TIME's 100 most influential images


In this unprecedented exploration of 100 photographs that shaped the human experience, TIME goes behind each spectacular image to reveal how and why it changed the course of history (via).

There is no formula that makes a picture influential. Some images are on our list because they were the first of their kind, others because they shaped the way we think. And some made the cut because they directly changed the way we live. What all 100 share is that they are turning points in our human experience (via).

Here are a few of my favorites so far:

You can explore the stories behind the top 100 photographs, or you can watch short documentaries of the top 20 OF THE MOST INFLUENTIAL PHOTOS OF ALL TIME.

For more on . . .

-N- Stuff  :  Documentaries  :  Short Films

A flower from my wife


“The heart is a bloom, shoots up from the stony ground.”

A lyric that follows me now, down every dirt road path and onto the old cracked sidewalks, where little girls giggle as they silly talk and my mind drifts again to another world we lived in. A place that taught me a plant can survive in the most surprising, sometimes inhospitable places. And the human spirit can thrive, even in change, even if smothered or weary. 
Beautiful flowers can grow out of concrete.
- Josey Miller (@storyanthology)

Yeah, she’s pretty awesome.

Click here for more thoughts, pictures, and inspiration from my wife,

2018 National Geographic Travel Photographer of the Year


National Geographic recently announced the winners of the Travel Photographer of the Year contest for 2018. You can see the winners here and the people’s choice awards here.

I don't know why, but that alligator one really intrigues me. Maybe it's because I just spent the last ten days in a cabin on a lake and watched my kids play, almost daily, some form of king of the mountain (on rafts). I bet that's what those gators are doing too. And if I were the current king, I'd be leery of the big momma coming to claim her throne . . . sheesh.

For more on . . .

-N- Stuff  :  Photography  :  best of . . .

View of Life in a One-Room Home


"For eighteen years, {Masaki Yamamoto's} family of seven coexisted in a one-room apartment in Kobe. His father drove trucks, and his mother worked as a cashier in a supermarket. They and their five children all slept in the same space, a room the size of six tatami mats, limbs overlapping amid a pile of ever-multiplying junk. When you looked up, you couldn’t avoid meeting the eyes of someone else, Yamamoto, the second-oldest of his siblings, said, adding, 'The one place you could be alone was the bathtub.' 'Guts,' his new photography book, is a celebration of his family’s everyday existence in these close quarters (via).


"The power of Yamamoto’s photos lies in this subversion of the viewer’s expectations. Yamamoto is clear-sighted and un-nostalgic about his family’s precarious economic circumstances. When he was eight years old, the family was evicted from their previous apartment in Kobe. They all lived out of a car for a month, and Yamamoto and his siblings spent time in a children’s home before being reunited with their parents. In one photo, Yamamoto shows his mother playing rock, paper, scissors with her husband, to decide whether their money should go to his pachinko games. The camera focusses on the bills clenched tightly in her fist" (via).

 Photographs by Masaki Yamamoto

Photographs by Masaki Yamamoto

Kinda puts a lot of my life - my needs, wants, expectations, disappointments and fears - into perspective. 


You can read and see more here, at The New Yorker.


For more on . . .

Photography  :  -N- Stuff  :  Ebrahim Noroozi: Iranian Coal Miners  :  Hong Kong in the 1950s  :  Standing, for a moment, with refugees  :  jtinseoul : Loud yet Clear

Featured Photographer : Sebastiao Salgado


Sebastião Salgado’s early influences included Lewis Hine, W Eugene Smith and Walker Evans. Much like his heros, Salgado developed a style in black and white that found beauty in brutal subjects of poverty, hardship and oppression of various cultures under the wake of industrialization to the native landscape (via).


With a photojournalistic, monochromatic style that combines complexity with a high sense of drama, his work is dedicated to awareness of conditions of both wildlife and humans (via).


Salgado’s work raised global awareness to varying human conditions which revealed "the often harsh conditions of large scale industrial sites including oil fields and commercial fisheries" (via).


In 2004, after decades of seeing and capturing the worst humanity has to offer, "his work shifted to landscape and wildlife as he began his work on Genesis, a collection of images from some of the most remote parts of the world."

"Salgado aimed to capture landscape that is completely untouched by humans" (via). 


For forty years, Salgado documented deprived societies in hidden corners of the world, and the images, the people, and the experiences slowly yet methodically took its toll - his soul became sick, "I no longer believed in anything," Salgado found, "in any salvation for the human species."

It was then that he returned to his Brazilian home to began a new project: restoring the rainforest and mending his soul. 

For a deeper, more intimate glimpse into Sebastiao Salgado's heart and mind and camera, check out The Salt of the Earth, a film directed by Salgado's son that explores the life and loves and work of the brilliant Sebastião Salgado.

Here's a trailer of the film.

Little did I know that I was going to discover much more than just a photographer.

And so will you.

For more on . . .

-N- Stuff  :  Photography  :  Inspiring art  :  Salgados's Instagram  :  Documentaries


Featured Photographer : Hajjat Hamidi

Thanks to my wife, I recently came across this Iranian photographer, Hojjat Hamidi, and I think it's time you do too.





Ever wonder what people are thinking? I do. And I could sit and stare and wonder at this photograph for hours.


 Shepherd and his lamb

Shepherd and his lamb

 The Horse Story

The Horse Story

When my wife saw this she said, "Who takes photos like this?" and I wasn't sure how to answer because I couldn't pull myself out of this moment. Just gorgeous. 

To see more of Hojjat Hamidi photos, follow him on Instagram. He has over 26.6k followers, so I don't think you'll be disappointed. 


For more on . . .

-N- Stuff  :  Photography  :  Inspiring art

89-Year-Old Japanese Grandma Discovers Photography, Can’t Stop Taking Hilarious Self-Portraits Now


Kimiko Nishimoto, an 89-year-old Japanese grandma has been snapping and editing her own pictures for the last 17 years, and her pictures are fantastic.


"Her son was teaching a beginner's course and so she decided to enroll, unaware that she was about to awake a passion and a talent she never even knew she had" (via).


"She had her first solo exhibition ten years later, at a local museum in her home town of Kumamoto, and now she's about to have her work exhibited at Tokyo's Epson epsite imaging gallery. Titled “Asobokane" - meaning "let's play" - the exhibition will feature previously unseen work from the octogenarian artist" (via).


There are so many things to love about this woman and her work, but one that sticks out to me most is her love and joy of artistic expression.

After 72 years, Kimiko Nishimoto hasn't given up on offering her spirit and joy to the world, she's investing - perhaps more than ever - to the soundtrack of humanity. 


For seventeen years she's been enjoying and playing with photography. Seventeen years. For me, that's half a lifetime. For her, it's a whole new beginning.

And after 89 years, the voice of her new beginning, her gift to the world, is a smile. 

And that is both inspiring and encouraging.

For more on . . .

-N- Stuff  :  Creativity  :  Inspiring Art



My Fares : The people Joseph Rodriguez saw through the windshield.

Joseph Rodriguez drove a cab from 1977 to 1985, and in the last two of those years, he was studying to be a photographer. He lost his first set of gear in a classic ’70s New York stabbing and mugging, but with a new camera, he documented what he saw on the job (via).

“I loved the frenetic energy of the city at that time. I once picked up a guy from the Hellfire club, an S&M club, and by the time I dropped him off on the Upper East Side, he had changed his leather cap and everything and put on a pink oxford shirt and some penny loafers. ‘Good morning, sir,’ the doorman said.”

Meatpacking District | “ ‘Don’t I look sexy?’ she said. ‘Hey, how are you today?’ My response was ‘Oh, you look very pretty.’ And then she did that.”

We are what we've always been. Imperfect, beautiful, and fantastically human. 


For more on . . .

-N- Stuff  :  Photography  :  Joseph Rodriguez Photography  :  Early Photos of NYC