To scale : the solar system

When I Heard the Learned Astronomer

by Walt Whitman

 

When I heard the learn’d astronomer,

When the proofs, the figures, were ranged in columns before me,

When I was shown the charts and diagrams, to add, divide, and measure them,

When I sitting heard the astronomer where he lectured with much applause in the lecture-room,

How soon unaccountable I became tired and sick,

Till rising and gliding out I wander’d off by myself,

In the mystical moist night-air, and from time to time,

Look’d up in perfect silence at the stars.

 

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A Peace with the Storm

photo by Mike olbinski

photo by Mike olbinski

After hearing the news, Judah broke down in tears.

I had been outside, talking with my future employer and finally hearing, after eight months of resumes and applications and searching and searching for something that could provide a paycheck for my family, that the struggle was finally over. That come fall, I was going to be a teacher, and I was ecstatic.

"Can I hug you?" I asked the lady who just offered me a job.  She smiled, "Sure," and I gave her one of those side hugs that future employees share with their future employers - you know the kind - then, I headed back inside, eager to share the good news and celebrate with my family. 

When I entered the house, I couldn't suppress the smile and my arms instintively raised in triumph, "I got it!" 

Zion slowly walked over, head slightly turned down, almost as if the weight of the situation was on her shoulders, and buried her face in my legs, "I'm so happy you got a job, Daddy."

"You got it!" Josey said through her beautiful smile, and Eden clapped. After a minute of brief explanation, that some phone cable was cut outside of town and no phones or credit cards were working and that was why she needed to come to the house and share the news, I noticed Judah. He was staring at the floor, absent from our joy and not really listening to what was being said. His eyes were glazed; his chest slightly heaving.

"Judah," I said, "what's wrong?"  

"This means we're not going back to China." Tears overwhelmed him and he buried his head in his arms. The pain finally getting the better of him.

Transition is hard, at any age, and the tears Judah was honest enough to shed, we're all of ours. Not because we weren't excited or relieved or because we didn't have so many things to look forward to and be thankful for, but rather, because this whole process is hard. Really hard. Even though, as adults, we've learned to hold a stiff upper lip and to see the bright side of life, sometimes, in the midst of the beauty and joy of adventure, there are storms. 

And storms can be pretty friggen scary. 

Mike Olbinski is a storm chaser and photographer. He filmed the above from March 28th to June 29th and covered "27 total days of actual chasing and many more for traveling." He drove across 10 states and covered over 28,000 miles. In the end, he "snapped over 90,000 time-lapse frames."

Then, he wrote this blog (I've edited some of it and highlighted my favorite parts. You can read the full, untouched version here.)

On June 12th,  I broke down into tears. Minutes earlier, I had been outside my truck, leaning against it, head buried in my arms, frustration and failure washing over me. I wanted to quit. I got back in the car and as I drove, the pain got the better of me and the tears came.
This past spring was a tough one. Supercell structure and beautiful tornadoes had been very hard to come by. In fact, the tornado in the opening of this film was the only good one I saw this entire year. I had been on the road longer than ever before. Driven more miles. I was away from my family for 12 straight days at one point, and when I got home, I had to tell them I was going back out 24 hours later for June 12th.  It was just too good to pass up. It promised to be a day that I could get everything I had been hoping for this spring and I had no choice. My wife understood, even though I knew she wished I stayed home. And I wished it too.
I knew right where I wanted to be that day. But this year I struggled with confidence in trusting my instincts. Maybe it was because the lack of good storms this spring made me question my skills, or maybe it was something else inside of me. Whatever the case, I let myself get twisted and unsure, and found myself 80 miles away from where I had wanted to be when the tornadoes started to drop and the best structure of the year materialized in the sky. The photos from Twitter and Facebook started to roll in and I knew I had missed everything.
It may not be easy to understand why, but when you work as hard as I did this spring, a moment like that can break you.  I felt like I let my wife down. But mostly I let myself down. I forgot who I was and that’s not me. Or it shouldn’t have been me. I failed myself.  And it seemed like the easy choice to just give up and head for home.
But I didn’t. I’m not sure why, but the pain slowly began to subside. I realized it was only 4pm and the storms were still ongoing. Maybe if I could get in front of them the day could be saved. Ninety minutes later, I got out ahead and saw some of the best structure I’d seen all spring and a lightning show that was so incredible it’s one of the very last clips of this film.
And that’s why this film is called “Pursuit.” Because you can’t give up. Keep chasing, keep pursuing. Whatever it is . . . 

Then, the other day, Josey posted this:

photo by @storyanthology

photo by @storyanthology

It's life on the road right now and home is the passenger seat. Our family thrives in all the simplicity, along with the deep immersion of nature. It's rich family time. Even with spats in the back about room and pillows and sharing, and if Adele is better than Whitney? . . . {Transition} does come with the constant struggle to stay organized in small spaces, hellos and goodbyes too close together, but with the inevitable returning lesson that we can do without most things, just not each other.

I'm not sure what I expected from my family, or of myself, after finally capturing the elusive job, but I certainly didn't expect tears and sadness and fear of the unknown being known. Now though, I think maybe that was the best and most appropriate type of response. Because storms are never simple. 

Judah broke down not because he was anticipating or hoping we would move back to China - he knew we weren't - he broke down because my new job opened new doors, which meant, it closed old ones. His friends and school and room - his knowns - we're truly gone, and he would never know them the same way again.

"There is nothing quite like strong inflow winds, the smell of rain and the crack of thunder" Olbinski writes, and I would have to disagree. Moving across the world, or working through major transitions, is unsettling - scary even - like the harsh crack of expected thunder.

But, transition, like a good storm, can also be soothing and peaceful.

Growing up, my grandparents lived about a block away from Lake Michigan, and some of my favorite memories of that house was when my grandmother would take me to the bench that sat atop the tall dunes and overlooked the lake. The best of those times was when we could watch a storm gather and collect itself across the lake. For hours, we would sit and watch as the temperature began to drop and the tall grass started dancing and bobing to the whims of the wind. Lightening would flash in the distance and a deep thunder would gently role over the waves and sand, then us.

And I felt perfectly safe, even when the clouds reached the shores and soon after started to dot our clothes, because I was siting next to my grandmother, and she was stronger than the storm. 

A few weeks ago, as clouds gathered and lighting flashed in the not-too-far distance, Eden climbed into my lap, under a blanket, and watched the storm. Minutes earlier, in bed, she was terrified because, to a seven-year old little artist, deep clouds and dark strokes of thunder are terrifying. But only when alone. With Dad, it's peaceful.

Because Dad is stronger than the storm. 

Stories have long recognized the power and purpose of storms, often using rain to mark transitions.

Whether in dramatic lightening-filled fashion or in a slow, methodical coming, storms wash away the old and usher in the new; they mark a changing of the seasons, and they bring us closer to those we love, those we trust.

I took Judah out for coffee the other day and asked him to write about us moving to America and Dad getting a job.  

"I miss my friends, and the school," he wrote, "I miss Chinese and our places like our house, our complex, and our city. For a goodbye trip, we went and stayed the night on the Great Wall of China! Then, we came home and reunited with family and friends. Then, when Dad got a job, I started crying because I wanted to go back to China. I learned that it's always scary to move, but you always have a chance for a new life." He showed it to me and I said, "What does 'new life' mean? Give me an example. 

He thought for a minute. "Like when you have some favorite shoes," he wrote, "like a pair of green Pumas and they get too small but they don't sell them anymore. Your going to have to get used to a different pair of shoes! Which means to get new friends, look around and find something unique about them." 

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These lessons of life, to look around and find the uniqueness of life, seem to return again and again, reminding us, that amidst the lightening strikes and rolling thunder, there is a peace within the storm. 

Especially when cuddled together, under a blanket. Because there is nothing quite like the smell of rain, the crack of thunder, and the beautiful unknown of new beginnings.

 

For more on . . .

-N- Stuff  :   On Parenting  :  Thoughts on Transition  :  Olbinski Storm Photography

 

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Broadening "we" and shrinking "they."

IMG_0640.JPEG

Mike Monteiro’s wrote "a really moving essay on what turning 50 means to him, and how he’s expanded his personal definition of “us” and “we” along the way, moving from his family, to his immigrant community, to a group of punk art school outcasts, to a wider and wider world full of people who are more similar than different" (via).

 

When we arrived in the United States in 1970, we settled in Philadelphia because it was the home of a lot of Portuguese immigrants from the small town my parents (and I guess me) came from. And so the we grew from a family unit to a community of immigrants who looked out for each other. We shopped at a Portuguese grocery store because they gave us credit. We rented from a Portuguese landlord because he wasn’t concerned about a rental history. And my parents worked for Portuguese businesses because we didn’t come here to steal jobs, but to create them...

This same community also looked out for each other. When there was trouble, we were there. When someone was laid off a construction job for the winter, we cooked and delivered meals. When someone’s son ended up in jail, wefound bail. And when someone’s relative wanted to immigrate, we lined up jobs and moved money to the right bank accounts to prove solvency...

But as anyone who has ever grown up in an immigrant community knows,wealso demands athem. They were not us. And they didn’t see us as them either. And at the risk of airing immigrant dirty laundry in public, I can attest that immigrant communities can be racist as fuck.Wehated blacks.Wehated Puerto Ricans. (It wasn’t too long ago I had to ask my mom to stop talking about “lazy Puerto Ricans” in front of her half-Puerto Rican grandchildren.)Wehated Jews. In our eagerness to show Americans we belonged,weadopted their racism. (We also brought some of our own with us.)...

I love the honesty of this piece. The brutal, self-effacing, real-as-shit (which is a strange phrase, really) writing because, if we are honest, we can relate - on some level. It doesn't read like a Facebook post, it reads like a heart felt, lessons from the soul post. And it's refreshing, even if it's hard. 

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Where Ideas Come From

I think this is the same artist in Daniel Pink's, "The Surprising Truth About What Motivates You" which I also love. 

I also love the notion that ideas come not from isolation (as the Romantics might suggest), but from community and connection - from collaboration. 

Earlier this year I read, "Uncommon Grounds: The History of Coffee and How it Transformed the World." It was okay. But, I did love this bit about coffee houses, "They came to be known as penny universities, because for that price one could purchase a cup of coffee and sit for hours listening to extraordinary conversations -or, asa 1657 newspaper advertisement put it, "PUBLICK INTERCOURSE." . . . "The coffeehouses provided England's first egalitarian meeting place, where a man was expected to chat with his stablemates whether he knew them or not" (pg 12).

The New York Times even went so far as to say that these places and opportunities, if filled with people of difference, has the ability to make us smarter because "When surrounded by people 'like ourselves,' we are easily influenced, more likely to fall for wrong ideas. Diversity prompts better, critical thinking. It contributes to error detection. It keeps us from drifting toward miscalculation." A process involving, and appropriately called, "Cognitive friction."

In and of ourselves, our ideas are incomplete, because we are. Which, to me, points to the beautiful completeness of a collective humanity and not the false bravado of self and isolated brilliance. 

 

For more on . . .

-N- Stuff  :  Humanity  :  On Creativity

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Awaken : A Celebration of the Spirit of Life

"AWAKEN is a feature documentary film from director Tom Lowe exploring humanity's relationship with technology and the natural world. AWAKEN is a celebration of the spirit of life, an exploration of the Earth, and an ode to the Cosmos."

Shot over a 5-year period in more than 30 countries, the film pioneers new time-lapse, time-dilation, underwater, and aerial cinematography techniques to give audiences new eyes with which to see our world. Executive produced by Terrence Malick (Voyage of Time) and Godfrey Reggio (Koyaanisqatsi, etc.).

 

For more on . . .

-N- Stuff  :  Short Films  :  Movies

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Not forgiveness, empathy

I've loved Sherman Alexie for several years now. His book, The Absolute True Diary of a Part-Time Indian is one of my all-time favorites, and the favorite of most all of my students. Even kids who hate reading will bring it back after reading it all night and say, "If more books were like this, I'd read more."

And I agree.

Sherman Alexie is not only a brilliant writer - in the conventional sense - he is also a brilliant writer - in the emotional and humanity sense. Which, perhaps more than anything, makes him an exceptional writer that can connect with kids and adults of all ages, from all around the world.

This article, which first appeared in the June 2017 issue of BookPage, is a beautiful example. I don't know many people, if any, who do not struggle in some way with forgiveness. I know I do. And I think we can all agree that, in the midst of these difficult relationships, there is the "constant funeral" feeling Alexie describes.

We may not experience the same depth of pain and "crimes" that Sherman Alexie did, but we can for sure appreciate his response and attempt at reconciliation. Then, maybe, just maybe, we can find a similar sort of peace.

And hopefully, before it's too late.

 

Sherman Alexie doesn’t yet know if writing a fierce, wrenching memoir about his deeply troubled relationship with his beautiful and abusive mother, Lillian, has been cathartic.

“I performed the audiobook a couple of weeks ago over the course of five days, and it was hard. Hard,” Alexie, a Spokane/Coeur d’Alene Indian and award-winning author of 26 books of poetry and fiction, says during a call to his home in Seattle. He lives there with his wife, an administrator at Seattle University who was born on Turtle Mountain Reservation, and their two sons, ages 19 and 15. Usually he works out of an office he describes as “a studio apartment that looks like a bookstore exploded.” But today he is at home, anticipating the publication of You Don’t Have to Say You Love Me.

“What I’m realizing now,” he says, “is that the writing of the book was just the first half of the ceremony. Now I’m entering into the second half of the ceremony, bringing it to the public, starting to talk about my mother, and hearing the stories of other people’s mothers.”

Lillian Alexie died at the age of 78 in 2015. For the previous 20 or so years, whenever possible, Sherman avoided visiting her at the Spokane Indian Reservation in Wellpinit, Washington, where he and his witty twin sisters grew up in poverty. He believes he inherited his bipolar disorder, diagnosed in 2010, from her. She was a complicated woman—generous to many, withholding or worse to Sherman, loved or despised by family members and neighbors. She was a brilliant quilt maker who wouldn’t sleep under her own quilts (“Quilting was her philosophy,” Alexie writes)—or teach her native language to her children. In a heartrending chapter Alexie decided to include only at the last moment, he writes that he has not worn a pair of moccasins in 40 years because of her behavior at a powwow in Arlee, Montana.

“That was an incredibly traumatic experience,” Alexie says with some anguish. “I find myself wondering, what do I do as an Indian when some of our most sacred moments—like a powwow—aggravate my PTSD?”

Lillian’s death unleashed a torrent of poems. “They came first without bidding and without structure. They just came. I would just write and write and write,” he says. He thought the resulting work would be a book of poetry. “Then I realized that I had more stories to tell, stories that needed to be told in nonfiction form. I thought the structure of the book was going to be framed by the first chapter of her being diagnosed and the last chapter of her dying. I just assumed it was going to be a much more traditional structure. But as I started writing the nonfiction, it started arriving in much more improvisational fashion. And I realized that the way my mother and I lived our lives, and the way our tribal culture works, and my mother’s cosmology and our own mental illnesses, shared and separate, that the very construction of the book—this back-and-forth in time, back-and-forth in emotion—was going to match the way it felt to be her son.”

Alexie’s approach to the structure of the book results in an emotionally powerful read. His skills as a poet may go unacknowledged by some, but they are evident here.

“One of the things that I’ve always enjoyed is that the forms that use repeated lines, repeated phrases, sound tribal. They very much sound like our traditional songs and ceremonies. And in grief ceremonies in all cultures, repetition is omnipresent.”

Alexie’s improvisational approach also allows him to write meaningfully about the context of his and his mother’s lives. Reaching back into the history of his tribe, for example, he writes about the impact of the construction of the Grand Coulee Dam, which cut off his people’s access to wild salmon, an essential element of the culture. “The loss of wild salmon for us, the environmental destruction for us, directly affected our souls. Often this doesn’t get addressed.” Alexie also writes that on the reservation, loneliness is a natural cause of death, endemic to reservation life. “I think we live in a constant funeral,” he says.

And yet, You Don’t Have to Say You Loved Me and the reservation life it portrays bubble with humor. In conversation and on the page, Alexie is often quite funny, disproving the stereotypcial view of Native Americans as being closed-mouthed stoics. “I think my whole life has been based on people being shocked by my personality, what they expected to see versus who I am,” Alexie says. “To this day, people often think that I am an anomaly—the way in which I’m loud and emotional and funny and profane and dirty and unabashed. But that’s the culture I grew up in. The stoic part about Indians? That’s our armor. I always tell white folks if you’re around Indians and they’re not making fun of you, then they don’t like you. In our culture, we are incredibly verbose and funny. And constant storytellers.”

Returning to the subject of his mother, Alexie says, “I don’t know that I forgive my mother for her crimes against me. But I think I’ve come to a place where I understand them. I can’t forget what she did to me as an individual. But in terms of the lives of Native American women of her generation, I can completely understand why it happened the way it did. So if not forgiveness, I certainly have empathy. And for me to be empathetic toward my mother might be the bigger thing.

He adds, “As I say in the book, even though the book is negative, very negative about her in parts, she would have loved being the subject of this. Oh gosh, she would have sat right beside me and signed the book."  (via)

You can read this open letter about his mother which is . . . so. friggen. good. And hard. I love it.

For more on . . .

-N- Stuff  :  Chris Paul forgives the men who killed his grandfather  :  Pablo Escobar's son is building peace

 

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10 Free hours of Mountain Sounds

For their wonderful Real Happiness Project, the filmmakers of BBC Earth and creators of the incredible nature documentary Planet Earth II have repurposed ten hours of footage from their travels to create a soothing visual soundscape of relaxing mountain from around the world.

. . . we want to take you on a journey through some of the most stunning mountainscapes on earth. Fly above the peaks and immerse yourself in this elevated, sky-kissing habitat. All footage used was filmed by the Planet Earth II camera teams whilst out on location.

I'm kinda digging the mountains lately, so this project just might find a home in our home. I'm thinking of playing this on the TV, with the surround sound turned up, and letting it play for the day. 

But then again, I don't have a TV or surround sound, or a home, so the Mac will have to do. For now.

 

For more on . . .

-N- Stuff  :  The Mountains have a Way  :  Planet Earth II Full Soundtrack

 

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Breaking Routine : Building Life

I've watched this video a few times, because it's fascinating, and because I don't think it's wrong, just incomplete. 

Which, for me, is exciting, because that means I get to spend way too much time breaking down something that probably was only meant to be enjoyed and watched with a simple, "Huh, that's interesting."

But what's the fun in that?

"I had this fear of building this routine in my 30's and suddenly this decade is gone. And so I promised myself that I would do something radically different. I'm gonna do something that scares the crap out of me and see if that changes my brain chemistry."

For almost twenty years, stories like this have floored me. Stories of Chris McCandless heading to Alaska pulled and twisted my gut; Jack Kerouac traveling . . . everywhere, inspired me to hit the road and live dangerously, spontaneously, so that I could "discover myself", through radical and unchecked living. 

But, the thing is, I still love these types of stories and still believe in them, a little. Mostly I don't because, now, these stories seem selfish and empty. Hitting the road for weeks or months, or even years, at a time is, in all honesty, easier than staying at home. Quitting a job and living alone while walking away from commitments, family, and responsibility, is easier. It is. Because to wake up each morning with something new and different, instead of sticking it out - instead of enduring - and finding beauty in the mundane, is simple. 

Because, often, it's easier to be a stranger than it is to be known. As a stranger, people see what you want them to see. When we're known, people see what we are.

To live radically one does not need to fear routine. 

However,

"The routine is the enemy of time. It makes it fly by."

And that, I agree with.

Kind of. 

Every how-to-live-creativily blog or book or article I have ever read talks extensively about how the magic of creativity is not a single explosive moment - a lightening bolt - but rather, it is the long rolling thunder of a distant storm. It takes time, routine, and consistency. 

However, routine can be the enemy, maybe not of time, but for sure of life, or at least growth, because, when the "Brain has figured out the pattern of the way the world works." Once it "establishes a routine, it stops", and "the alertness goes away." 

The alertness of people, of beauty, and of opportunity. 

To me, this becomes most predominant in things like politics, religion, race, and relationships. Most all of these have strong and deeply rooted routines of thought, and our brain have therefore stopped. Stopped considering, questioning, and, worst of all, listening. Because we know what we know. And what we know most of all, is our thought routine.

 

But life is "about getting out of your routine."

Truly. That is, if we want to truly and deeply live; if we want to "be aware of every day {we are} alive."

David Foster Wallace says it this way:

After work you have to get in your car and drive to the supermarket. The supermarket is very crowded. And the store is hideously lit and infused with soul-killing Muzak. It's pretty much the last place you want to be. And who are all these people in the way? Look at how repulsive most of them are, and how stupid and cow-like and dead-eyed and nonhuman they seem, or at how annoying and rude it is that people are talking loudly on cell phones. Look at how deeply and personally unfair this is. Thinking this way is my natural default setting. It's the automatic way that I experience the boring, frustrating, crowded parts of life.
But there are totally different ways to think about these kinds of situations. You can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. If you really learn how to pay attention, it will actually be within your power to experience a crowded, consumer-hell type situation as not only meaningful, but sacred. You get to consciously decide what has meaning and what doesn't (pg 109). 

Seeing people beyond what we know, deciding and choosing to admit possible fault and to "choose to see ordinary things differently" gets us out of our thought routines and walks us to a point where we might be saved.

Kevin Ashton describes this through a study by William Syrotuck.

William Syrotuck analyzed 229 cases of people who became lost, 25 of whom died. He found that when we are lost, most of us act the same way. First, we deny that we are going in the wrong direction. Then, as the realization that we are in trouble seeps in, we press on, hoping chance will lead us. We are least likely to do the thing that is most likely to save us: turn around. We know our path is wrong, yet we rush along it, compelled to save face, to resolve the ambiguity, achieve the goal. Pride propels us. Shame stops us from saving ourselves (pg 90).

 

If we are able to do that, we open the possibility to "Learn something new, learning something astonishing."

I've often wondered about the lives of the men and women who go on these "do something radically different" types of adventures. More specifically, I've thought of what happens after the journey. Because the making of the video or writing a book and talking about life and lessons and the breaking of routine sounds truly romantic and fully enticing. But what happens when they get home? Do their daily lives change, or do they fall back into old routines? Do they find themselves heading on another adventure, eager for another fix, and anxious to escape life? Or are they truly changed?

How many of them die, alone, in a bus somewhere that is filled with books and journals and ideas of life and living and the glory of the open road?

How many make it to 85 years of age?

I love adventure stories because I love adventures and freedom and the wild, wild unknown, and I love the lessons that getting out into the mountains can teach me. But I also love home, being known, and learning something new and astonishing in the people I know and love.

And I love routine. Of waking up in the dark hours of the morning to fresh coffee and a good book. Of conversations with good friends who strongly disagree but trust and know and choose to stay because that too is a routine, and it's beautiful. I love routine and the safety and creativity it provides. It isn't something that destroys. Rather, it is something that provides.

This notification, literally, just popped up on my phone: "On Writing Tweeted: The mere habit of #writing, of constantly keeping at it, of never giving up, ultimately teaches you how to write. - Gabriel Fielding"

Doing something radically different in an effort to break routine and turn our brain on is a right and good choice, but it doesn't have to involve long journeys that stretch from our front door. If we are alert, if instead of assuming, knowing, and condemning we question, consider, and empathize, we will embark on a journey that will scare the crap out of us, and others, and our brains will not shut off. It will explode.

Then, hopefully, when we are suddenly old and gray and trying our hardest to blow out 85 friggen candles, we'll look back and wonder where the years have gone, and how it was they went so quickly by.

But then, when the candles are out and the cake is cut, we'll look around the room and remember the faces of the many men and women who have come to celebrate, and the room will dance of stories and memories and the same old conversations, and it will be beautiful, because it will be routine.

And our hearts will be perfectly exhausted. 

 

To read more about Jedidiah Jenkins and his 7000 mile journey from Oregon to Patagonia, click here.

 

For more on . . .

-N- Stuff  :  Life Lessons from 100-Year-Olds  :  On Living

 

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The Mountains have a way

Get Out More

Four weeks today, Judah and I arrived in the states.

Four weeks today, we began our process of transition.

It hasn't been terrible, but it for sure has not been smooth. For any of us. Our kids want to know where they will be going to school and when they'll see their friends again. I want to know where I'll be working and if I will see China again. Josey wants to stop living out of suitcases and random boxes and wonders when life will ever have routine again.

We all want a little bit of clarity but seem to be getting none. Each answer only muddles the future; each day adds more questions, more doubts.

So, we went camping. And, as expected, the getting out helped.

One morning, while sipping coffee and listening to the kids play, I asked Josey what she was thinking. "About the mountains," she said.

"What about them?" I asked.

"I don't know exactly," she looked around, at the kids, the trees, and the snow-covered peaks, "They just have a way about them." She thought for a moment more, "A way of clarifying, ya know?" 

I did, and I didn't. So I grabbed my journal, because I didn't want to forget her words. "The mountains have a way," I wrote, and I haven't stopped thinking about it since.

The mountains have a way . . .

 

Of Simplifying:

Get Out More

A simple fire, the smell of pine, and the birds' morning songs. The sky roles from black to deep blue, to sky, and the fire cracks and pops and spits. Coffee brews. 

Kids knuckle sleep from their eyes, the tent-flaps skip and dance to the morning breeze, and slowly, the day begins. More coffee is brewed.

There is little care for the rest of the day, just play, in the land where fallen trees become giant dragons. Where knotted sticks turn to swords or guns or simple things that only a wooded magical dragon could need. Because, in the maze of trees and grass and twigs and dirt, opportunity of imagination is endless.

So scrape your knees and get dirty and yes of course you can climb that tree or turn that patch of dirt into a Nature Town because that's why we're here, to simplify. To rid ourselves of the things that bind us, that hinder us, and that distract us from what matters. 

Because the mountains have a way. 

 

Of Stripping Away:

Get Out More

For the past four weeks, we've been reuniting with family, applying for jobs, waiting to be called by hopeful employers, rearranging boxes and suitcases, and trying to move forward but unable to do so because we don't know where we're going to live, because I have not been able to land a job. 

Get Out More

But in the mountains, with my family, these concerns slip away - if only for a short while - because instead of checking the inbox or checking missed calls, we're on a hike, sliding down glaciers and watching fish feed on the bugs of the mountain lakes. We read in hammocks and write in journals. I teach my son how to swing an ax and smile when he cuts his first log all the way through - something he never had the chance to do in urban China. The girls laugh and play and cry and talk because the land of dragons is big and dangerous but Mom and Dad are just there, sitting by the fire, so what is there to be afraid of?

We eat simple dinners and sit around the fire, talking, and watch for shooting stars. 

Josey and I, for the first time in months, talk about our move from China, because it's quiet, and there is little else that needs to happen. Because the mountains have a way of doing that.

 

Of Reminding:

Get Out More

I wear a vest that is not my own. It's an old JC Penny vest that is too small, even though the tag says, "XL" - being washed and dried for almost twenty years will probably do that to any vest. I also have two massive green Coleman sleeping bags that have mallard duck print on the inside. They're 100% cotton and each weigh around fifteen pounds. They're terrible for hiking, but perfect for camping. Especially family camping, and they have been for as long as I can remember, because they were my dads.

Get Out More

On one of our many fishing trips, I remember telling my dad that he was different there than at home because he was "more fun. More relaxed." And he was. Some of my favorite memories of my dad came with camping or fishing or splitting wood or racking leaves, and in most all of those memories, he's wearing this vest. 

This past weekend, it held my son's pocket knife and carried Zion' rocks. 

I haven't camped or fished with my dad in over twelve years, and I miss those times, almost daily. Sometimes, the memories attached to this vest are more than I can bear, because they're some of the best a boy could have. 

Which is why I wear the vest and carry the sleeping bags, because even though they are fully imperfect, they're perfect for camping and chopping wood, for cold nights and searching for constellations (which I can never find, minus the Big Dipper).

This vest and these sleeping bags are made for mountains, for camping and making memories, and for family.  Because that's what my Dad used them for, so it's what I'm going to use them for. Because the memories they carry are more than I can bear. And I hope, someday, my kids will struggle beneath its beautiful weight. 

 

Of Giving:

Get Out More

Five weeks ago, Judah and I hiked and slept on the Great Wall of China, and the lessons we learned were foundational. This short trip reminded and encouraged us of a few of those lessons. Judah dealt once more with fear, this time of bears, and I wrestled again with feeling expendable. The bears never came, but I needed the voice of my wife and son to get over my pride. Both of them, on separate occasions, considered how we as a family might bless someone outside ourselves. Both of them mentioned our camping neighbors. The day before, they had wondered into our camp. He was from Colorado and she was from Montana and they, along with their little three year-old daughter, Ellie, were planning on staying for several more nights.

"Can we leave a pile of firewood for them?" Judah asked. I looked to Josey and smiled because she had mentioned the same thing a few minutes earlier. 

"Of course," I said, "that's a great idea!" So while Josey and I packed up the van, Judah and the girls piled a large stack of wood next to the neighbors fire pit - Eden making sure it was stacked with care and purpose.

Because after a few nights in the beauty of the mountains, the perfect "thank you" blesses others, not ourselves. A lesson I'd have forgotten, if not for the mountains.

My wife was right, the mountains do have a way about them . . . a way larger than any word I can write. Which is probably why we go back. Because, like Whitman wrote about the stars, " . . . When I was shown the charts and diagrams, to add, divide, and measure them . . . How soon unaccountable I became tired and sick, Till rising and gliding out I wander’d off by myself, In the mystical moist night-air, and . . . Look’d up in perfect silence at the stars."

The mountains have a way. And all I can do is stand and look up at them, in perfect silence. 

 

For more on . . .

-N- Stuff  :  Simple Living  

 

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Some things are hard to forget.

Tom Sitter won The Moth in Madison StorySLAM at the High Noon Saloon February 13, 2017. Tom scored our first ever 10 with his winning story tonight. The memory of the girls he carefully selected to give his five valentines to in 1933 was strong enough that 84 years later he still knew their names.
The Moth StorySLAMs are open-mic storytelling competitions. Storyteller hopefuls put their names in a hat. During the evening ten names are picked, and one by one, storytellers take the stage. The ten featured stories are scored by teams of judges selected from the audience. Each StorySLAM generates a StorySLAM winner. After ten SLAMs, the winners face off in our GrandSLAM Championships.

I think we can all remember some of the first girls or boys that stole our hearts, or distracted our minds. Unfortunately, some of us even have names burned into our memory that we'd like to take for walks, next to busy intersections.

I don't have any such names. But sadly, I think I am several people's name.  

And that's pretty embarrassing. 

 

For more on . . .

-N- Stuff  :  The Moth  :  Real People

 

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Radiolab : a fifteen year celebration

"15 years ago the very first episode of Radiolab, fittingly called "Firsts," hit the airwaves. It was a 3-hour long collection of documentaries and musings produced by a solitary sleep-deprived producer named Jad Abumrad. Things have changed a bit since then" (via).

 

For more on . . .

-N- Stuff  :  Podcasts on how Russia saved the word . . . three times

 

If you're not already a subscriber, scroll down and subscribe now!

I will be sending an email soon of some great podcast stations and favorite podcasts.

Infographics say more than what they say.

Sometimes, I get lost in the world of infographics because they tend to take huge ideas or concepts or large chunks of time, and allow them to fit in my pocket - so I can carry them around much easier than a textbook or World Atlas.

These one's are pretty interesting, and a little disturbing. At least, the "History's Most Significant Journeys" one is because, apparently, outside of the 1965 Civil Rights walk, no non-white male made any sort of significant journey, anywhere in the world. 

Interesting. 

 

This one, too, seems to be a celebration of the white man's accomplishments. No doubt these men were responsible for the innovation of the world, but on whose backs did they stand upon? Whose labor completed their dreams? 

The title reads, "The People Behind the way we live." Was there no woman contributing to the way we live, behind the inventions? Or were they only consumers? Sitting quietly, distracted by the "internet society," just waiting for someone better, more educated, and more capable to invent something bigger and better?

 

Why are these books banned? Because they challenge authority - because they ask people, regular people, to think and consider something other than what they know or believe to be true. And, for the most part, beause they challenge the leadership and ideals of white men.

Huh.

Sometimes, I get lost in the world of infographics because they tend to take huge ideas or concepts or large chunks of time, and allow them to fit in my pocket - so I can carry them around much easier than a textbook or World Atlas.

Right now, my pockets are full of white men. 

And that's a problem. For several reasons.

 

For more on . . .

-N- Stuff  :  Maps that will change the way you see the world :  World Languages in simple infographics

 

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Michel D'Oultremont : More than a Photograph

The following video, and Michel D'Oultremont's works, are breathtaking. But, hidden in his words and disguised by the beauty of the film, is something bigger, something beyond photography, that I can't quite pin down. It's there, gnawing, scratching, and unrelenting, like a thorn, buried in the flesh, that won't go away.

I've watched it several times, till, finally, I watched it with my eyes closed, substituting people in for animals. Then, some truths for life come into focus (see what I did there? Clever!).

 

Truths like:

"I tried to put more distance between me and the {people}, to have more breathing space in the image, to have something more constructed . . . I tried to put more importance on the environment or the play of light, rather than the {person themselves}."

 

 

"Patience is one of the most important things to have. Without patience it's not possible to see {people}" because, "When challenges accumulate, they shouldn't hold you back, they should be an extra motivation. Because the next day, everything might change." But only if we're patient, and if we're there. 

 

 

"I think this kind of project is really important for our future, for all of us really." 

Perhaps the most important of it's kind.

 

 

For more on . . .

-N- Stuff  :  Faces of Humanity  :  Photography  :  Humanity

 

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How to win your wife's weight in beer!

Actually, she doesn't have to be your wife, or anyone's wife really, but she does need to be older than 18. And you do need to carry her - through an obstacle course - and you need to win.

Wife carrying is a contest in which male competitors race while each carrying a female teammate. The objective is for the male to carry the female through a special obstacle track in the fastest time. The sport was first introduced at SonkajärviFinland.

Several types of carry may be practised: piggyback, fireman's carry (over the shoulder), or Estonian-style (the wife hangs upside-down with her legs around the husband's shoulders, holding onto his waist).

Wife Carrying World Championships are held annually in Sonkajärvi since 1992.

The prize is one's wife's weight in beer (via).

Rules:

The original course was a rough, rocky terrain with fences and brooks, but it has been altered to suit modern conditions. There is now sand instead of full rocks, fences, and some kind of area filled with water (a pool). These are the following rules set by the International Wife Carrying Competition Rules Committee:

  • The length of the official track is 253.5 meters.
  • The track has two dry obstacles and a water obstacle about one meter deep.
  • The wife to be carried may be your own, or the neighbor's, or you may have found her further afield; she must, however, be over 17 years of age.
  • The minimum weight of the wife to be carried is 49 kilograms. If she weighs less than 49 kg, she will be burdened with a rucksack containing additional weight to bring the total load to be carried up to 49 kg.
  • All participants must enjoy themselves.
  • The only equipment allowed is a belt worn by the carrier and a helmet worn by the carried.
  • The contestants run the race two at a time, so each heat is a contest in itself.
  • Each contestant takes care of his/her safety and, if deemed necessary, insurance.
  • The contestants have to pay attention to the instructions given by the organizers of the competition.
  • There is only one category in the World Championships, and the winner is the couple who completes the course in the shortest time.
  • Also, the most entertaining couple, the best costume, and the strongest carrier will be awarded a special prize.

 

World Champions (and the Finns have it!!! Mostly.):

  • 2017 – Taisto Miettinen (Finland) and Kristiina Haapanen (Finland), 68 seconds.
  • 2016 – Dimitriy Sagal (Russia) and Anastasia Loginova (Russia).
  • 2015 – Ville Parviainen (Finland) and Sari Viljanen (Finland).
  • 2014 – Ville Parviainen (Finland) and Janette Oksman (Finland).
  • 2013 – Taisto Miettinen (Finland) and Kristiina Haapanen (Finland).[5]
  • 2012 – Taisto Miettinen (Finland) and Kristiina Haapanen (Finland).
  • 2011 – Taisto Miettinen (Finland) and Kristiina Haapanen (Finland).[6]
  • 2010 – Taisto Miettinen (Finland) and Kristiina Haapanen (Finland).[7]
  • 2009 – Taisto Miettinen (Finland) and Kristiina Haapanen (Finland).[7]
  • 2008 – Alar Voogla (Estonia) and Kirsti Viltrop (Estonia).[8]
  • 2007 – Madis Uusorg (Estonia) and Inga Klauso (Estonia), 61.7 seconds.[9]
  • 2006 – Margo Uusorg (Estonia) and Sandra Kullas (Estonia), 56.9 seconds.[10]
  • 2005 – Margo Uusorg (Estonia) and Egle Soll (Estonia), 59 seconds.[11]
  • 2004 – Madis Uusorg (Estonia) and Inga Klauso (Estonia), 65.3 seconds.[12]
  • 2003 – Margo Uusorg (Estonia) and Egle Soll (Estonia), 60.7 seconds.[13]
  • 2002 – Meelis Tammre (Estonia) and Anne Zillberberg (Estonia), 63.8 seconds.
  • 2001 – Margo Uusorg (Estonia) and Birgit Ullrich (Estonia), 55.6 seconds.[14]
  • 2000 – Margo Uusorg (Estonia) and Birgit Ullrich (Estonia),[15] 55.5 seconds (world record).
  • 1999 – Imre Ambos (Estonia) and Annela Ojaste (Estonia), 64.5 seconds.
  • 1998 – Imre Ambos (Estonia) and Annela Ojaste (Estonia), 69.2 seconds.[16]
  • 1997 – Mikkel Christensen (Finland) and Tiina Jussila (Finland), 65 seconds.[17]

 

Where to Participate:

-Australia-

Australian Wife Carrying Championships are held annually since 2005.

-North American-

The North American Wife Carrying Championships take place every year on Columbus Day Weekend in October at Sunday River Ski Resort in NewryMaine.

-United States-

The US final takes place the second weekend of July in Menahga Minnesota (MN-St. Urho Wife Carry for Charity Challenge). Major wife-carrying competitions are also held in Monona, WisconsinMinocqua, Wisconsin and Marquette, Michigan.

-Asia-

Ecorun India, a society for creating environmental awareness organized Wife Carrying Race in Thiruvananthapuram, Kerala, India, Asia on January 1, 2011. The event is called "BHAARYAASAMETHAM" roughly translated as 'with your wife' in Malayalam, the local language. The society plans on conducting more such events every year in India. Wife carrying in Asia is also called matukinina.

A Bollywood movie named Dum Laga Ke Haisha had "wife carrying race" in its backdrop (via).

 

For more on . . .

-N- Stuff  :  Air Guitar World Championships 

 

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Father/Daugher Beatbox Battle

This is friggin awesome.

I especially love how when the father is beatboxing, his daughter is sitting there, flipping her hair, looking all casual and cool. Almost as if she's rolling her eyes and saying, "Come on dad."

Then, when she takes off, her dad laughs, claps, and cannot contain his joy, like he's about to jump up and yell, "That's my girl!"

I love it.

A few years ago, I was speaking with one of my female students about some of the trips I had planned for Judah and I. I had just read the book, Raising A Modern-Day Knight and couldn't wait to start his training. She thought my ideas were great, but she also challenged me, "Don't forget about your daughters. Take them on trips too."

And she was right. 

I don't know who started this battle, but I love that they do it together. And that she's better. And that he loves that she's better. 

And I love the end, when they battle together, as father and daughter. 

This guy is inspiring. 

You can watch Battle Part 2 here.

 

For more on . . .

-N- Stuff  :  Lessons on Fatherhood  :  On Raising Girls :  The best beatboxer ever

 

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Ben Folds : Because 10 minutes isn't enough

This is pretty damn cool, and fully impressive. 

I've never been a huge fan of Ben Folds lyrically, but musically, he has always dazzled and entertained. Always, my favorite song of his has been Luckiest.

Fortunately, the lyrics are also pretty friggen great:

I don't get many things right the first time,
In fact, I am told that a lot
Now I know all the wrong turns the stumbles,
And falls brought me here
And where was I before the day
That I first saw your lovely face,
Now I see it every day
And I know

That I am, I am, I am, the luckiest

What if I had been born fifty years before you
In a house on the street
Where you lived
Maybe I'd be outside as you passed on your bike. Would I know?
And in a wide sea of eyes
I see one pair that I recognize

And I know

That I am, I am, I am, the luckiest

I love you more then have
Ever found the way to say
To you

Next door there's an old man who lived to his nineties and one day
Passed away in his sleep,
And his wife, she stayed for a couple of days, and passed away

I'm sorry I know that's a strange way to tell you that I know we belong,

That I know

That I am, I am, I am, the luckiest

Simple. Beautiful. I can almost see him sitting on his porch, pondering, "What if?" Then, a little girl pedals by, and as he watches her zig-zag up the street, his eyes fall on the neighbors house, his pen quickly getting to work. Because she isn't home then, but she will be soon. And when she arrives, Ben is sitting at the piano, his fingers dancing over the keys and his mind floating. When he hears her, he looks up, his hands suspended above the keys, and he looks, in awesome wonder.

In that moment, as we have all found ourselves from time to time, he understands that he is fully and truly fortunate. That he is the luckiest. 

May we all be so fortunate, so aware, and so willing to take the time to write it down.

 

For more on . . .

-N- Stuff  :  Music  :  Another great composer  :  Farmhouse, from a note

 

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Summer Homework for Teachers

Contrary to popular belief, summertime, for teachers - good teachers - is not a time for lounging by the pool, taking long vacations, and spending entirely too much time watching Netflix. That's what Christmas break is for. Summertime, however, is the allotted, much needed, time of evaluation and preparation without the interruptions of meetings, students, and grading. 

Because a good teacher is willing to take a step back and reflect, and there’s no better time than during the summer.

I recently came across an article entitled, Fifteen Summer Assignments for Teachers and thought it had some decent ideas. "Try one, two, or a few of these," the article asks, "and see if they get you thinking about your profession—one of the most honorable around." 

So I am, and I'm inviting you to join me.

1. Write alternating paragraphs about the best and worst teachers you had as a student. Then, identify when and why you’ve shared any qualities with them during your time in the classroom.
2. Write a two-sentence description of your class from the perspective of a student sitting front and center. Then write descriptions of the same length from the following perspectives: the student who dropped your course, the student who asked you for a recommendation letter, the student who wouldn’t stop talking. How do they each perceive you?
3. Describe the most fantastical, surreal fire drill evacuation possible. The only rule is that it must occur in the midst of one of your major assessments.
4. Why do you teach? Why don’t you do something else?
5. What is one stereotype about teachers that is a lie? What is one stereotype that is absolutely accurate?
6. Read a few pages of Gertrude Stein, and then a few poems by Gerard Manley Hopkins, and then a few pages of Toni Morrison. Explain what each writer is trying to do (with their language, their content, their style). Don’t say whether you like it or not; just try to understand.
7. Vent about one of your worst days during the past year. Fold it up, hide it, and forget about it.
8. Write a letter to the person who you identified as your worst teacher above. Give them the benefit of the doubt.

8a. Write a letter to a teacher or person who has inspired you the most in your teaching, then give it to them. Then, identify where you share those same qualities. 

9. One of your most wonderful, compassionate students tells you that she wants to be a teacher. What do you say? What do you think?
10. Read an issue of a contemporary literary magazine. Try New England Review, Image, The Kenyon Review, Colorado Review, Salamander, West Branch, or others. Visit the current issue of an online publication like BoothThe Collagist, or Linebreak. Find work there to share with your students. I recommend Traci BrimhallKaveh AkbarSaeed JonesErica WrightEduardo C. CorralMorgan ParkerRebecca Gayle HowellMarcus WickerTyler MillsAdrian MatejkaRigoberto González—find a writer who speaks to you, and who might speak to the lives of your students.
11. What is a book that you teach that your students hate? Why do they hate it? Be objective: are they correct? If not, what can you do to better teach the book—to better reveal why you think the book is important?
12. Write a letter to a student you’ve failed—not in terms of a grade, but as a mentor.
13. Write a dialogue scene between one of the writers whose work you teach and your students. Don’t have them talk about the writer’s book or writing style. Imagine how they would communicate in everyday life. Let them be people together.
14. List three times that you’ve experienced joy as a teacher. Be specific about the setting, the situation, the people involved. What can you do to capture that feeling again?
15. Praise yourself. Write a paragraph about what you do best as a teacher. After that, enjoy the rest of your summer. You’ve earned it.

Some of these are perhaps a waste of time, some are invaluable. But what's interesting is the emotion felt while reading them because, like my students, some fill me with dread. "That's stupid," I think and therefore cross it off the list. But that is probably why I should do them all, to remind myself what my students think, at various times throughout the year, about my assignments. And reminding myself what it feels like to be a student just might be what is best not only for me, but more importantly, for my students. 

Let me know if you have any more ideas to add to the list!

And yes, although it isn't written directly, writing in complete sentences is probably required. So is grammar. You can relax on the MLA formatting though, because it's summer, and you deserve a break.

 

For more on . . .

Don't do homework. Publish.  :  Why I Teach  :  Schools Kill Creativity?  :  Teachers like Mr. Keating

 

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Check it - a documentary from Louis C.K.

Check It is a truly powerful documentary about the singular gang of gay black teens who warded off their vulnerability by becoming a protective family of their own while living on the streets of Washington, D.C. The film was directed by Toby Oppenheimer and Dana Flor with Steve Buscemi serving as executive producer. While wrapping up the excellent online series Horace and Pete, Buscemi invited co-star Louis C.K.to a screening of the film. The comedian was so impressed that he’s made the film available for purchase on his site (via).

The film knocked me right over. It was an amazing emotional ride. It was funny and moving, I learned a lot and it gave me a lot to think about after. …It’s not an easy film. It takes on life right where the rubber hits the road. What made me love it was just the kids themselves. They are like any kids, like anyone’s children. They are trying to cope against terrible odds, they are funny and full of hope and life. Their lives are difficult and complex.

The LBGTQ is, for sure, not my enemy, but they are unknown. Admittedly, I don't have many friends from this community, but I do have a few, and what I've discovered isn't all that surprising: we're more alike than we are different. 

However, and sadly, many would consider the LBGTQ community enemies, and because so, this sort of film would stir emotions of anger and frustration and possibly even an affirmation of some already held prejudices. To that, all I can say is the LBGTQ is not a single story, and they deserve, like anybody else, to be known. Even if they're not agreed with.

For a detailed history on "one of American history's darker moments," the Stonewall Riots, where the gay rights movement was galvanized in the United States, check out this episode on Stuff You Should Know.

 

For more on . . .

-N- Stuff  :  Humanity  :  Listening to the Stories of others  :  How the Rainbow Flag Became a Symbol of LGBTQ Pride

 

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Get to know your enemy

"The universe provides everything you need when you need it" (via). I'm not sure I know, exactly, what this means or if I even agree with it, but there does seem to be an element of it that is undeniable because, sometimes, things just sort of come together and the universe (whatever that means) seems to be helping out. 

Josey and I first watched Band of Brothers over Christmas break of 2012 and have watched it a couple times since. From the very beginning, this scene, more than any other, stuck out to me, and I never really understood why. In recent months, the "universe" has helped provide some clarity.

Don Malarkey meets the German PW from Oregon and discovers an unknown story of the Germans: they are not always the monsters he and others have believed them to be. In fact, in some cases, they are more like comrades than they are enemies. 

Malarkey also learns that, in some cases, his own countrymen are a bit more like monsters than they are comrades. 

More and more, this difficult truth has almost forced itself upon me, and it doesn't seem to be letting up. Because there are some people in my life that I'd rather reduce to monsters and nothing more. Because it makes it easier. Because it creates a distance. Like that of German and US soldiers. 

Then, this morning, while I walked the forty-minute square that surrounds my in-laws rural neighborhood, I listened to this story of a "ten-year-old girl from small town Michigan named Sarah York, and how she became pen pals with a man who was considered an enemy of the United States, a dictator, a drug trafficker, and a murderer: Manuel Noriega."

You may not have time to listen to above excerpt. Here's a simple rundown: Sarah York, through several months of writing small letters back and forth with Manuel Noriega, finds herself invited to Panama and touring the cities, landscape, and playing with Noriega's own daughter.  At one point, Sarah is caught in the crashing waves and it is Manuel Noriega who rescues her. Sarah's mother has a picture of the moment and shows them to the producer,  Andrea Morningstar. After seeing the photo, Andrea states, "He doesn't look like a ruthless dictator, or a drug kingpin. He just looks like someone's dad" (min. 30:10). 

From the little that I know, Manuel Noriega was a terrible man and responsible for hundreds of deaths and disappearances, but he was also a loving father, which, for me at least, is a bit difficult to swallow because, how can a monster not be anything other than a monster? 

How can he be anything like me?

But, the truth of it is this, they are like me, just as much as I am like them. And even if they aren't, it is becoming increasingly clear that I need to think of them that way. 

There aren't many monsters in my everyday life. There are just the few that public opinion and media like to point out and dissect. But there are a few that I consider monsters. They're the ones I can't imagine eating dinner with, visiting while driving through town, or making any time or concession for. They're the ones whom I have a difficult time seeing any redeeming qualities. All they do seems to have selfish motives, and all that they are seems ugly and destructive. They no longer look like possible mothers, fathers, or humans. I've reduced them to monsters, plain and simple. 

And that's where I'm at right now. No conclusions, no wrap ups, and for sure no stories of beautiful reconciliation. In some cases, I've even lost the hope that there is a hope it may happen.

But over the past few weeks, with a culmination in this mornings walk, I've begun to consider that maybe they aren't monsters. Or rather, if perhaps they are more than simply monsters, and that we might have more in common than I have otherwise thought. That they are fully fallible, like me, and have made some pretty f'd up decisions, just like me. And, like me, they still are not monsters.

I just need to stop marching, reloading, and waiting for the attack. Which, for me, is super friggen hard. Because I'm terrified it might happen, again. And I'm tired, real friggen tired of being hurt. 

Yet, where we're headed now is, at best, in opposite directions. At worse, to another battlefront. 

Unlike Malarkey.