it doesn't really help.

So I am interested in what other have done, how others have consciously protected their home, their family, and their pursuit of conversation

Screens are miraculous - I too feel that it's true - but they are also dangerous. And they are thieves. They steal the color, the richness, and the interesting from life, and they, ironically, steal the human connection with other humans. They create a distance. And they install a dullness. But only if abused and misused. 

If you have a suggestions on how to create natural (or unnatural) stopping cues for screen life, please, share them. I'm sure we would all appreciate a little more sand between our toes and ocean on our feet. 

 

For more on . . .

-N- Stuff  :   #eattogether  :  On Living  :  Humanity

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The Best Road Trip, according to Science

A while ago, Tracy Staedter from Discovery News proposed an interesting idea to Randy Olson, a Senior Data Scientist at the University of Pennsylvania Institute for Biomedical Informatics: use the same algorithm from his Where’s Waldo article to compute the optimal road trip across every state in the U.S.

 So he did.

"One of the hardest parts of planning a road trip," Olson writes, "is deciding where to stop along the way. Given how large and diverse the U.S. is, it’s especially difficult to make a road trip that will appeal to everyone. To stand a chance at making an interesting road trip, Tracy and I laid out a few rules from the beginning:

  1. The trip must make at least one stop in all 48 states in the contiguous U.S.
  2. The trip would only make stops at National Natural Landmarks, National Historic Sites, National Parks, or National Monuments.
  3. The trip must be taken by car and never leave the U.S.

With those objectives in mind, Tracy compiled a list of 50 major U.S. landmarks — one in each state excluding Alaska/Hawaii and including D.C., and two in California" (via)

The result is an epic itinerary "with a mix of inner city exploration, must-see historical sites, and beautiful natural landscapes."

"All that was left was to figure out the path that would minimize our time spent driving and maximize our time spent enjoying the landmarks."

Click here for the interactive version

Click here for the interactive version

Assuming no traffic, this road trip will take about 224 hours (9.33 days) of driving in total, so it’s truly an epic undertaking that will take at least 2-3 months to complete. The best part is that this road trip is designed so that you can start anywhere on the route as long as you follow it from then on. You’ll hit every major area in the U.S. on this trip, and as an added bonus, you won’t spend too long driving through the endless corn fields of Nebraska.

Here’s the Google Maps of the route: [1] [2] [3] [4] [5] [6]

(Note that Google maps itself only allows 10 waypoints to be routed at a time, hence why there’s multiple Maps links.)

Here’s the full list of landmarks in order:

  1. Grand Canyon, AZ
  2. Bryce Canyon National Park, UT
  3. Craters of the Moon National Monument, ID
  4. Yellowstone National Park, WY
  5. Pikes Peak, CO
  6. Carlsbad Caverns National Park, NM
  7. The Alamo, TX
  8. The Platt Historic District, OK
  9. Toltec Mounds, AR
  10. Elvis Presley’s Graceland, TN
  11. Vicksburg National Military Park, MS
  12. French Quarter, New Orleans, LA
  13. USS Alabama, AL
  14. Cape Canaveral Air Force Station, FL
  15. Okefenokee Swamp Park, GA
  16. Fort Sumter National Monument, SC
  17. Lost World Caverns, WV
  18. Wright Brothers National Memorial Visitor Center, NC
  19. Mount Vernon, VA
  20. White House, Washington, DC
  21. Colonial Annapolis Historic District, MD
  22. New Castle Historic District, Delaware
  23. Cape May Historic District, NJ
  24. Liberty Bell, PA
  25. Statue of Liberty, NY
  26. The Mark Twain House & Museum, CT
  27. The Breakers, RI
  28. USS Constitution, MA
  29. Acadia National Park, ME
  30. Mount Washington Hotel, NH
  31. Shelburne Farms, VT
  32. Fox Theater, Detroit, MI
  33. Spring Grove Cemetery, OH
  34. Mammoth Cave National Park, KY
  35. West Baden Springs Hotel, IN
  36. Abraham Lincoln’s Home, IL
  37. Gateway Arch, MO
  38. C. W. Parker Carousel Museum, KS
  39. Terrace Hill Governor’s Mansion, IA
  40. Taliesin, WI
  41. Fort Snelling, MN
  42. Ashfall Fossil Bed, NE
  43. Mount Rushmore, SD
  44. Fort Union Trading Post, ND
  45. Glacier National Park, MT
  46. Hanford Site, WA
  47. Columbia River Highway, OR
  48. San Francisco Cable Cars, CA
  49. San Andreas Fault, CA
  50. Hoover Dam, NV

(For some entertainment candy, read through the comments on his blog post . . . people are pretty opinionated on what was chosen and what was not. Especially people from WA. It's a waste of time, but fully worth it.)

 

Bonus: Road trip stopping at popular U.S. cities

"If you’re more of a city slicker, the road trip above may not look very appealing to you because it involves spending a lot of time outdoors. But worry not, for I created a second road trip just for you! The road trip below stops at the TripAdvisor-rated Best City to Visit in every contiguous U.S. state.

Note: Again, there’s an extra stop in Cleveland to force the route between New Hampshire and Michigan to stay in the U.S. rather than go through Canada. If you’re able to drive through Canada without issue, then take the direct route through Canada instead. But really, Cleveland is a nice city to stop in (ranked #53 on TripAdvisor)."

Click here for the interactive version

Click here for the interactive version

"This road trip will more-or-less follow the same path as the major U.S. landmarks trip, covering a slightly shorter 12,290 mile (19,780 km) route around the U.S. Some larger states — like California and Texas — may have multiple cities you’d like to visit, so it’s probably worthwhile to stop at other larger cities along the route.

You may note that cities from North Dakota, Vermont, and West Virginia are missing. Out of the top 400 recommended cities to visit on TripAdvisor, none were from North Dakota, Vermont, nor West Virginia. This is especially interesting because TripAdvisor reviewers recommend cities like Flint, MI — the 7th most crime-ridden city in the U.S. — over any city in North Dakota, Vermont, and West Virginia. I’ll leave the interpretation of that fact to the reader."

Here’s the Google Maps of the route: [1] [2] [3] [4] [5] [6]

Here’s the full list of cities in order:

  1. Oklahoma City, Oklahoma
  2. Wichita, Kansas
  3. Denver, Colorado
  4. Albuquerque, New Mexico
  5. Phoenix, Arizona
  6. Las Vegas, Nevada
  7. San Francisco, California
  8. Portland, Oregon
  9. Seattle, Washington
  10. Boise, Idaho
  11. Park City, Utah
  12. Jackson, Wyoming
  13. Billings, Montana
  14. Sioux Falls, South Dakota
  15. Omaha, Nebraska
  16. Des Moines, Iowa
  17. Minneapolis, Minnesota
  18. Milwaukee, Wisconsin
  19. Chicago, Illinois
  20. Indianapolis, Indiana
  21. Louisville, Kentucky
  22. Columbus, Ohio
  23. Detroit, Michigan
  24. Cleveland, Ohio
  25. Manchester, New Hampshire
  26. Portland, Maine
  27. Boston, Massachusetts
  28. Providence, Rhode Island
  29. New Haven, Connecticut
  30. New York City, New York
  31. Ocean City, New Jersey
  32. Philadelphia, Pennsylvania
  33. Wilmington, Delaware
  34. Baltimore, Maryland
  35. Washington, D.C.
  36. Virginia Beach, Virginia
  37. Charlotte, North Carolina
  38. Charleston, South Carolina
  39. Orlando, Florida
  40. Atlanta, Georgia
  41. Nashville, Tennessee
  42. Birmingham, Alabama
  43. Jackson, Mississippi
  44. New Orleans, Louisiana
  45. Houston, Texas
  46. Little Rock, Arkansas
  47. Branson, Missouri

 

Happy Traveling!

 

For more on . . .

-N- Stuff  :   Getting Out More  :  Old Road Signs  :  Cycling to the tip of South America

 

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To scale : the solar system

When I Heard the Learned Astronomer

by Walt Whitman

 

When I heard the learn’d astronomer,

When the proofs, the figures, were ranged in columns before me,

When I was shown the charts and diagrams, to add, divide, and measure them,

When I sitting heard the astronomer where he lectured with much applause in the lecture-room,

How soon unaccountable I became tired and sick,

Till rising and gliding out I wander’d off by myself,

In the mystical moist night-air, and from time to time,

Look’d up in perfect silence at the stars.

 

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A Peace with the Storm

photo by Mike olbinski

photo by Mike olbinski

After hearing the news, Judah broke down in tears.

I had been outside, talking with my future employer and finally hearing, after eight months of resumes and applications and searching and searching for something that could provide a paycheck for my family, that the struggle was finally over. That come fall, I was going to be a teacher, and I was ecstatic.

"Can I hug you?" I asked the lady who just offered me a job.  She smiled, "Sure," and I gave her one of those side hugs that future employees share with their future employers - you know the kind - then, I headed back inside, eager to share the good news and celebrate with my family. 

When I entered the house, I couldn't suppress the smile and my arms instintively raised in triumph, "I got it!" 

Zion slowly walked over, head slightly turned down, almost as if the weight of the situation was on her shoulders, and buried her face in my legs, "I'm so happy you got a job, Daddy."

"You got it!" Josey said through her beautiful smile, and Eden clapped. After a minute of brief explanation, that some phone cable was cut outside of town and no phones or credit cards were working and that was why she needed to come to the house and share the news, I noticed Judah. He was staring at the floor, absent from our joy and not really listening to what was being said. His eyes were glazed; his chest slightly heaving.

"Judah," I said, "what's wrong?"  

"This means we're not going back to China." Tears overwhelmed him and he buried his head in his arms. The pain finally getting the better of him.

Transition is hard, at any age, and the tears Judah was honest enough to shed, we're all of ours. Not because we weren't excited or relieved or because we didn't have so many things to look forward to and be thankful for, but rather, because this whole process is hard. Really hard. Even though, as adults, we've learned to hold a stiff upper lip and to see the bright side of life, sometimes, in the midst of the beauty and joy of adventure, there are storms. 

And storms can be pretty friggen scary. 

Mike Olbinski is a storm chaser and photographer. He filmed the above from March 28th to June 29th and covered "27 total days of actual chasing and many more for traveling." He drove across 10 states and covered over 28,000 miles. In the end, he "snapped over 90,000 time-lapse frames."

Then, he wrote this blog (I've edited some of it and highlighted my favorite parts. You can read the full, untouched version here.)

On June 12th,  I broke down into tears. Minutes earlier, I had been outside my truck, leaning against it, head buried in my arms, frustration and failure washing over me. I wanted to quit. I got back in the car and as I drove, the pain got the better of me and the tears came.
This past spring was a tough one. Supercell structure and beautiful tornadoes had been very hard to come by. In fact, the tornado in the opening of this film was the only good one I saw this entire year. I had been on the road longer than ever before. Driven more miles. I was away from my family for 12 straight days at one point, and when I got home, I had to tell them I was going back out 24 hours later for June 12th.  It was just too good to pass up. It promised to be a day that I could get everything I had been hoping for this spring and I had no choice. My wife understood, even though I knew she wished I stayed home. And I wished it too.
I knew right where I wanted to be that day. But this year I struggled with confidence in trusting my instincts. Maybe it was because the lack of good storms this spring made me question my skills, or maybe it was something else inside of me. Whatever the case, I let myself get twisted and unsure, and found myself 80 miles away from where I had wanted to be when the tornadoes started to drop and the best structure of the year materialized in the sky. The photos from Twitter and Facebook started to roll in and I knew I had missed everything.
It may not be easy to understand why, but when you work as hard as I did this spring, a moment like that can break you.  I felt like I let my wife down. But mostly I let myself down. I forgot who I was and that’s not me. Or it shouldn’t have been me. I failed myself.  And it seemed like the easy choice to just give up and head for home.
But I didn’t. I’m not sure why, but the pain slowly began to subside. I realized it was only 4pm and the storms were still ongoing. Maybe if I could get in front of them the day could be saved. Ninety minutes later, I got out ahead and saw some of the best structure I’d seen all spring and a lightning show that was so incredible it’s one of the very last clips of this film.
And that’s why this film is called “Pursuit.” Because you can’t give up. Keep chasing, keep pursuing. Whatever it is . . . 

Then, the other day, Josey posted this:

photo by @storyanthology

photo by @storyanthology

It's life on the road right now and home is the passenger seat. Our family thrives in all the simplicity, along with the deep immersion of nature. It's rich family time. Even with spats in the back about room and pillows and sharing, and if Adele is better than Whitney? . . . {Transition} does come with the constant struggle to stay organized in small spaces, hellos and goodbyes too close together, but with the inevitable returning lesson that we can do without most things, just not each other.

I'm not sure what I expected from my family, or of myself, after finally capturing the elusive job, but I certainly didn't expect tears and sadness and fear of the unknown being known. Now though, I think maybe that was the best and most appropriate type of response. Because storms are never simple. 

Judah broke down not because he was anticipating or hoping we would move back to China - he knew we weren't - he broke down because my new job opened new doors, which meant, it closed old ones. His friends and school and room - his knowns - we're truly gone, and he would never know them the same way again.

"There is nothing quite like strong inflow winds, the smell of rain and the crack of thunder" Olbinski writes, and I would have to disagree. Moving across the world, or working through major transitions, is unsettling - scary even - like the harsh crack of expected thunder.

But, transition, like a good storm, can also be soothing and peaceful.

Growing up, my grandparents lived about a block away from Lake Michigan, and some of my favorite memories of that house was when my grandmother would take me to the bench that sat atop the tall dunes and overlooked the lake. The best of those times was when we could watch a storm gather and collect itself across the lake. For hours, we would sit and watch as the temperature began to drop and the tall grass started dancing and bobing to the whims of the wind. Lightening would flash in the distance and a deep thunder would gently role over the waves and sand, then us.

And I felt perfectly safe, even when the clouds reached the shores and soon after started to dot our clothes, because I was siting next to my grandmother, and she was stronger than the storm. 

A few weeks ago, as clouds gathered and lighting flashed in the not-too-far distance, Eden climbed into my lap, under a blanket, and watched the storm. Minutes earlier, in bed, she was terrified because, to a seven-year old little artist, deep clouds and dark strokes of thunder are terrifying. But only when alone. With Dad, it's peaceful.

Because Dad is stronger than the storm. 

Stories have long recognized the power and purpose of storms, often using rain to mark transitions.

Whether in dramatic lightening-filled fashion or in a slow, methodical coming, storms wash away the old and usher in the new; they mark a changing of the seasons, and they bring us closer to those we love, those we trust.

I took Judah out for coffee the other day and asked him to write about us moving to America and Dad getting a job.  

"I miss my friends, and the school," he wrote, "I miss Chinese and our places like our house, our complex, and our city. For a goodbye trip, we went and stayed the night on the Great Wall of China! Then, we came home and reunited with family and friends. Then, when Dad got a job, I started crying because I wanted to go back to China. I learned that it's always scary to move, but you always have a chance for a new life." He showed it to me and I said, "What does 'new life' mean? Give me an example. 

He thought for a minute. "Like when you have some favorite shoes," he wrote, "like a pair of green Pumas and they get too small but they don't sell them anymore. Your going to have to get used to a different pair of shoes! Which means to get new friends, look around and find something unique about them." 

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These lessons of life, to look around and find the uniqueness of life, seem to return again and again, reminding us, that amidst the lightening strikes and rolling thunder, there is a peace within the storm. 

Especially when cuddled together, under a blanket. Because there is nothing quite like the smell of rain, the crack of thunder, and the beautiful unknown of new beginnings.

 

For more on . . .

-N- Stuff  :   On Parenting  :  Thoughts on Transition  :  Olbinski Storm Photography

 

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Broadening "we" and shrinking "they."

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Mike Monteiro’s wrote "a really moving essay on what turning 50 means to him, and how he’s expanded his personal definition of “us” and “we” along the way, moving from his family, to his immigrant community, to a group of punk art school outcasts, to a wider and wider world full of people who are more similar than different" (via).

 

When we arrived in the United States in 1970, we settled in Philadelphia because it was the home of a lot of Portuguese immigrants from the small town my parents (and I guess me) came from. And so the we grew from a family unit to a community of immigrants who looked out for each other. We shopped at a Portuguese grocery store because they gave us credit. We rented from a Portuguese landlord because he wasn’t concerned about a rental history. And my parents worked for Portuguese businesses because we didn’t come here to steal jobs, but to create them...

This same community also looked out for each other. When there was trouble, we were there. When someone was laid off a construction job for the winter, we cooked and delivered meals. When someone’s son ended up in jail, wefound bail. And when someone’s relative wanted to immigrate, we lined up jobs and moved money to the right bank accounts to prove solvency...

But as anyone who has ever grown up in an immigrant community knows,wealso demands athem. They were not us. And they didn’t see us as them either. And at the risk of airing immigrant dirty laundry in public, I can attest that immigrant communities can be racist as fuck.Wehated blacks.Wehated Puerto Ricans. (It wasn’t too long ago I had to ask my mom to stop talking about “lazy Puerto Ricans” in front of her half-Puerto Rican grandchildren.)Wehated Jews. In our eagerness to show Americans we belonged,weadopted their racism. (We also brought some of our own with us.)...

I love the honesty of this piece. The brutal, self-effacing, real-as-shit (which is a strange phrase, really) writing because, if we are honest, we can relate - on some level. It doesn't read like a Facebook post, it reads like a heart felt, lessons from the soul post. And it's refreshing, even if it's hard. 

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Where Ideas Come From

I think this is the same artist in Daniel Pink's, "The Surprising Truth About What Motivates You" which I also love. 

I also love the notion that ideas come not from isolation (as the Romantics might suggest), but from community and connection - from collaboration. 

Earlier this year I read, "Uncommon Grounds: The History of Coffee and How it Transformed the World." It was okay. But, I did love this bit about coffee houses, "They came to be known as penny universities, because for that price one could purchase a cup of coffee and sit for hours listening to extraordinary conversations -or, asa 1657 newspaper advertisement put it, "PUBLICK INTERCOURSE." . . . "The coffeehouses provided England's first egalitarian meeting place, where a man was expected to chat with his stablemates whether he knew them or not" (pg 12).

The New York Times even went so far as to say that these places and opportunities, if filled with people of difference, has the ability to make us smarter because "When surrounded by people 'like ourselves,' we are easily influenced, more likely to fall for wrong ideas. Diversity prompts better, critical thinking. It contributes to error detection. It keeps us from drifting toward miscalculation." A process involving, and appropriately called, "Cognitive friction."

In and of ourselves, our ideas are incomplete, because we are. Which, to me, points to the beautiful completeness of a collective humanity and not the false bravado of self and isolated brilliance. 

 

For more on . . .

-N- Stuff  :  Humanity  :  On Creativity

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Awaken : A Celebration of the Spirit of Life

"AWAKEN is a feature documentary film from director Tom Lowe exploring humanity's relationship with technology and the natural world. AWAKEN is a celebration of the spirit of life, an exploration of the Earth, and an ode to the Cosmos."

Shot over a 5-year period in more than 30 countries, the film pioneers new time-lapse, time-dilation, underwater, and aerial cinematography techniques to give audiences new eyes with which to see our world. Executive produced by Terrence Malick (Voyage of Time) and Godfrey Reggio (Koyaanisqatsi, etc.).

 

For more on . . .

-N- Stuff  :  Short Films  :  Movies

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Not forgiveness, empathy

I've loved Sherman Alexie for several years now. His book, The Absolute True Diary of a Part-Time Indian is one of my all-time favorites, and the favorite of most all of my students. Even kids who hate reading will bring it back after reading it all night and say, "If more books were like this, I'd read more."

And I agree.

Sherman Alexie is not only a brilliant writer - in the conventional sense - he is also a brilliant writer - in the emotional and humanity sense. Which, perhaps more than anything, makes him an exceptional writer that can connect with kids and adults of all ages, from all around the world.

This article, which first appeared in the June 2017 issue of BookPage, is a beautiful example. I don't know many people, if any, who do not struggle in some way with forgiveness. I know I do. And I think we can all agree that, in the midst of these difficult relationships, there is the "constant funeral" feeling Alexie describes.

We may not experience the same depth of pain and "crimes" that Sherman Alexie did, but we can for sure appreciate his response and attempt at reconciliation. Then, maybe, just maybe, we can find a similar sort of peace.

And hopefully, before it's too late.

 

Sherman Alexie doesn’t yet know if writing a fierce, wrenching memoir about his deeply troubled relationship with his beautiful and abusive mother, Lillian, has been cathartic.

“I performed the audiobook a couple of weeks ago over the course of five days, and it was hard. Hard,” Alexie, a Spokane/Coeur d’Alene Indian and award-winning author of 26 books of poetry and fiction, says during a call to his home in Seattle. He lives there with his wife, an administrator at Seattle University who was born on Turtle Mountain Reservation, and their two sons, ages 19 and 15. Usually he works out of an office he describes as “a studio apartment that looks like a bookstore exploded.” But today he is at home, anticipating the publication of You Don’t Have to Say You Love Me.

“What I’m realizing now,” he says, “is that the writing of the book was just the first half of the ceremony. Now I’m entering into the second half of the ceremony, bringing it to the public, starting to talk about my mother, and hearing the stories of other people’s mothers.”

Lillian Alexie died at the age of 78 in 2015. For the previous 20 or so years, whenever possible, Sherman avoided visiting her at the Spokane Indian Reservation in Wellpinit, Washington, where he and his witty twin sisters grew up in poverty. He believes he inherited his bipolar disorder, diagnosed in 2010, from her. She was a complicated woman—generous to many, withholding or worse to Sherman, loved or despised by family members and neighbors. She was a brilliant quilt maker who wouldn’t sleep under her own quilts (“Quilting was her philosophy,” Alexie writes)—or teach her native language to her children. In a heartrending chapter Alexie decided to include only at the last moment, he writes that he has not worn a pair of moccasins in 40 years because of her behavior at a powwow in Arlee, Montana.

“That was an incredibly traumatic experience,” Alexie says with some anguish. “I find myself wondering, what do I do as an Indian when some of our most sacred moments—like a powwow—aggravate my PTSD?”

Lillian’s death unleashed a torrent of poems. “They came first without bidding and without structure. They just came. I would just write and write and write,” he says. He thought the resulting work would be a book of poetry. “Then I realized that I had more stories to tell, stories that needed to be told in nonfiction form. I thought the structure of the book was going to be framed by the first chapter of her being diagnosed and the last chapter of her dying. I just assumed it was going to be a much more traditional structure. But as I started writing the nonfiction, it started arriving in much more improvisational fashion. And I realized that the way my mother and I lived our lives, and the way our tribal culture works, and my mother’s cosmology and our own mental illnesses, shared and separate, that the very construction of the book—this back-and-forth in time, back-and-forth in emotion—was going to match the way it felt to be her son.”

Alexie’s approach to the structure of the book results in an emotionally powerful read. His skills as a poet may go unacknowledged by some, but they are evident here.

“One of the things that I’ve always enjoyed is that the forms that use repeated lines, repeated phrases, sound tribal. They very much sound like our traditional songs and ceremonies. And in grief ceremonies in all cultures, repetition is omnipresent.”

Alexie’s improvisational approach also allows him to write meaningfully about the context of his and his mother’s lives. Reaching back into the history of his tribe, for example, he writes about the impact of the construction of the Grand Coulee Dam, which cut off his people’s access to wild salmon, an essential element of the culture. “The loss of wild salmon for us, the environmental destruction for us, directly affected our souls. Often this doesn’t get addressed.” Alexie also writes that on the reservation, loneliness is a natural cause of death, endemic to reservation life. “I think we live in a constant funeral,” he says.

And yet, You Don’t Have to Say You Loved Me and the reservation life it portrays bubble with humor. In conversation and on the page, Alexie is often quite funny, disproving the stereotypcial view of Native Americans as being closed-mouthed stoics. “I think my whole life has been based on people being shocked by my personality, what they expected to see versus who I am,” Alexie says. “To this day, people often think that I am an anomaly—the way in which I’m loud and emotional and funny and profane and dirty and unabashed. But that’s the culture I grew up in. The stoic part about Indians? That’s our armor. I always tell white folks if you’re around Indians and they’re not making fun of you, then they don’t like you. In our culture, we are incredibly verbose and funny. And constant storytellers.”

Returning to the subject of his mother, Alexie says, “I don’t know that I forgive my mother for her crimes against me. But I think I’ve come to a place where I understand them. I can’t forget what she did to me as an individual. But in terms of the lives of Native American women of her generation, I can completely understand why it happened the way it did. So if not forgiveness, I certainly have empathy. And for me to be empathetic toward my mother might be the bigger thing.

He adds, “As I say in the book, even though the book is negative, very negative about her in parts, she would have loved being the subject of this. Oh gosh, she would have sat right beside me and signed the book."  (via)

You can read this open letter about his mother which is . . . so. friggen. good. And hard. I love it.

For more on . . .

-N- Stuff  :  Chris Paul forgives the men who killed his grandfather  :  Pablo Escobar's son is building peace

 

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10 Free hours of Mountain Sounds

For their wonderful Real Happiness Project, the filmmakers of BBC Earth and creators of the incredible nature documentary Planet Earth II have repurposed ten hours of footage from their travels to create a soothing visual soundscape of relaxing mountain from around the world.

. . . we want to take you on a journey through some of the most stunning mountainscapes on earth. Fly above the peaks and immerse yourself in this elevated, sky-kissing habitat. All footage used was filmed by the Planet Earth II camera teams whilst out on location.

I'm kinda digging the mountains lately, so this project just might find a home in our home. I'm thinking of playing this on the TV, with the surround sound turned up, and letting it play for the day. 

But then again, I don't have a TV or surround sound, or a home, so the Mac will have to do. For now.

 

For more on . . .

-N- Stuff  :  The Mountains have a Way  :  Planet Earth II Full Soundtrack

 

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Breaking Routine : Building Life

I've watched this video a few times, because it's fascinating, and because I don't think it's wrong, just incomplete. 

Which, for me, is exciting, because that means I get to spend way too much time breaking down something that probably was only meant to be enjoyed and watched with a simple, "Huh, that's interesting."

But what's the fun in that?

"I had this fear of building this routine in my 30's and suddenly this decade is gone. And so I promised myself that I would do something radically different. I'm gonna do something that scares the crap out of me and see if that changes my brain chemistry."

For almost twenty years, stories like this have floored me. Stories of Chris McCandless heading to Alaska pulled and twisted my gut; Jack Kerouac traveling . . . everywhere, inspired me to hit the road and live dangerously, spontaneously, so that I could "discover myself", through radical and unchecked living. 

But, the thing is, I still love these types of stories and still believe in them, a little. Mostly I don't because, now, these stories seem selfish and empty. Hitting the road for weeks or months, or even years, at a time is, in all honesty, easier than staying at home. Quitting a job and living alone while walking away from commitments, family, and responsibility, is easier. It is. Because to wake up each morning with something new and different, instead of sticking it out - instead of enduring - and finding beauty in the mundane, is simple. 

Because, often, it's easier to be a stranger than it is to be known. As a stranger, people see what you want them to see. When we're known, people see what we are.

To live radically one does not need to fear routine. 

However,

"The routine is the enemy of time. It makes it fly by."

And that, I agree with.

Kind of. 

Every how-to-live-creativily blog or book or article I have ever read talks extensively about how the magic of creativity is not a single explosive moment - a lightening bolt - but rather, it is the long rolling thunder of a distant storm. It takes time, routine, and consistency. 

However, routine can be the enemy, maybe not of time, but for sure of life, or at least growth, because, when the "Brain has figured out the pattern of the way the world works." Once it "establishes a routine, it stops", and "the alertness goes away." 

The alertness of people, of beauty, and of opportunity. 

To me, this becomes most predominant in things like politics, religion, race, and relationships. Most all of these have strong and deeply rooted routines of thought, and our brain have therefore stopped. Stopped considering, questioning, and, worst of all, listening. Because we know what we know. And what we know most of all, is our thought routine.

 

But life is "about getting out of your routine."

Truly. That is, if we want to truly and deeply live; if we want to "be aware of every day {we are} alive."

David Foster Wallace says it this way:

After work you have to get in your car and drive to the supermarket. The supermarket is very crowded. And the store is hideously lit and infused with soul-killing Muzak. It's pretty much the last place you want to be. And who are all these people in the way? Look at how repulsive most of them are, and how stupid and cow-like and dead-eyed and nonhuman they seem, or at how annoying and rude it is that people are talking loudly on cell phones. Look at how deeply and personally unfair this is. Thinking this way is my natural default setting. It's the automatic way that I experience the boring, frustrating, crowded parts of life.
But there are totally different ways to think about these kinds of situations. You can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. If you really learn how to pay attention, it will actually be within your power to experience a crowded, consumer-hell type situation as not only meaningful, but sacred. You get to consciously decide what has meaning and what doesn't (pg 109). 

Seeing people beyond what we know, deciding and choosing to admit possible fault and to "choose to see ordinary things differently" gets us out of our thought routines and walks us to a point where we might be saved.

Kevin Ashton describes this through a study by William Syrotuck.

William Syrotuck analyzed 229 cases of people who became lost, 25 of whom died. He found that when we are lost, most of us act the same way. First, we deny that we are going in the wrong direction. Then, as the realization that we are in trouble seeps in, we press on, hoping chance will lead us. We are least likely to do the thing that is most likely to save us: turn around. We know our path is wrong, yet we rush along it, compelled to save face, to resolve the ambiguity, achieve the goal. Pride propels us. Shame stops us from saving ourselves (pg 90).

 

If we are able to do that, we open the possibility to "Learn something new, learning something astonishing."

I've often wondered about the lives of the men and women who go on these "do something radically different" types of adventures. More specifically, I've thought of what happens after the journey. Because the making of the video or writing a book and talking about life and lessons and the breaking of routine sounds truly romantic and fully enticing. But what happens when they get home? Do their daily lives change, or do they fall back into old routines? Do they find themselves heading on another adventure, eager for another fix, and anxious to escape life? Or are they truly changed?

How many of them die, alone, in a bus somewhere that is filled with books and journals and ideas of life and living and the glory of the open road?

How many make it to 85 years of age?

I love adventure stories because I love adventures and freedom and the wild, wild unknown, and I love the lessons that getting out into the mountains can teach me. But I also love home, being known, and learning something new and astonishing in the people I know and love.

And I love routine. Of waking up in the dark hours of the morning to fresh coffee and a good book. Of conversations with good friends who strongly disagree but trust and know and choose to stay because that too is a routine, and it's beautiful. I love routine and the safety and creativity it provides. It isn't something that destroys. Rather, it is something that provides.

This notification, literally, just popped up on my phone: "On Writing Tweeted: The mere habit of #writing, of constantly keeping at it, of never giving up, ultimately teaches you how to write. - Gabriel Fielding"

Doing something radically different in an effort to break routine and turn our brain on is a right and good choice, but it doesn't have to involve long journeys that stretch from our front door. If we are alert, if instead of assuming, knowing, and condemning we question, consider, and empathize, we will embark on a journey that will scare the crap out of us, and others, and our brains will not shut off. It will explode.

Then, hopefully, when we are suddenly old and gray and trying our hardest to blow out 85 friggen candles, we'll look back and wonder where the years have gone, and how it was they went so quickly by.

But then, when the candles are out and the cake is cut, we'll look around the room and remember the faces of the many men and women who have come to celebrate, and the room will dance of stories and memories and the same old conversations, and it will be beautiful, because it will be routine.

And our hearts will be perfectly exhausted. 

 

To read more about Jedidiah Jenkins and his 7000 mile journey from Oregon to Patagonia, click here.

 

For more on . . .

-N- Stuff  :  Life Lessons from 100-Year-Olds  :  On Living

 

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The Mountains have a way

Get Out More

Four weeks today, Judah and I arrived in the states.

Four weeks today, we began our process of transition.

It hasn't been terrible, but it for sure has not been smooth. For any of us. Our kids want to know where they will be going to school and when they'll see their friends again. I want to know where I'll be working and if I will see China again. Josey wants to stop living out of suitcases and random boxes and wonders when life will ever have routine again.

We all want a little bit of clarity but seem to be getting none. Each answer only muddles the future; each day adds more questions, more doubts.

So, we went camping. And, as expected, the getting out helped.

One morning, while sipping coffee and listening to the kids play, I asked Josey what she was thinking. "About the mountains," she said.

"What about them?" I asked.

"I don't know exactly," she looked around, at the kids, the trees, and the snow-covered peaks, "They just have a way about them." She thought for a moment more, "A way of clarifying, ya know?" 

I did, and I didn't. So I grabbed my journal, because I didn't want to forget her words. "The mountains have a way," I wrote, and I haven't stopped thinking about it since.

The mountains have a way . . .

 

Of Simplifying:

Get Out More

A simple fire, the smell of pine, and the birds' morning songs. The sky roles from black to deep blue, to sky, and the fire cracks and pops and spits. Coffee brews. 

Kids knuckle sleep from their eyes, the tent-flaps skip and dance to the morning breeze, and slowly, the day begins. More coffee is brewed.

There is little care for the rest of the day, just play, in the land where fallen trees become giant dragons. Where knotted sticks turn to swords or guns or simple things that only a wooded magical dragon could need. Because, in the maze of trees and grass and twigs and dirt, opportunity of imagination is endless.

So scrape your knees and get dirty and yes of course you can climb that tree or turn that patch of dirt into a Nature Town because that's why we're here, to simplify. To rid ourselves of the things that bind us, that hinder us, and that distract us from what matters. 

Because the mountains have a way. 

 

Of Stripping Away:

Get Out More

For the past four weeks, we've been reuniting with family, applying for jobs, waiting to be called by hopeful employers, rearranging boxes and suitcases, and trying to move forward but unable to do so because we don't know where we're going to live, because I have not been able to land a job. 

Get Out More

But in the mountains, with my family, these concerns slip away - if only for a short while - because instead of checking the inbox or checking missed calls, we're on a hike, sliding down glaciers and watching fish feed on the bugs of the mountain lakes. We read in hammocks and write in journals. I teach my son how to swing an ax and smile when he cuts his first log all the way through - something he never had the chance to do in urban China. The girls laugh and play and cry and talk because the land of dragons is big and dangerous but Mom and Dad are just there, sitting by the fire, so what is there to be afraid of?

We eat simple dinners and sit around the fire, talking, and watch for shooting stars. 

Josey and I, for the first time in months, talk about our move from China, because it's quiet, and there is little else that needs to happen. Because the mountains have a way of doing that.

 

Of Reminding:

Get Out More

I wear a vest that is not my own. It's an old JC Penny vest that is too small, even though the tag says, "XL" - being washed and dried for almost twenty years will probably do that to any vest. I also have two massive green Coleman sleeping bags that have mallard duck print on the inside. They're 100% cotton and each weigh around fifteen pounds. They're terrible for hiking, but perfect for camping. Especially family camping, and they have been for as long as I can remember, because they were my dads.

Get Out More

On one of our many fishing trips, I remember telling my dad that he was different there than at home because he was "more fun. More relaxed." And he was. Some of my favorite memories of my dad came with camping or fishing or splitting wood or racking leaves, and in most all of those memories, he's wearing this vest. 

This past weekend, it held my son's pocket knife and carried Zion' rocks. 

I haven't camped or fished with my dad in over twelve years, and I miss those times, almost daily. Sometimes, the memories attached to this vest are more than I can bear, because they're some of the best a boy could have. 

Which is why I wear the vest and carry the sleeping bags, because even though they are fully imperfect, they're perfect for camping and chopping wood, for cold nights and searching for constellations (which I can never find, minus the Big Dipper).

This vest and these sleeping bags are made for mountains, for camping and making memories, and for family.  Because that's what my Dad used them for, so it's what I'm going to use them for. Because the memories they carry are more than I can bear. And I hope, someday, my kids will struggle beneath its beautiful weight. 

 

Of Giving:

Get Out More

Five weeks ago, Judah and I hiked and slept on the Great Wall of China, and the lessons we learned were foundational. This short trip reminded and encouraged us of a few of those lessons. Judah dealt once more with fear, this time of bears, and I wrestled again with feeling expendable. The bears never came, but I needed the voice of my wife and son to get over my pride. Both of them, on separate occasions, considered how we as a family might bless someone outside ourselves. Both of them mentioned our camping neighbors. The day before, they had wondered into our camp. He was from Colorado and she was from Montana and they, along with their little three year-old daughter, Ellie, were planning on staying for several more nights.

"Can we leave a pile of firewood for them?" Judah asked. I looked to Josey and smiled because she had mentioned the same thing a few minutes earlier. 

"Of course," I said, "that's a great idea!" So while Josey and I packed up the van, Judah and the girls piled a large stack of wood next to the neighbors fire pit - Eden making sure it was stacked with care and purpose.

Because after a few nights in the beauty of the mountains, the perfect "thank you" blesses others, not ourselves. A lesson I'd have forgotten, if not for the mountains.

My wife was right, the mountains do have a way about them . . . a way larger than any word I can write. Which is probably why we go back. Because, like Whitman wrote about the stars, " . . . When I was shown the charts and diagrams, to add, divide, and measure them . . . How soon unaccountable I became tired and sick, Till rising and gliding out I wander’d off by myself, In the mystical moist night-air, and . . . Look’d up in perfect silence at the stars."

The mountains have a way. And all I can do is stand and look up at them, in perfect silence. 

 

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