isolation

The Suitcase They Carry: Why Social Media Is Too Much, Too Soon

Corrie ten Boom tells a story of asking her father a difficult question. Instead of answering, he handed her a heavy suitcase and asked her to carry it. She tried—but couldn’t. Gently, he took it back and said, “It would be a pretty poor father who would ask his little girl to carry such a load.” Some things, he told her, are too heavy for a child.

I can’t stop thinking about that story. Especially now. Especially when it comes to technology, social media, and the access our kids have to it all.

We’ve handed them a world without borders and called it connection. We’ve opened the floodgates to constant comparison, judgment, opinion, and pressure—and called it freedom. But the weight of social media isn’t just in screen time. It’s in soul time. It’s in how a single post can feel like a verdict, a trend like a requirement, a missed message like isolation. We think they’re scrolling—but they’re carrying. And much of what they’re being asked to carry, they were never meant to bear. Not yet.

As an educator, I see it every day—the silent damage of too much weight, too soon. It crushes spirits. Fractures friendships. Smothers innocence. Our kids are strong—but they are also still becoming. And we’ve given them more than they know how to hold.

As a parent, I’ll be the first to admit—I haven’t done enough. I haven’t always protected my kids from the weight of this so-called freedom. I haven’t always stepped in to shield their hearts or fought hard enough to preserve their rest, their wonder, their peace. I’ve let them carry a suitcase they weren’t ready for. I’m still learning how to take it back.

And the more I talk with family, with friends, with students in quiet hallways and tearful offices, the more I believe this: our kids aren’t struggling because they’re weak. They’re struggling because the weight is unreasonable. We ask them to build resilience—and yes, we should. But how do you build resilience under the constant hum of comparison? In the darkness of a bedroom lit only by a screen? With the quiet drip of a thousand inputs never meant for the hearts of children?

What if the mental health crisis in teens isn’t a sign of fragility—but a sign of misplaced expectations? What if strength, right now, looks like allowing a grownup to step in—not to shelter forever, but to shoulder the load long enough for them to grow strong enough to bear it?

Maybe the most loving thing we can do is take the suitcase—and say, “This one’s too heavy for you right now. I’ll carry it for a while.”
Even when they get mad. Even when they worry about being left out. Even when they slam the door in protest.

I don’t ask my kids to pay the mortgage, fix the plumbing, or buy the groceries. That’s not their responsibility to bear. Not yet. I do ask them to do the dishes, mow the lawn, clean their rooms. I ask them to be kind, to do their homework, to be good humans. I give them what’s theirs to carry—nothing more.

And then I carry the rest. With intention. With love. For as long as it takes.

Because if we won’t carry this particular suitcase—the one filled with endless notifications, invisible pressures, addictive comparisons, and algorithm-shaped truths—then who will? Our kids are scrolling through more than content; they’re scrolling through identities, values, and worldviews they haven’t yet had time to build. And while they’re becoming, we must be the ones protecting. Guiding. Saying “not yet” when necessary. Not out of control, but out of deep love. Out of the belief that childhood is not a race toward adulthood—it’s a sacred space to become.

With a severed head, Radiohead makes a point.

OK Computer is 20 years old. To mark the occasion, Radiohead is reissuing the album with three previously unreleased songs from that era (as well as eight B-sides). The album is now available for pre-order and will be released on June 23, but one of the unreleased songs, I Promise, is out now on Spotify, YouTube (see above) and elsewhere (via).

Lyrics:

[Verse 1]
I won't run away no more, I promise
Even when I get bored, I promise
Even when you lock me out, I promise
I say my prayers every night, I promise

[Verse 2]
I don't wish that I'm spread, I promise
The tantrums and the chilling chats, I promise

[Refrain]
Even when the ship is wrecked, I promise
Tie me to the rotten deck, I promise

[Verse 3]
I won't run away no more, I promise
Even when I get bored, I promise

[Refrain]
Even when the ship is wrecked, I promise
Tie me to the rotten deck, I promise

[Outro]
I won't run away no more, I promise

 

At first, I was drawn to this video - even before I knew the lyrics - because the sense of loneliness, isolation, and lost in deep thought was palpable. I was struck too, by the thought, "None of them are on their devices. No one is texting, watching a movie, or listening to music. Everyone is there, fully, and fully alone."

Then came the severed head, and I it lost me.

"In 'I Promise,' commuters are shown numbly staring out bus windows at night." This, from a recent Rolling Stone article. "Eventually, it's revealed that one of the commuters is nothing more than an animatronic head propped up against the window, where it views and processes what it's witnessing."

There are no electronics, because they are electronic. The commuters have become machines.

"When the android attempts to drift off to sleep," the article continues, "memories and dreams of a crying woman stir it awake. In an unsettling conclusion, it causes the android to have an emotional response to his thoughts. The video ends with the robot head weeping on the bus seat."

According to Rolling StoneThom Yorke was partly inspired by how the singer felt he was "living in orbit" while on the long tour in support of The Bends. "The paranoia I felt at the time was much more related to how people related to each other," Yorke said (via).

"But I was using the terminology of technology to express it. Everything I was writing was actually a way of trying to reconnect with other human beings when you're always in transit. That's what I had to write about because that's what was going on, which in itself instilled a kind of loneliness and disconnection."

The severed head means everything now. 

I commute to work and navigate most of the city through public transportation - subways and buses mostly. And like the many millions of people around me, I tend to plug in my headphones and checkout. I innocently bump into others, shuffle seats and awkwardly smile at people, but nothing any deeper than that - there is for sure a strong disconnect. Like a severed head.

And like Thom Yorke, this bothers me. A lot. So, a few months back, I stopped. For fifty days straight, instead of listening to a Podcast or some new album, I tried to connect with people. 

Then, the strangest thing happened. People began opening up to me and talking about their struggles, their simple thoughts and desires, and their plans for the future. Or, simply, just about life. Suddenly, strangers became people with various stories; they became regular, just like me.

Yorke was trying to reconnect with other human beings who are always in transit, lonely and disconnected. So he made a promise. To stay connected.

But very much unlike computers and very much like people.

 

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