photos

Doctored Photos of War . . . Are the Wrong?

“In 2007, Errol Morris wrote a three-part series for the NY Times about a pair of photos taken by Roger Fenton of the Crimean War in 1855. Taken from the same position on the same day, one of the photographs shows cannonballs scattered on a road while in the other photo, the road is clear of cannonballs. Which one, Morris wondered, was taken first and why?” (via).

Although he can never answer why they were moved, he does conclude which one was taken first.

This doctoring of a photo reminds me of another famous photo (this was doctored by the Soviet Union) that was recently discovered as fraud. Both have been manipulated for very specific reasons, and both - in their altered version - caused quite a stir.

What’s interesting to me is although both are altered, only one seems to be morally wrong. The Soviet picture was manipulated to save ridicule and produce and makes the Soviets seem better than they are. Which is wrong.

This one, however, is making the situation worse for the purpose of drawing more people into the harshness of the war, so they’re more sympathetic, more involved. And that, to me at least, is an entirely different motive and one that can be argued. Do the ends justify the means? Sometimes.

And perhaps this is one of those times.

For more on . . .

-N- Stuff  :  Short Films:  Documentaries 

Some pretty awesome drone shots

Nature and Romance

Nature and Romance

 Niaz is a director, commercial photographer and film maker based out of Los Angeles who loves "creating awesome stuff!" 

These arial shots seem to fall easily into such a category.

Laguna Beach

Laguna Beach

Lost in a Forest

Lost in a Forest

California Sunset

California Sunset

Pursuit of Happiness

Pursuit of Happiness

Floating

Floating

Santa Monica

Santa Monica

You can see more of Niaz's work in his portfolio or follow him on Instagram.

 

For more on . . .

-N- Stuff  :  Guardian's best drone photography  :  Photos

 

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Nat Geo's Travel Photos of the Year

"The results of the 2017 National Geographic Travel Photographer of the Year Contest are now in, with grand-prize winner Sergio Tapiro Velasco set to receive a 10-day trip for two to the Galápagos Archipelago with National Geographic Expeditions, for his incredible shot of lightning striking the erupting Colima Volcano in Mexico (below). National Geographic was kind enough to allow {ALAN TAYLOR} to share the winners and honorable mentions with us here, from three categories: Nature, Cities, and People. The photos and captions were written by the photographers, and lightly edited for style" (via)

The Power of Nature - Grand Prize and 1st Prize Nature Category. Powerful eruption of Colima Volcano in Mexico on December 13th, 2015. That night, the weather was dry and cold, friction of ash particles generated a big lightning rod of about 600 met…

The Power of Nature - Grand Prize and 1st Prize Nature Category. Powerful eruption of Colima Volcano in Mexico on December 13th, 2015. That night, the weather was dry and cold, friction of ash particles generated a big lightning rod of about 600 meters that connected ash and volcano, illuminating the dark scene. In last part of 2015, this volcano showed a lot of eruptive activity with ash explosions that raised 2-3 km above the crater. Most of the night explosions produced incandescent rock falls and lightning not bigger than 100 meters in average

Al Ain - Honorable mention, Cities. New city on the desert.

Al Ain - Honorable mention, Cities. New city on the desert.

The Man’s Stare - Honorable mention, People. The photo was taken on July 23rd 2016 at Tongi Railway Station in Gazipur, Bangladesh. I was there taking photos and waiting for a moment. A train from Dhaka toward another district stopped at the platfor…

The Man’s Stare - Honorable mention, People. The photo was taken on July 23rd 2016 at Tongi Railway Station in Gazipur, Bangladesh. I was there taking photos and waiting for a moment. A train from Dhaka toward another district stopped at the platform for 5 minutes for lifting passengers. It was raining a lot. Suddenly I found a pair of curious eyes looking at me through the window and on his left an umbrella has been put to protect from the rain. I got the moment.

Interesting Moment - 2nd Place, People. Museum visitors curiously watching Rembrandt's painting "Syndics of the Drapers' Guild" where it gave the illusion that the people on the paintings too are curiously watching the visitors.

Interesting Moment - 2nd Place, People. Museum visitors curiously watching Rembrandt's painting "Syndics of the Drapers' Guild" where it gave the illusion that the people on the paintings too are curiously watching the visitors.

 

My favorite is "The Man's Stare." What a captured moment. 

 

For more on . . .

-N- Stuff  :   Amazing Photos :  Nat Geo 2016 Year in Photos  :  Portrait Photography of Martin Schoeller

 

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Photos of NYC in the early 1970s

In the early 1970s, Camilo José Vergara trained his camera on scenes of everyday street life in New York City. His photographs captured kids playing on the street, subway cars before graffiti, sections of the Bronx that look bombed out, and the construction of the World Trade Center in progress.

See also his Tracking Time project, specific locations around the US photographed repeatedly over periods of up to 40 years. Vergara was awarded a MacArthur Genius Grant in 2002 for this work (via). 

For more on . . .

Photography  :  Humanity  :  -N- Stuff

Jump!

Philippe Halsman was a renowned portrait photographer who was particularly active in the 40s, 50s, and 60s and most famous for his iconic photos of Salvador Dali and Albert Einstein. For a period in the 1950s, Halsman ended his portrait shoots by asking his famous subjects to jump. The results were disarming.

When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.

Halsman got all sorts of people to jump for his camera: Richard Nixon (above), Robert Oppenheimer, Marilyn Monroe (above), Aldous Huxley, Audrey Hepburn (above), Brigitte Bardot, and the Duke & Duchess of Windsor (above). He collected all his jump photos into the recently re-released Philippe Halsman’s Jump Book.

Repost from kottke.org

First off, kottke.org is just a great resource for fun information so thanks to kottke for yet another inspiration/stolen post!

Second, what's so great about these pictures is the "other side" of those being photographed - the "real person." Everyone has a child inside, often hidden and suppressed by expectations, judgements, and "maturity." Jumping seems to be the key to unlocking the cage. If only for a little while.

Thanks Philippe Halsman for the great photos!

These Algerian women were forced to remove their veils to be photographed in 1960

THEIR PORTRAITS ARE PROBLEMATIC, BUT STUNNING

If looks could kill, then a camera aimed at an unwilling subject is an instrument of torture.

Marc Garanger knew this in Algeria, in 1960 when he was tasked by his commanding French army officer with snapping ID photos of their female prisoners. France was six years into supressing a guerrilla war for independence in the north African colony, and Muslim and Berber villagers were being arrested en masse for suspected ties to the insurgent National Liberation Front. As his regiment’s official photographer, Garanger made thousands of portraits of rural women against their will. Many of them were forced to remove their headscarves and veils for the photo, revealing themselves for the first time to the hostile gaze of strange men.

Their observer, Garanger was also their oppressor.

For more of this article and Rian Dundon's work, click here.

Lunch Atop a Skyscraper

"As part of Time magazine’s recent selection of the 100 most influential photos of all time, art historian Christine Roussel talks about the story behind the iconic Lunch Atop a Skyscraper photograph of a group of construction workers on their lunch break. Interestingly, no one knows for sure who the workers were and who actually took the photograph."

A REPOST FROM KOTTKE.ORG

2016, The Year in Photos

Brexit, climate change, Trump, Syria, white nationalism, Turkey, racism and police violence, the Flint water crisis, natural disasters, terrorist attacks, drowned migrants. I was tempted to just post a photo of a burning dumpster or the this is fine dog and leave it at that. But professional photographers and the agencies & publications that employ them are essential in bearing witness to the atrocities and injustices and triumphs and breakthroughs of the world and helping us understand what’s happening out there. It’s worth seeking out what they saw this year.

Several sites, publications, and agencies have published lists of the best and most newsworthy photos of the year. Among them are In Focus’ Top 25 News Photos of 2016as well as their three-part 2016: The Year in Photos (part 1part 2part 3), National Geographic’s The 52 Best Photographs of 2016, Time’s Top 100 Photos of the Year 2016, AFP’s Pictures of the Year (part 1part 2part 3), 2016: The Year in Photos from CNN, Pictures of the Year 2016 from Reuters, the AP’s Top Photos of 2016some of the top images from the World Press Photo exhibition, which “highlights the best photojournalism of the year”, The Top Photos of 2016 from Maclean’s, and The Best Weird and Wonderful Photos of 2016 from totallycoolpix.com.

I’ve selected five of my favorite photos from these lists and included them above. From top to bottom, the photographers are Jonathan Bachman, Brent Stirton, Kai Pfaffenbach, Anuar Patjane Floriuk, and Mahmoud Raslan. The top photo, by Bachman, pictures the arrest of Ieshia Evans while protesting the death of Alton Sterling by the Baton Rouge police and is just flat-out amazing. In a piece for The Guardian, Evans wrote:

When the armored officers rushed at me, I had no fear. I wasn’t afraid. I was just wondering: “How do these people sleep at night?” Then they put me in a van and drove me away. Only hours later did someone explain that I was arrested for obstructing a highway.

There’s so much fear in that photo — institutional fear, racial fear, societal fear — but none of it is coming from Evans. Total hero.

Update: Buzzfeed shares The 46 Most Powerful Photos of 2016 and the BBC has the 15 finalists in the 2016 Art of Building architectural photography competition.

A REPOST FROM KOTTKE.ORG